Winner of the John Whitney Hall Book Prize Winner of the Charles Rufus Morey Book Award
In this eloquent and far-ranging work, Yukio Lippit explores the seventeenth-century consolidation of Japanese painting by the famed Kano painting house, whose style evolved from the legacy of Zen monk-painters of the medieval era and intertwined Chinese with native Japanese practices. Legitimacy was transmitted from master to disciple in a manner similar to that in religious traditions. Lippit illuminates the role of key factors--bequeathal of artworks, authentication of art, painting in the mode of famous masters, collections of art, and the use of art in governance--in establishing the orthodoxy of the Kano painters and their paramount role in defining Japanese painting.
The Painting of the Realm is pathbreaking in its analysis of the discursive operations of the Kano school and its posing of large questions about painting that exceed narrow artist-centered, formalist analysis. Lippit has undertaken a bold and dense study of painting production and reception, presenting original and compelling interpretations.
Описание: The eighteenth century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to eighteenth-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This edited collection gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring and textile production. It invites us into the workshops, drawing rooms and backrooms of a broad range of creators, and uncovers how production and manual knowledge extended beyond the factories and machines which dominate industrial histories.This book illuminates, for the first time, the material literacies learnt, enacted and understood by British producers and consumers. The skills required for sewing, embroidering and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, this collection documents the multiplicity of small producers behind Britain’s consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.
Автор: Wade Rebecca Название: Domenico Brucciani and the Formatori of 19th-Century Britain ISBN: 1501332198 ISBN-13(EAN): 9781501332197 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture.
Based in Covent Garden in London, Brucciani built a network of fellow Italian migr formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.
Описание: Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings.
Описание: Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings.
Автор: Adler, Dan Название: Contemporary Sculpture and the Critique of Display Cultures ISBN: 0367516047 ISBN-13(EAN): 9780367516048 Издательство: Taylor&Francis Рейтинг: Цена: 3367.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road - and combine them in ways that allow each element to retain a degree of empirical specificity.
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