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Frames and framing in documentary comics, C.p. Schmid, Johannes


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Автор: C.p. Schmid, Johannes
Название:  Frames and framing in documentary comics
ISBN: 9783030633028
Издательство: Springer
Классификация:




ISBN-10: 3030633020
Обложка/Формат: Hardcover
Страницы: 292
Вес: 0.52 кг.
Дата издания: 25.02.2021
Серия: Palgrave studies in comics and graphic novels
Язык: English
Издание: 1st ed. 2021
Иллюстрации: 44 illustrations, black and white; vii, 303 p. 44 illus.
Размер: 21.01 x 14.81 x 1.91 cm
Читательская аудитория: Professional & vocational
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate.


Drawn from life

Автор: Murray, Jonathan
Название: Drawn from life
ISBN: 0748694110 ISBN-13(EAN): 9780748694112
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: This collection looks at the ways in which cognition is explicitly or implicitly conceived of as distributed across brain, body and world in Enlightenment and Romantic science, medicine, philosophy, art, literature and drama.

Ferocious Reality: Documentary According to Werner Herzog ( Visible Evidence (Hardcover) #27 )

Автор: Ames, Eric (Author)
Название: Ferocious Reality: Documentary According to Werner Herzog ( Visible Evidence (Hardcover) #27 )
ISBN: 0816677638 ISBN-13(EAN): 9780816677634
Издательство: NBN International
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Цена: 8279.00 р. 11827.00 -30%
Наличие на складе: Есть (1 шт.)
Описание: Over the course of his career Werner Herzog, known for such visionary masterpieces as Aguirre: The Wrath of God (1972) and The Enigma of Kaspar Hauser (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: \u201cThere are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.\u201d Ferocious Reality is the first book to ask how this conviction, so hostile to the traditional tenets of documentary, can inform the work of one of the world\u2019s most provocative documentarians.Herzog, whose Cave of Forgotten Dreams was perhaps the most celebrated documentary of 2010, may be the most influential filmmaker missing from major studies and histories of documentary. Examining such notable films as Lessons of Darkness (1992) and Grizzly Man (2005), Eric Ames shows how Herzog dismisses documentary as a mode of filmmaking in order to creatively intervene and participate in it. In close, contextualized analysis of more than twenty-five films spanning Herzog\u2019s career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. Thus his book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner Herzog\u2019s extraordinary oeuvre.

Shut Up and Shoot Documentary Guide

Автор: Artis Anthony
Название: Shut Up and Shoot Documentary Guide
ISBN: 0240824156 ISBN-13(EAN): 9780240824154
Издательство: Taylor&Francis
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Цена: 5266.00 р. 6583.00 -20%
Наличие на складе: Есть (1 шт.)
Описание: Beginning documentary filmmakers haven`t had a resource until now

Discussing Disney

Автор: Davis Amy
Название: Discussing Disney
ISBN: 0861967194 ISBN-13(EAN): 9780861967193
Издательство: Mare Nostrum (Eurospan)
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Цена: 4013.00 р.
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Описание:

Discussing Disney has grown out of a conference of the same name, is a collection of 12 papers on topics which, though diverse in scope, all relate back to one another through their connection to Disney. As the field of Disney Studies continues to grow and evolve, those working within and contributing to it come from a range of backgrounds, including History, Myth Studies, Film Studies, Gender Studies, and Musicology (to name just a few), and therefore examine the outputs of the Disney company - and the company itself - in diverse ways.

