Автор: Jared C. Hartt Название: A Critical Companion to Medieval Motets ISBN: 1783276088 ISBN-13(EAN): 9781783276080 Издательство: Boydell & Brewer Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Автор: Duguid Название: Metrical Psalmody in Print and Practice ISBN: 1138269719 ISBN-13(EAN): 9781138269712 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all ages, social classes and educational abilities memorized and sang poetic versifications of the psalms. Those written by Thomas Sternhold and John Hopkins became the most popular, and the simple tunes developed and used by English and Scottish churches to accompany these texts were carried by soldiers, sailors and colonists throughout the English-speaking world. Among these tunes were a number that are still used today, including ’Old Hundredth’, ’Martyrs’, and ’French’. This book is the first to consider both English and Scottish metrical psalmody, comparing the two traditions in print and practice. It combines theological literary and musical analysis to reveal new and ground-breaking connections between the psalm texts and their tunes, which it traces in the English and Scottish psalters printed through 1640. Using this new analysis in combination with a more thorough evaluation of extant church records, Duguid contends that Britain developed and maintained two distinct psalm cultures, one in England and the other in Scotland.
Автор: Duguid Название: Metrical Psalmody in Print and Practice ISBN: 1409468925 ISBN-13(EAN): 9781409468929 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: During the Reformation, the Book of Psalms became one of the most well-known books of the Bible. This was particularly true in Britain, where people of all backgrounds memorised and sang poetic versifications of the psalms. This book is the first to consider both English and Scottish metrical psalmody.
Описание: Medieval Liège was the seat of a vast diocese in northwestern Europe and a city of an exceptional number of churches, clergymen, and church musicians. Recognized as a priestly paradise, the city accommodated as many Masses each day as Rome. In this volume, musicologist Catherine Saucier examines the music of religious worship in Liège and reveals within the liturgy and ritual a civic function by which local clerics promoted the holy status of their city. Analyzing hagiographic and historical writings, religious art, and sung ceremonies relevant to the city's genesis, destruction, and eventual rebirth, Saucier uncovers richly varied ways in which liégeois clergymen fused music with text, image, and ritual to celebrate the city's sacred episcopal origins and saintly persona. A Paradise of Priests forges new interdisciplinary connections between musicology, the liturgical arts, the cult of saints, church history, and urban studies, and is an essential resource for scholars and students interested in the history of the Low Countries, hagiography and its reception, and ecclesiastical institutions. Catherine Saucier is assistant professor of music history at Arizona State University.
Автор: Wilson Blake Название: Singing to the Lyre in Renaissance Italy ISBN: 1108738419 ISBN-13(EAN): 9781108738415 Издательство: Cambridge University Press Рейтинг: Цена: 10748.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Vernacular poetry in Renaissance Italy was typically created and disseminated by improvising singer-poets. This is the first comprehensive study of cantare ad lyram (singing to the lyre), the dominant form of solo singing in Italy prior to the mid-sixteenth century, and of the related oral practices of memory and improvisation.
Автор: Dunn Название: Gender and Song in Early Modern England ISBN: 1472443411 ISBN-13(EAN): 9781472443410 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Innovative and collaborative in its approach, this volume engages with the question of how gender informed song within particular textual, social and spatial contexts in sixteenth- and seventeenth-century England. In its attention to the gendering of song and the gendered processes and spaces of song`s circulation and reception.
Описание: This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ademar de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.
Автор: Locke Название: Music and the Exotic from the Renaissance to Mozart ISBN: 1107012376 ISBN-13(EAN): 9781107012370 Издательство: Cambridge Academ Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: During the years 1500-1800, Europeans became increasingly aware of ethnic Otherness. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke demonstrates Western culture`s rich response to this burgeoning awareness. His insights into the period`s major works and genres are supported by numerous music examples and rare illustrations.
Автор: Wilson, Blake (dickinson College, Pennsylvania) Название: Singing to the lyre in renaissance italy ISBN: 1108488072 ISBN-13(EAN): 9781108488075 Издательство: Cambridge Academ Рейтинг: Цена: 19483.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Vernacular poetry in Renaissance Italy was typically created and disseminated by improvising singer-poets. This is the first comprehensive study of cantare ad lyram (singing to the lyre), the dominant form of solo singing in Italy prior to the mid-sixteenth century, and of the related oral practices of memory and improvisation.
Описание: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Smith Название: Music in Ancient Judaism and Early Christianity ISBN: 1138273937 ISBN-13(EAN): 9781138273931 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Music in Ancient Judaism and Early Christianity, John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The extent to which early Christian music may have retained elements of the musical tradition of Judaism is also considered. After reviewing the subject's historical setting, and describing the main sources, the author discusses music at the Jerusalem Temple and in a variety of spheres of Jewish life away from it. His subsequent discussion of early Christian music covers music in private devotion, monasticism, the Eucharist, and gnostic literature. He concludes with an examination of the question of the relationship between Jewish and early Christian music, and a consideration of the musical environments that are likely to have influenced the formation of the earliest Christian chant. The scant remains of notated music from the period are discussed and placed in their respective contexts. The numerous sources that are the foundation of the book are evaluated objectively and critically in the light of modern scholarship. Due attention is given to where their limitations lie, and to what they cannot tell us as well as to what they can. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.
Автор: Dumitrescu Название: The Early Tudor Court and International Musical Relations ISBN: 1138265047 ISBN-13(EAN): 9781138265042 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
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