Cinema of sofia coppola 9781350178076

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Автор: Ferriss, Professor Suzanne (nova Southeastern University, Usa) (Сюзанн Феррисс)
Название: Cinema of sofia coppola
Перевод названия: Сюзанн Феррисс: Кино Софии Копполы
ISBN: 9781350178076
Издательство: Bloomsbury Academic
Классификация:

Кино, кинематография

Теория и критика кино

Кинорежиссёры, кинопродюсеры

Культурология

Мода и общество

ISBN-10: 1350178071
Обложка/Формат: Paperback
Страницы: 304
Вес: 0.66 кг.
Дата издания: 25.02.2021
Серия: Arts
Язык: English
Иллюстрации: 80 colour illus
Размер: 135 x 204 x 25
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Cultural studies,Fashion & society,Film theory & criticism,Films, cinema,Individual film directors, film-makers, ART / Popular Culture,BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry,PERFORMING ARTS / Film & Video / Direction & Production,P
Подзаголовок: Fashion, culture, celebrity
Рейтинг:
Поставляется из: Англии
Описание: The Cinema of Sofia Coppola provides the first comprehensive analysis of Coppola’s oeuvre that situates her work broadly in relation to contemporary artistic, social and cultural currents. Suzanne Ferriss considers the central role of fashion - in its various manifestations - to Coppola’s films, exploring fashion’s primacy in every cinematic dimension: in film narrative; production, costume and sound design; cinematography; marketing, distribution and auteur branding. She also explores the theme of celebrity, including Coppola’s own director-star persona, and argues that Coppola’s auteur status rests on an original and distinct visual style, derived from the filmmaker’s complex engagement with photography and painting. Ferriss analyzes each of Coppola’s six films, categorizing them in two groups: films where fashion commands attention (Marie Antoinette, The Beguiled and The Bling Ring) and those where clothing and material goods do not stand out ostentatiously, but are essential in establishing characters’ identities and relationships (The Virgin Suicides, Lost in Translation and Somewhere). Throughout, Ferriss draws on approaches from scholarship on fashion, film, visual culture, art history, celebrity and material culture to capture the complexities of Coppola’s engagement with fashion, culture and celebrity. The Cinema of Sofia Coppola is beautifully illustrated with color images from her films, as well as artworks and advertising artefacts.

Cinema of sofia coppola, Ferriss, Professor Suzanne (nova Southeastern University, Usa)