Performing Powerilluminates how colonial dominance in Indonesia was legitimized, maintained, negotiated, and contested through the everyday staging and public performance of power between the colonizer and colonized.
Arnout Van der Meer's Performing Power explores what seemingly ordinary interactions reveal about the construction of national, racial, social, religious, and gender identities as well as the experience of modernity in colonial Indonesia. Through acts of everyday resistance, such as speaking a different language, withholding deference, and changing one's appearance and consumer behavior, a new generation of Indonesians contested the hegemonic colonial appropriation of local culture and the racial and gender inequalities that it sustained. Over time these relationships of domination and subordination became inverted, and by the twentieth century the Javanese used the tropes of Dutch colonial behavior to subvert the administrative hierarchy of the state.
Thanks to generous funding from the Sustainable History Monograph Pilot and the Mellon Foundation the ebook editions of this book are available as Open Access (OA) volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other Open Access repositories.
Автор: Rudyard Alcocer, Kristen Block, Dawn Duke Название: Celluloid Chains: Slavery in the Americas through Film ISBN: 1621905489 ISBN-13(EAN): 9781621905486 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6264.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Featuring a variety of disciplinary perspectives and analytical approaches, Celluloid Chains is the most comprehensive volume to date on films about slavery. This collection examines works from not only the United States but elsewhere in the Americas, and it attests to slavery’s continuing importance as a source of immense fascination for filmmakers and their audiences.Each of the book’s fifteen original essays focuses on a particular film that directly treats the enslavement of Africans and their descendants in the New World. Beginning with an essay on the Cuban film El otro Francisco (1975), Sergio Giral’s reworking of a nineteenth-century abolitionist novel, the book proceeds to examine such works as the landmark miniseries Roots (1977), which sparked intense controversy over its authenticity; Werner Herzog’s Cobra Verde (1987), which raises questions about what constitutes a slavery film; Guy Deslauriers’s Passage du milieu (1999), a documentary-style reconstruction of what Africans experienced during the Middle Passage; and Steve McQueen’s Oscar-winning 12 Years a Slave (2013), which embodies the tensions between faithfully adapting a nineteenth-century slave narrative and bending it for modern purposes.Films about slavery have shown a special power to portray the worst and best of humanity, and Celluloid Chains is an essential guide to this important genre.
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