Atmospheric Noise: The Indefinite Urbanism of Los Angeles, Peterson Marina
Автор: Bakke Gretchen, Peterson Marina Название: Between Matter and Method: Encounters in Anthropology and Art ISBN: 1474289207 ISBN-13(EAN): 9781474289207 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Building on the lively exchange between anthropology and art that has emerged in recent years, Between Matter and Method makes a bold and creative contribution to this rapidly growing field.
Автор: Gretchen Bakke, Marina Peterson Название: Anthropology of the Arts: A Reader ISBN: 1472585925 ISBN-13(EAN): 9781472585929 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Поставка под заказ.
Описание: A comprehensive introduction to the anthropology of the arts, this is the first textbook to go beyond visual art to cover the arts more broadly. Drawing together media such as painting, sound, performance, video, and film, it presents a clear overview of the cross-cultural human experience of art.
Автор: Marina Peterson Название: Atmospheric Noise: The Indefinite Urbanism of Los Angeles ISBN: 1478010703 ISBN-13(EAN): 9781478010708 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12910.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Atmospheric Noise, Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise since the 1960s. Exploring spaces shaped by noise around Los Angeles International Airport (LAX), she shows how noise is a way of attuning toward the atmospheric: through noise we learn to listen to the sky and imagine the permeability of bodies and matter, sensing and conceiving that which is diffuse, indefinite, vague, and unformed. In her account, the “atmospheric” encompasses the physicality of the ephemeral, dynamic assemblages of matter as well as a logic of indeterminacy. It is audible as well as visible, heard as much as breathed. Peterson develops a theory of “indefinite urbanism” to refer to marginalized spaces of the city where concrete meets sky, windows resonate with the whine of departing planes, and endangered butterflies live under flight paths. Offering a conceptualization of sound as immanent and non-objectified, she demonstrates ways in which noise is central to how we know, feel, and think atmospherically.
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