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I walked with giants, Heath, Jimmy Mclaren, Joseph


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Автор: Heath, Jimmy Mclaren, Joseph
Название:  I walked with giants
ISBN: 9781439901984
Издательство: Wiley EDC
Классификация:

ISBN-10: 1439901988
Обложка/Формат: Hardcover
Страницы: 344
Вес: 0.59 кг.
Дата издания: 28.01.2010
Язык: English
Размер: 23.83 x 17.15 x 2.62 cm
Читательская аудитория: General (us: trade)
Подзаголовок: The autobiography of jimmy heath
Рейтинг:
Поставляется из: Англии
Описание:

Composer of more than 100 jazz pieces, three-time Grammy nominee, and performer on more than 125 albums, saxophonist Jimmy Heath has earned a place of honor in the history of jazz. Over his long career, Heath knew many jazz giants, such as Charlie Parker, and played with other innovators, including John Coltrane, Miles Davis, and especially Dizzy Gillespie. Along the way, Heath won both their respect and their friendship.

In this extraordinary autobiography, the legendary Heath creates a “dialogue” with musicians and family members. As in jazz, where improvisation by one performer prompts another to riff on the same theme, I Walked with Giants juxtaposes Heath’s account of his life and career with recollections from jazz giants about life on the road and making music on the world’s stages. His memories of playing with his equally legendary brothers, Percy and Albert (aka “Tootie”), dovetail with their recollections.

Heath reminisces about a South Philadelphia home filled with music and a close-knit family that hosted musicians performing in the city’s then thriving jazz scene. Milt Jackson recalls, “I went to their house for dinner. . . . Jimmy’s father put Charlie Parker records on and told everybody that we had to be quiet till dinner because he had Bird on. . . . When I [went] to Philly, I’d always go to their house.”

Today Heath performs, composes, and works as a music educator and arranger. By turns funny, poignant, and extremely candid, Heath’s story captures the rhythms of a life in jazz.


Дополнительное описание:

Foreword: In the Basement, by Bill Cosby 
Acknowledgments

Introduction, by Wynton Marsalis

Part One First Chorus (1926–1949) 
1. Finding a Rhythm: Philadelphia and Wilmington, North Carolina 
2. Big Band Con




Follow Your Heart: Moving with the Giants of Jazz, Swing, and Rhythm and Blues

Автор: Christopher Brooks, Joe Evans
Название: Follow Your Heart: Moving with the Giants of Jazz, Swing, and Rhythm and Blues
ISBN: 0252078152 ISBN-13(EAN): 9780252078156
Издательство: Wiley EDC
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Цена: 2915.00 р.
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Описание:

Detailing the fascinating career of Joe Evans, Follow Your Heart chronicles the nearly thirty years that he spent immersed in one of the most exciting times in African American music history. An alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter, Evans warmly recounts his wide range of experience in the music industry. Readers follow Evans from Pensacola, Florida, where he first learned to play, to such exotic destinations as Tel Aviv and Paris, which he visited while on tour with Lionel Hampton. Evans also comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club.

Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans provides rich descriptions of jazz, swing, and rhythm and blues culture by highlighting his experiences promoting tracks to radio deejays under Ray Charles's Tangerine label and later writing, arranging, and producing hits for the Manhattans and the Pretenders. Leading numerous musical ventures that included a publishing company and several labels--Cee Jay Records (with Jack Rags), Revival, and Carnival Records--Evans remained active in the music industry even after he stopped performing regularly. As one of the few who enjoyed success as both performer and entrepreneur, he offers invaluable insight into race relations within the industry, the development of African American music and society from the 1920s to 1970s, and the music scene of the era.


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