On The Meta-category Of Chinese Music Aesthetics, Sai Yang
Автор: Voegelin, Dr Salome (professor, London College Of Communication, Uk) Название: Sonic possible worlds, revised edition ISBN: 1501367625 ISBN-13(EAN): 9781501367625 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From its use in literary theory, film criticism and the discourse of games design, Salom Voegelin expands 'possible world theory' to think the worlding of sound in music, in art and in the everyday. The modal logic of possible worlds, articulated principally via David K. Lewis and developed through Maurice Merleau-Ponty's phenomenological life-worlds, creates a view on the invisible slices of the world and reflects on how to make them count, politically and aesthetically. How to make them thinkable and accessible as the possibility of the everyday and of art: to reach a new materialist understanding from the invisible and to develop an ear for the as yet inaudible. This revised edition continues Voegelin's exploration of the sonic possibility of the world into the sonic possibility and impossibility of the body. Listening to work by ine O'Dwyer, Hannah Silva and Jocy de Oliveira, it considers sonic possible worlds' radical power to rethink normative constructions and to fabulate a different body from its sound: Hearing the Continuum Between Plural Bodies; between humans, humanoid aliens, monsters, vampires, plants, things and anything we have no name for yet but which a sonic philosophy might start to hear and call.
The purpose of Chinese Philosophy and Contemporary Aesthetics is simple and straightforward: to discuss empty, nothing, opening, white, nature color, blankness, and different delicate senses, in ink-water painting and calligraphy, around discourses of poetics, philosophy ideas, and art critics.
Because xu has inner plasticity and re-generation, which are crucial for its aesthetic discourse, the relation between "nature" or "naturalness" and "emptiness" approaches a fundamental question of modernity—the relation between event revolution and "silent transformation."
Описание: This book investigates a new interactive data visualisation concept that employs traditional Chinese aesthetics as a basis for exploring contemporary digital technological contexts.
Автор: Hu Jiaxiang Название: Study On Chinese Traditional Theory Of Artistic Style ISBN: 9813279427 ISBN-13(EAN): 9789813279421 Издательство: World Scientific Publishing Рейтинг: Цена: 28512.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The book features an in-depth analysis of pre-modern Chinese discourses on artistic style especially the concept of Vitality-Charm (氣韻). Adopting an interdisciplinary approach, the book examines Vitality-Charm and related topics from the perspectives of aesthetics, stylistics, semiotics, cosmology, art history, and socio-cultural history. It reviews the development of, and examines the relations between, the concepts of poetic vision, spiritual resonance, spiritual expressiveness, Vitality-Charm and so on in the tradition of Chinese art (including literature, music, dancing, and drama). The book also attempts to clarify confusions caused by the overlapping and indistinct demarcations between the concepts when they are used in the discourse of, and even the training of art -- especially traditional Chinese art.
In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art.
In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
Описание: In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting-especially a landscape painting-replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant's account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential sixth to fourteenth-century theorists and art historians and connoisseurs, the first part explains and discusses qiyun and its conceptual development from a notion mainly applied to figure painting to one that also plays an enduring role in the aesthetics of landscape painting. In the light of Kant's account of genius, the second part examines a range of issues regarding the role of the mind in creating a painting replete with qiyun and the impossibility of teaching qiyun. Through this comparison with Kant, Hu demystifies the uniqueness of qiyun aesthetics and also illuminates some limitations in Kant's aesthetics.
Описание: This book offers a uniquely process relational oriented Chinese approach to inter-religious dialogue called Chinese Harmonism. The key features of Chinese harmonism are peaceful co-existence, mutual transformation, and openness to change. As developed with help from Whiteheadian process thought, Chinese harmonism provides a middle way between particularism and universalism, showing how diversity can exist within unity. Chinese harmonism is open to similarities among religions, but it also emphasizes that differences among religions can be complementary rather than contradictory. Thus Chinese harmonism implies an attitude of respect for others and a willingness to learn from others, without reducing the other to one’s own identity: that is, to sameness. By emphasizing the possibility of complementariness, a process oriented Chinese harmonism avoids a dichotomy between universalism and particularism represented respectively by John Hick and S. Mark Heim, and will make room for a genuine openness and do justice to the culturally and religiously “other.”
Описание: This book investigates a new interactive data visualisation concept that employs traditional Chinese aesthetics as a basis for exploring contemporary digital technological contexts.
Описание: Spiritual Rituals of Chinese Ink Painting: The Suggestions of Shih Tao.- Ideas of the Body in Zhu Guangqin's Aesthetics.- The Origin of "Aesthetic Experience" as the Key of Comparative Aesthetics: The Case of Confucian Aesthetics and the Recent Suggestion of Its Reference to Western Feminist Aesthetics".- Contemporary Feminist Aesthetics in China.- The Revelations of Ban Zhao's Lessons for Women.- The Relation of 'Self' and "Others" in the Confucian Traditions and Its Implications to Global Feminisms and Public Philosophies.- A Further Reflection on Some Feminist Perspectives in Epistemology.- Judith Butler's Reading of the Sartrian Bodies and the Cartesian Ghosts.- Beyond Ontology? Reflections on Robert Solomon's Ideation of Emotion and Mencius' Moral Cultivation of 'Embodied Emotion.- A Cross-Cultural Reflection on Shusterman's Suggestion of the "Transactional" Body.- Chinese Bodies in Philosophy, Aesthetics, Gender and Politics: Methodologies and Practices.- Is Confucianism a Religion? Investigation into the Religious Aspects of Confucianism.- A Historical Review and Reflection on the Confucian "Great Learning" and its Contemporary Implications for Higher Education.- Lao Sze-Kwang's Discourse on Chinese Philosophy and Contemporary Popular Confucianism in China.- What Does Comparative Philosophy Mean to a Female Chinese Scholar Like Me.
Описание: Spiritual Rituals of Chinese Ink Painting: The Suggestions of Shih Tao.- Ideas of the Body in Zhu Guangqin's Aesthetics.- The Origin of "Aesthetic Experience" as the Key of Comparative Aesthetics: The Case of Confucian Aesthetics and the Recent Suggestion of Its Reference to Western Feminist Aesthetics".- Contemporary Feminist Aesthetics in China.- The Revelations of Ban Zhao's Lessons for Women.- The Relation of 'Self' and "Others" in the Confucian Traditions and Its Implications to Global Feminisms and Public Philosophies.- A Further Reflection on Some Feminist Perspectives in Epistemology.- Judith Butler's Reading of the Sartrian Bodies and the Cartesian Ghosts.- Beyond Ontology? Reflections on Robert Solomon's Ideation of Emotion and Mencius' Moral Cultivation of 'Embodied Emotion.- A Cross-Cultural Reflection on Shusterman's Suggestion of the "Transactional" Body.- Chinese Bodies in Philosophy, Aesthetics, Gender and Politics: Methodologies and Practices.- Is Confucianism a Religion? Investigation into the Religious Aspects of Confucianism.- A Historical Review and Reflection on the Confucian "Great Learning" and its Contemporary Implications for Higher Education.- Lao Sze-Kwang's Discourse on Chinese Philosophy and Contemporary Popular Confucianism in China.- What Does Comparative Philosophy Mean to a Female Chinese Scholar Like Me.
Автор: Zhu Zhirong Название: Chinese Aesthetics in a Global Context ISBN: 9811677468 ISBN-13(EAN): 9789811677465 Издательство: Springer Рейтинг: Цена: 15372.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying China`s traditional and cultural history to a Western theoretical framework.
Описание: In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art.
In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty.
Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
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