Discussing Disney seeks to continue the evolution of Disney Studies as an academic field that has now evolved beyond a discourse that merely, to quote Eric Smoodin (1994), "... sought} to complicate the notions and uses of Disney discourse that currently make their way to the general public through the popular media". Though this was an important early step in Disney Studies, as it found it necessary to justify its legitimacy within the academy, in the intervening quarter-century, Disney Studies has established itself as a field of Animation Studies (which, simultaneously, has established itself as a branch of Film and Television Studies, as well as Cultural Studies), and is now recognized widely as a valid subject of academic enquiry in its own right. Film Studies as a whole - and Disney Studies as part of that - has also evolved in such a way that it has moved forward from insisting upon an overtly political (and therefore inherently biased) stance, and has taken up a more historically-based and/or cultural studies-based, politically-neutral approach that seeks to contextualize its subject in terms of the conditions in which the company's various outputs - animated shorts and films, theme park attractions, television shows, books, music, merchandising, and the like - have been produced, as well as understanding the audience for whom these were made initially. This is not to say that the field ignores politics - far from it - but rather that it uses political history and political theory as academic basis, rather than as a position from which to debate and opine.

By looking at Disney from some of its many angles - the history and the persona of its founder, a selection of its films (from the blockbuster successes to the less than successful), its approaches to animation, its branding and fandom, and the ways that it has been understood and reinterpreted within popular culture -

it is hoped that Discussing Disney offers its readers (and the field of Disney Studies) a more holistic understanding of a company that is arguably one of the most important forces within culture - popular or otherwise - within (so far) the Twentieth and Twenty-First Centuries.

Colonial documentary film in south and south-east asia

Название: Colonial documentary film in south and south-east asia
ISBN: 147440720X ISBN-13(EAN): 9781474407205
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions.

Latin american documentary film in the new millennium

Название: Latin american documentary film in the new millennium
ISBN: 1137495227 ISBN-13(EAN): 9781137495228
Издательство: Springer
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Цена: 19564.00 р.
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Описание: Nearly two decades into the new millennium, Latin American documentary film is experiencing renewed vibrancy and visibility on the global stage. This book highlights the richness and heterogeneity of Latin American documentary film, surveys a broad range of national contexts, styles, and practices, and expands current debates on the genre.

I–Docs – The Evolving Practices of Interactive Documentary

Автор: Judith Aston, Sandra Gaudenzi, Mandy Rose
Название: I–Docs – The Evolving Practices of Interactive Documentary
ISBN: 0231181221 ISBN-13(EAN): 9780231181228
Издательство: Wiley
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Цена: 13939.00 р.
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Описание: Taking a broad view of interactive documentary as any work which engages with `the real` by employing digital interactive technology, this volume addresses a range of platforms and environments, from web-docs and virtual reality to mobile media and live performance.

Frames and Framing in Documentary Comics

Автор: Schmid Johannes C. P.
Название: Frames and Framing in Documentary Comics
ISBN: 3030633055 ISBN-13(EAN): 9783030633059
Издательство: Springer
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Цена: 13974.00 р.
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Описание: The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate.

Documentary Across Platforms: Reverse Engineering Media, Place, and Politics

Автор: Zimmermann Patricia R.
Название: Documentary Across Platforms: Reverse Engineering Media, Place, and Politics
ISBN: 0253043468 ISBN-13(EAN): 9780253043467
Издательство: Mare Nostrum (Eurospan)
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Цена: 10659.00 р.
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Описание: In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world. Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas just like objects can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts. Together these essays demonstrate documentary's role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.

Documentary storytelling

Автор: Curran Bernard, Sheila (university At Albany, State University Of New York, Usa)
Название: Documentary storytelling
ISBN: 1032267291 ISBN-13(EAN): 9781032267296
Издательство: Taylor&Francis
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Цена: 5664.00 р.
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Описание: For nearly two decades, Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the global documentary marketplace: storytelling. The book`s website - available at www.documentarystorytelling.com - includes further interviews, related articles, and more.

Documentary film reader

Название: Documentary film reader
ISBN: 0199739641 ISBN-13(EAN): 9780199739646
Издательство: Oxford Academ
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Цена: 23760.00 р.
Наличие на складе: Поставка под заказ.

Описание: The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film.

American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris

Автор: Ricciardelli Lucia
Название: American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris
ISBN: 0415840120 ISBN-13(EAN): 9780415840125
Издательство: Taylor&Francis
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Цена: 24499.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.


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