Описание: This book analyzes tango, specifically queer tango, and the role of musical practices and bodily expressions in social and cultural transformations in Buenos Aires.
2022 PROSE Award Finalist in Architecture and Urban Planning 2022 Association for Latin American Art Arvey Foundation Book Award, Honorable Mention
Throughout the early twentieth century, waves of migration brought working-class people to the outskirts of Buenos Aires. This prompted a dilemma: Where should these restive populations be situated relative to the city’s spatial politics? Might housing serve as a tool to discipline their behavior?
Enter Antonio Bonet, a Catalan architect inspired by the transatlantic modernist and surrealist movements. Ana María León follows Bonet's decades-long, state-backed quest to house Buenos Aires's diverse and fractious population. Working with totalitarian and populist regimes, Bonet developed three large-scale housing plans, each scuttled as a new government took over. Yet these incomplete plans—Bonet's dreams—teach us much about the relationship between modernism and state power.
Modernity for the Masses finds in Bonet's projects the disconnect between modern architecture’s discourse of emancipation and the reality of its rationalizing control. Although he and his patrons constantly glorified the people and depicted them in housing plans, Bonet never consulted them. Instead he succumbed to official and elite fears of the people's latent political power. In careful readings of Bonet's work, León discovers the progressive erasure of surrealism's psychological sensitivity, replaced with an impulse, realized in modernist design, to contain the increasingly empowered population.
Uber's April 2016 launch in Buenos Aires plunged the Argentine capital into a frenzied hysteria that engulfed courts of law, taxi drivers, bureaucrats, the press, the general public, and Argentina's president himself. Economist and anthropologist Juan M. del Nido, who had arrived in the city six months earlier to research the taxi industry, suddenly found himself documenting the unprecedented upheaval in real time. Taxis vs. Uber examines the ensuing conflict from the perspective of the city's globalist, culturally liberal middle class, showing how notions like monopoly, efficiency, innovation, competition, and freedom fueled claims that were often exaggerated, inconsistent, unverifiable, or plainly false, but that shaped the experience of the conflict such that taxi drivers' stakes in it were no longer merely disputed but progressively written off, pathologized, and explained away.
This first book-length study of the lead-up to and immediate aftermath of the arrival of a major platform economy to a metropolitan capital considers how the clash between Uber and the traditional taxi industry played out in courtrooms, in the press, and on the street. Looking to court cases, the politics of taxi licenses, social media campaigns, telecommunications infrastructure, public protests, and Uber's own promotional materials, del Nido examines the emergence of "post-political reasoning": an increasingly common way in which societies neutralize disagreement, shaping how we understand what we can even legitimately argue about and how.
Автор: Xochitl Marsilli-Vargas Название: Genres of Listening: An Ethnography of Psychoanalysis in Buenos Aires ISBN: 1478015918 ISBN-13(EAN): 9781478015918 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12534.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Genres of Listening Xochitl Marsilli-Vargas explores a unique culture of listening and communicating in Buenos Aires. She traces how psychoanalytic listening circulates beyond the clinical setting to become a central element of social interaction and cultural production in the city that has the highest number of practicing psychologists and psychoanalysts in the world. Marsilli-Vargas develops the concept of genres of listening to demonstrate that hearers listen differently, depending on where, how, and to whom they are listening. In particular, she focuses on psychoanalytic listening as a specific genre. Porteños (citizens of Buenos Aires) have developed a “psychoanalytic ear” that emerges during conversational encounters in everyday interactions in which participants offer different interpretations of the hidden meaning the words carry. Marsilli-Vargas does not analyze these interpretations as impositions or interruptions but as productive exchanges. By outlining how psychoanalytic listening operates as a genre, Marsilli-Vargas opens up ways to imagine other modes of listening and forms of social interaction.
In the late nineteenth and early twentieth centuries, a massive wave of immigration transformed the cultural landscape of Argentina. Alongside other immigrants to Buenos Aires, German speakers strove to carve out a place for themselves as Argentines without fully relinquishing their German language and identity. Their story sheds light on how pluralistic societies take shape and how immigrants negotiate the terms of citizenship and belonging.
