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Making it up together - the art of collective improvisation in balinese music and beyond, Tilley, Leslie A.


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Автор: Tilley, Leslie A.
Название:  Making it up together - the art of collective improvisation in balinese music and beyond
ISBN: 9780226661131
Издательство: Wiley
Классификация:


ISBN-10: 022666113X
Обложка/Формат: Hardcover
Страницы: 336
Вес: 0.84 кг.
Дата издания: 18.11.2019
Серия: Chicago studies in ethnomusicology cse (chup)
Язык: English
Размер: 25.40 x 17.81 x 2.06 cm
Читательская аудитория: General (us: trade)
Подзаголовок: The art of collective improvisation in balinese music and beyond
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Between 270 and 535 AD the city of Rome underwent a dramatic transformation, from an imperial capital into the centre of western Christendom. This volume focuses on the city`s senatorial elite to provide a uniquely comprehensive view of the period, arguing that its transformation was the result of a process of great political and cultural dynamism.


Improvisation and Inventio in the Performance of Medieval Mu

Автор: Mariani Angela
Название: Improvisation and Inventio in the Performance of Medieval Mu
ISBN: 019063118X ISBN-13(EAN): 9780190631185
Издательство: Oxford Academ
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Описание: This is the Digital Practitioner Foundation Study Guide for the DPBoK Part 1Examination. It gives an overview of every learning objective included in the DigitalPractitioner Foundation syllabus, and provides in-depth coverage on preparing andtaking the DPBoK Part 1 Examination. It is specifically designed to help individualsprepare for certification.This Study Guide is excellent material for:¢ Senior digital business professionals who need an increased awareness of digitalpractices¢ Mid-career IT professionals who need to stay relevant and validate their digitalSubject Matter Expert (SME) status in specific domain areas¢ Entry-level computing and digital business professionals¢ College-level students and computing and digital business majorsIt covers the following topics:¢ An introduction to DPBoK Foundation certification, including the DPBoK Part 1Examination¢ Key terminology, key concepts, and the structure of the Body of Knowledge¢ Basic concepts employed by the Digital Practitioner¢ The capabilities of digital infrastructure and initial concerns for its effective, efficient,and secure operation¢ The objectives and activities of application development¢ Why product management is formalized as a company or team grows, and thedifferences between product and project management¢ The key concerns and practices of work management as a team increases in size¢ The basic concepts and practices of operations management in a digital/IT context¢ How to coordinate as the organization grows into multiple teams and multipleproducts¢ IT investment and portfolio management¢ Organizational structure, human resources, and cultural factors¢ Governance, risk, security, and compliance¢ Information and data management on a large scale¢ Practices and methods for managing complexity using Enterprise Architecture

Improvisation Rites: From John Cage`s `song Books` to the Scratch Orchestra`s `nature Study Notes`. Collective Practices 2011 - 2017

Автор: Szczelkun Stefan
Название: Improvisation Rites: From John Cage`s `song Books` to the Scratch Orchestra`s `nature Study Notes`. Collective Practices 2011 - 2017
ISBN: 1870736966 ISBN-13(EAN): 9781870736961
Издательство: Неизвестно
Цена: 3311.00 р.
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Improvisation and Social Aesthetics

Автор: Born Georgina, Lewis Eric, Straw Will
Название: Improvisation and Social Aesthetics
ISBN: 0822361787 ISBN-13(EAN): 9780822361787
Издательство: Mare Nostrum (Eurospan)
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Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities.

Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, Zoë Svendsen, Darren Wershler
Improvisation and Social Aesthetics

Автор: Born Georgina, Lewis Eric, Straw Will
Название: Improvisation and Social Aesthetics
ISBN: 0822361949 ISBN-13(EAN): 9780822361947
Издательство: Mare Nostrum (Eurospan)
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Цена: 5010.00 р.
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Описание:

Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities.

Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, Zoë Svendsen, Darren Wershler
Studies in historical improvisation

Название: Studies in historical improvisation
ISBN: 0367230682 ISBN-13(EAN): 9780367230685
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание: In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods.

Practice of Musical Improvisation

Название: Practice of Musical Improvisation
ISBN: 1501349767 ISBN-13(EAN): 9781501349768
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Over several years, Bertrand Denzler and Jean-Luc Guionnet have interviewed approximately 50 musicians from various backgrounds about their practice of musical improvisation. Musicians include both the very experienced such as Sophie Agnel, Burkhard Beins, John Butcher, Rhodri Davies, Bill Dixon, Phil Durrant, Axel Dorner, Annette Krebs, Daunik Lazro, Mattin, Seijiro Murayama, Andrea Neumann, Jerome Noetinger, Evan Parker, Eddie Prevost and Taku Unami, as well as those newer to the field. Asked questions on topics such as the mental processes behind a collective improvisation, the importance of the human factor in improvisation, the strategies used and the way musical decisions are made, the interviewees highlight the habits and customs of a practice, as experienced by those who invent it on a daily basis. The interviews were carefully edited in order to produce a sort of grand discussion that draws an incomplete map of the blurred territory of contemporary improvised music.

Playing for Keeps: Improvisation in the Aftermath

Автор: Fischlin Daniel, Porter Eric
Название: Playing for Keeps: Improvisation in the Aftermath
ISBN: 1478008148 ISBN-13(EAN): 9781478008149
Издательство: Mare Nostrum (Eurospan)
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Цена: 5010.00 р.
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Описание: The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.

Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos

Negotiated Moments: Improvisation, Sound, and Subjectivity

Автор: Gillian Siddall, Ellen Waterman
Название: Negotiated Moments: Improvisation, Sound, and Subjectivity
ISBN: 0822360829 ISBN-13(EAN): 9780822360827
Издательство: Mare Nostrum (Eurospan)
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Цена: 20058.00 р.
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Описание:

The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. 

Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

Playing for Keeps: Improvisation in the Aftermath

Автор: Daniel Fischlin, Eric Porter
Название: Playing for Keeps: Improvisation in the Aftermath
ISBN: 1478006803 ISBN-13(EAN): 9781478006800
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 20058.00 р.
Наличие на складе: Нет в наличии.

Описание: The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world.

Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos

Negotiated Moments: Improvisation, Sound, and Subjectivity

Автор: Siddall Gillian, Waterman Ellen
Название: Negotiated Moments: Improvisation, Sound, and Subjectivity
ISBN: 0822360969 ISBN-13(EAN): 9780822360964
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 5010.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. 

Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong


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