The Dual Truth, Volumes I & II: Studies on Nineteenth-Century Modern Religious Thought and Its Influence on Twentieth-Century Jewish Philosophy, Chamiel Ephraim
There emerged in the nineteenth and twentieth centuries a new Jewish elite, notes Moshe Idel, no longer made up of prophets, priests, kings, or rabbis but of intellectuals and academicians working in secular universities or writing for an audience not defined by any one set of religious beliefs. In Old Worlds, New Mirrors Idel turns his gaze on figures as diverse as Walter Benjamin and Jacques Derrida, Franz Kafka and Franz Rosenzweig, Arnaldo Momigliano and Paul Celan, Abraham Heschel and George Steiner to reflect on their relationships to Judaism in a cosmopolitan, mostly European, context. Idel—himself one of the world's most eminent scholars of Jewish mysticism—focuses in particular on the mystical aspects of his subjects' writings. Avoiding all attempts to discern anything like a single "essence of Judaism" in their works, he nevertheless maintains a sustained effort to illumine especially the Kabbalistic and Hasidic strains of thought these figures would have derived from earlier Jewish sources. Looming large throughout is Gershom Scholem, the thinker who played such a crucial role in establishing the study of Kabbalah as a modern academic discipline and whose influence pervades Idel's own work; indeed, the author observes, much of the book may be seen as a mirror held up to reflect on the broader reception of Scholem's thought.
Описание: Deals with the concept of exile on many levels - from the literal to the metaphorical. The book combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl.
Описание: Deals with the concept of exile on many levels - from the literal to the metaphorical. The book combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl.
Описание: Examines the first encounter between traditional Judaism and modern European culture, and the first thinkers who sought to combine the Torah with science, revelation with reason, prophecy with philosophy, Jewish ethics with European culture, worldliness with sanctity, and universalism with the particular redemption of the Jews.
Описание: Examines the first encounter between traditional Judaism and modern European culture, and the first thinkers who sought to combine the Torah with science, revelation with reason, prophecy with philosophy, Jewish ethics with European culture, worldliness with sanctity, and universalism with the particular redemption of the Jews.
Описание: <p>Between May and October of 1917, three young shepherds were reportedly visited six times by an apparition of the Virgin Mary near the town of Fátima in Portugal. At the final apparition event, approximately 70,000 visitors gathered to witness a prophesied miracle intended to convince the public that the children's visions were of divine origin. The miracle took the form of a solar anomaly; witnesses claimed that the sun began to ""dance."" Exploring the early development of the cult of the Virgin of Fátima and the overthrow of the liberal, secular government by pro-Catholic elements, Jeffrey Bennett offers the first book-length scholarly study of the cult's relationship to the rise of authoritarian politics in Portugal. <em>When the Sun Danced</em> offers a fascinating look at the cultural dynamics that informed one of the most turbulent periods in the nation's history. </p>
Автор: Pitman Название: Twentieth Century Christian Responses to Religious Pluralism ISBN: 113826959X ISBN-13(EAN): 9781138269590 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Twentieth Century Christian Responses to Religious Pluralism begins with the recognition that the traditional three-fold typology adopted by Christians in responding to other living world religions is no longer adequate and offers a much more sophisticated and developed approach. This is accomplished with particular reference to ten key Twentieth Century theologians, each of whom had significant influence in the field of inter-religious studies, both during their lifetime and beyond. The author rejects the exclusivism and triumphalism of traditional Christian approaches and argues strongly and persuasively that the future for inter-religious relationships lies in what he describes as 'classical pluralism', and in an understanding of the importance of difference for inter-faith dialogue. Presenting an accessible introduction to the contemporary issues and challenges facing all those engaged in the further development of inter-faith relationships, dialogue and partnership between the world religions, Pitman argues that the future of world peace and prosperity depends on the outcome.
Описание: Examines the first encounter between traditional Judaism and modern European culture, and the first thinkers who sought to combine the Torah with science, revelation with reason, prophecy with philosophy, Jewish ethics with European culture, worldliness with sanctity, and universalism with the particular redemption of the Jews. In two volumes.
Описание: Examines the first encounter between traditional Judaism and modern European culture, and the first thinkers who sought to combine the Torah with science, revelation with reason, prophecy with philosophy, Jewish ethics with European culture, worldliness with sanctity, and universalism with the particular redemption of the Jews. In two volumes.
Описание: In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen's careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "progressing" from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "soundtrack" of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen's research defines more clearly the sound of 19th-century American Jewry.
Описание: In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-19th century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen's careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than "progressing" from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the "soundtrack" of 19th-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the 21st-century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen's research defines more clearly the sound of 19th-century American Jewry.
Описание: Rabbi Marcus Jastrow (1829-1903) was one of the most important figures of nineteenth-century Judaism, but is often neglected. This volume presents his life and his views on the reform of Judaism in the context of the changes and developments of Judaism in his lifetime.
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