Autobiographies of Orhan Pamuk :, McGaha, Michael D.,
Автор: Zepeda Karla P. Название: Exile and Identity in Autobiographies of Twentieth-Century S ISBN: 1433114267 ISBN-13(EAN): 9781433114267 Издательство: Peter Lang Рейтинг: Цена: 11979.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Exile and Identity in Autobiographies of Twentieth-Century Spanish Women
Автор: Brumble H. David Brumble Название: Street-Gang and Tribal-Warrior Autobiographies ISBN: 1783087811 ISBN-13(EAN): 9781783087815 Издательство: Неизвестно Рейтинг: Цена: 15863.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Down the ages warriors have told the stories about their powers and their deeds. And some of their stories have made it into print--those of Black Elk, a Sioux shaman; Two Leggings and Plenty Coups, Crow Indians; Wolf Chief, the eagle hunter; Tukup and Tariri, shrinkers of heads; and others from North America, New Guinea, the island of Alor, the highlands of Luzon and even a Bedouin.
H. David Brumble's 'Street-Gang and Tribal-Warrior Autobiographies' introduces readers to all these warrior autobiographies--and to the memoirs of warriors who live just down the block: Carl Joyeaux's 'Out of the Burning', Colton Simpson's 'Inside the Crips', Nathan McCall's 'Makes Me Wanna Holler' and Sanyika Shakur's 'Monster'. Gangbangers, Brumble argues, have told life stories that are eerily like the life stories that come to us from warrior tribes. He suggests that gangbangers were so alienated from the larger society that they reinvented something very similar to the tribal-warrior cultures right in the asphalt heart of American cities.
Grisly, probing and resonant with the voices of generations of fighters, 'Street-Gang and Tribal-Warrior Autobiographies' is an unsettling work of cross-disciplinary scholarship.
Автор: Sandeep Parmar Название: Reading Mina Loy`s Autobiographies: Myth of the Modern Woman ISBN: 1441176403 ISBN-13(EAN): 9781441176400 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers.
Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a 'modern woman' through an analysis of her unpublished autobiographical prose. Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the 'modern' and how they apply to the 'modernist' writer--based on her engagement with twentieth-century avant-garde aesthetics--and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a 'late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
Автор: Sandeep Parmar Название: Reading Mina Loy`s Autobiographies: Myth of the Modern Woman ISBN: 1472596501 ISBN-13(EAN): 9781472596505 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers.
Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a 'modern woman' through an analysis of her unpublished autobiographical prose. Reading Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the 'modern' and how they apply to the 'modernist' writer-based on her engagement with twentieth-century avant-garde aesthetics-and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a 'late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
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