Focusing on social welfare, education, religion, language, and the importance of children, Benjamin Bryce examines the formation of a distinct German-Argentine identity. Through a combination of cultural adaptation and a commitment to Protestant and Catholic religious affiliations, German speakers became stalwart Argentine citizens while maintaining connections to German culture. Even as Argentine nationalism intensified and the state called for a more culturally homogeneous citizenry, the leaders of Buenos Aires's German community advocated for a new, more pluralistic vision of Argentine citizenship by insisting that it was possible both to retain one's ethnic identity and be a good Argentine. Drawing parallels to other immigrant groups while closely analyzing the experiences of Argentines of German heritage, Bryce contributes new perspectives on the history of migration to Latin America—and on the complex interconnections between cultural pluralism and the emergence of national cultures.
Описание: Given the choice between chocolate or sex, Rebecca always chose chocolate. That is, until a series of transformational experiences caused her to let go of three decades of sexual repression and shame. A serendipitous encounter with a Brazilian man sets the stage for a six-year journey toward the discovery of a new sexual and spiritual truth and a love that comes full circle.Set against the backdrop of Buenos Aires and London, with the soulful music of the blues intricately woven throughout the journey, this book is more than just a captivating love story. Healing sources of spiritual guidance accompany the joyful and romantic ride.Deeply intimate, insightful, and enriched with playful humor, this story invites readers to not only engage in the beauty of one woman's journey of self-discovery, but to embark on their own journey toward living life to the fullest and highest degree possible.
Описание: Diego Maradona, Carlos Tevez, and Juan Roman Riquelme are some of the greatest athletes to ever play association football, and all former members of Buenos Aires most successful football club, Boca Juniors. Whether at the beginning, end, or middle of their careers, they all wore the blue and gold at some point, and will always be considered part of the Boca Junior family. This book explores the history of this illustrious football club detailing how they have shaped a national and international pastime.
In Your Eyes I See My Words, Volume 2 contains Pope Francis's homilies and speeches spanning from 2005 to 2008. Continuing what began in the first volume of this three-volume publication, Volume 2 shows Archbishop Bergoglio's growth as a pastor and a theologian/scholar in the midst of his people. At the same time, it shows him emerging as an international voice calling for changes in the way the Church carries out its ministry and its educational task on behalf of children, youth, adults, and church ministers. In his homilies from Christmas, Easter, and especially in his response to the tragic fire and deaths of 194 people at the night club, Republica Croma on, we see Bergoglio speak passionately to his parishioners, challenging them with equal portions of tenderness and righteous anger. Perhaps uniquely, we also watch as his audiences, prominence, and influence grow globally, foreshadowing who he will become in 2013 when he is elected Pope.
On the larger national and international scale, Bergoglio addresses various conferences, such as the Argentina Press Association and the Episcopal Conference of Argentina of which he was elected President in 2005 and served the maximum possible term of 6 years. We see and read as his work takes him outside his country to Rome (2007) at the Pontifical Commission for Latin America; to Brasil (2007) where his presentation on the Crisis of Civilization and Culture at the Fifth CELAM Conference ends up shaping much of the Aparecida Conclusions; and finally, to Quebec (2008) as he speaks at the Forty-Ninth International Eucharistic Congress.
All told, In Your Eyes I See My Words, Volume 2, is a glimpse into a period of time in which Archbishop Bergoglio grows immensely in thought, reflection, and in action, laying the groundwork for the mature, thoughtful, and beloved Pope Francis he has come to be known as around the world.
Описание: In Concrete Dreams Nicholas D’Avella examines the changing social and economic lives of buildings in the context of a construction boom following Argentina's political and economic crisis of 2001. D’Avella tells the stories of small-scale investors who turned to real estate as an alternative to a financial system they no longer trusted, of architects who struggled to maintain artistic values and political commitments in the face of the ongoing commodification of their work, and of residents-turned-activists who worked to protect their neighborhoods and city from being overtaken by new development. Such forms of everyday engagement with buildings, he argues, produce divergent forms of value that persist in tension with hegemonic forms of value. In the dreams attached to built environments and the material forms in which those dreams are articulated—from charts and graphs to architectural drawings, urban planning codes, and tango lyrics—D’Avella finds a blueprint for building livable futures in which people can survive alongside and even push back against the hegemony of capitalism.
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