Автор: Zuniga Daphne Название: Take Me Deeper Still: 40 Days to a Closer Walk with God ISBN: 1684112613 ISBN-13(EAN): 9781684112616 Издательство: Неизвестно Рейтинг: Цена: 3861.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Zuniga Elisha V. Название: Silly Human.: You`re Just a Stupid Smartphone ISBN: 1098317378 ISBN-13(EAN): 9781098317379 Издательство: Неизвестно Рейтинг: Цена: 2759.00 р. Наличие на складе: Нет в наличии.
Описание: Is it just me or is getting pretty crazy out there? Smartphones have pretty much taken over the world as we know it. It's a rare occasion to find a human without a phone in their hand. While driving, shopping, sleeping, walking, running, traveling, everywhere you look you will see a Smartphone I've even seen video footage of someone risking their life to recover a Smartphone that fell onto train tracks. Why are we so addicted? After starting at my own phone for countless hours I realized, Humans and Smartphones have a lot in common. Silly Human pokes fun of our addiction to our stupid Smartphones, and hopefully after reading we become smarter humans.
Having been pulled across time to aid heroes in the past while protecting a future yet to come, Zaneta finds her way back to the present-and the people responsible for stealing her children. The pursuit leads her north into Skyrim, where she, with help from the empire, is on the heels of the kidnappers, steadily nearing the end of her nightmare. In this spectacular conclusion, Zaneta covers the vast countryside with aid from an ancient dragon and mysterious strangers who, in the end, could help save the people she loves most.
Автор: Zuniga David M. Название: This Bloodless Liberty ISBN: 1609572157 ISBN-13(EAN): 9781609572150 Издательство: Неизвестно Цена: 2275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Zuniga Daphne Название: Take Me Deeper Still: 40 Days to a Closer Walk with God ISBN: 1684111978 ISBN-13(EAN): 9781684111978 Издательство: Неизвестно Рейтинг: Цена: 2206.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
In Portrait of a Young Painter, the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zúñiga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zúñiga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zúñiga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.
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