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Real vocal book - volume ii, 


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Цена: 7293.00р.
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Наличие: Поставка под заказ.  Есть в наличии на складе поставщика.
Склад Англия: Есть  Склад Америка: Есть  
При оформлении заказа до: 2025-09-10
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Название:  Real vocal book - volume ii
ISBN: 9781423451235
Издательство: Hal leonard corporation
Классификация:

ISBN-10: 1423451236
Обложка/Формат: Paperback
Страницы: 367
Вес: 1.05 кг.
Дата издания: 01.10.2008
Язык: English
Размер: 27.69 x 22.86 x 2.54 cm
Читательская аудитория: General (us: trade)
Подзаголовок: Volume ii (low voice)
Рейтинг:
Поставляется из: Англии
Описание: Looking at the situation of Kurds in Turkey through the lens of multiculturalism, this book offers a comparative analysis of attempts to find a solution to the often violent situation. Looking at wider contexts of state and nation-building projects, this book is ideal for scholars and policy makers working on Turkish politics, Kurds, national minorities, multiculturalism and conflict resolution.


Real vocal book - volume i - second edition

Автор: Phillips, C
Название: Real vocal book - volume i - second edition
ISBN: 0634060805 ISBN-13(EAN): 9780634060809
Издательство: Неизвестно
Рейтинг:
Цена: 6207.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Craig Larman again delivers a clear path for students to learn object-oriented analysis and design through his clear and precise writing style. Larman teaches newcomers to OOA/D learn how to "think in objects" by presenting three iterations of a single, cohesive case study, incrementally introducing the requirements and OOA/D activities, principles, and patterns that are most critical to success.

Real Men Don`t Sing: Crooning in American Culture

Автор: McCracken Allison
Название: Real Men Don`t Sing: Crooning in American Culture
ISBN: 0822359170 ISBN-13(EAN): 9780822359173
Издательство: Mare Nostrum (Eurospan)
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Цена: 20058.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners’ rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture.
 
Real Men Don`t Sing: Crooning in American Culture

Автор: McCracken Allison
Название: Real Men Don`t Sing: Crooning in American Culture
ISBN: 0822359367 ISBN-13(EAN): 9780822359364
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 5010.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners’ rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture.
 

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