Force of Words: A Cultural History of Christianity and Politics in Medieval Iceland (11th- 13th Centuries), Haraldur Hreinsson
Автор: Shpakovsky Viacheslav Название: Armies of the Volga Bulgars & Khanate of Kazan ISBN: 1782000798 ISBN-13(EAN): 9781782000792 Издательство: Osprey Рейтинг: Цена: 1929.00 р. Наличие на складе: Поставка под заказ.
Описание: The Bulgars were a Turkic people who established a state north of the Black Sea. Their state fragmented under pressure from the Khazars; one group moved south, but the rest moved north during the 7th and 8th centuries to the basin of the Volga river. This book explores the costumes, armament, armour and fighting methods of the Volga Bulgars.
Автор: Nicolle David Название: Forces of the Hanseatic League ISBN: 1782007792 ISBN-13(EAN): 9781782007791 Издательство: Osprey Рейтинг: Цена: 2058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Hanseatic League was a commercial and defensive federation of merchant guilds based in harbour towns along the North Sea and Baltic coasts of what are now Germany and her neighbours, which eventually dominated maritime trade in Northern Europe and spread its influence much further afield. This title deals with this topic.
In A Diabolical Voice, Justine L. Trombley traces the afterlife of the Mirror of Simple Souls, which circulated anonymously for two centuries in four languages, though not without controversy or condemnation. Widely recognized as one of the most unusual and important mystical treatises of the late Middle Ages, the Mirror was condemned in Paris in 1310 as a heretical work, and its author, Marguerite Porete, was burned at the stake. Trombley identifies alongside the work's increasing positive reception a parallel trend of opposition and condemnation centered specifically around its Latin translation. She's discovered fourteenth- and fifteenth-century theologians, canon lawyers, inquisitors, and other churchmen who were entirely ignorant of the Mirror's author and its condemnation and saw in the work dangerous heresies that demanded refutation and condemnation of their own.
Using new evidence from the Mirror's largely overlooked Latin manuscript tradition, A Diabolical Voice charts the range of negative reactions to the Mirror, from confiscations and physical destruction to academic refutations and vicious denunciations of its supposedly fiendish doctrines. This parallel story of opposition shows how heresy remained an integral part of the Mirror's history well beyond the events of 1310, revealing how seriously churchmen took Marguerite Porete's ideas on their own terms, in contexts entirely removed from Marguerite's identity and her fate. Emphasizing the complexity of the Mirror of Simple Souls and its reception, Trombley makes clear that this influential book continues to yield new perspectives and understandings.
Описание: This volume contains sixteen articles by international experts from different disciplines touching on various aspects on medieval and early modern cults of saints from different corners of Europe, with a special focus on Scandinavian saints and their artistic receptions up to modern times. The saints represented different aspects of a Christian world-view forming the basis of communal identities, still present in post-Reformation Europe. Notions of cultural memory underpin several of the studies in the volume. Moreover, the reader will also find articles concerning the function of saints' cults, in particular how the material culture of these cults was perceived and experienced by the medieval beholder. The book includes a recording of music from the Middle Ages up to modern times focusing on saints and the notion of sanctity.
Описание: A study of the involvement of the Cistercian Order in the events surrounding the outbreak of heresy - particularly that of the Cathars and the resulting Albigensian Crusade - in southern France.Led by the example of Bernard of Clairvaux, Cistercian monks turned their attention to the world outside the monastery walls in response to the threat posed by heretical Christians, in particular the Cathars. The white monks, withother intellectuals, turned to pen, pulpit and popular preaching to counteract heresy, some accepting posts as bishops and papal legates, helping and even directing the Albigensian crusade, and contributing to the formulation ofprocedures for inquisition. Kienzle examines this important but little-studied aspect of Cistercian history to discover how and why the Order undertook endeavours that drew the monks outside their monastic vocation. The analysis of texts about the preaching campaigns and their contexts illuminate the ways in which medieval monastic authors perceived heresy, preached, and wrote against it.Professor BEVERLY MAYNE KIENZLE teaches at Harvard Divinity School.
Автор: Arentzen Thomas Название: The Virgin in Song: Mary and the Poetry of Romanos the Melodist ISBN: 0812249070 ISBN-13(EAN): 9780812249071 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8772.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals. In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection. Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy.
Автор: Colin McAllister Название: The Cambridge Companion to Apocalyptic Literature ISBN: 1108436897 ISBN-13(EAN): 9781108436892 Издательство: Cambridge Academ Рейтинг: Цена: 7230.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Jewish and Christian apocalyptic literature has captivated theologians, writers, artists, and the general public for centuries, and has had a profound influence on world history since its initial production by persecuted Jews during the second century BCE. This Companion brings together leading experts for a comprehensive overview of the subject.
Описание: In Suspect Saints and Holy Heretics Janine Larmon Peterson investigates regional saints whose holiness was contested. She scrutinizes the papacy's toleration of unofficial saints' cults and its response when their devotees challenged church authority about a cult's merits or the saint's orthodoxy. As she demonstrates, communities that venerated saints increasingly clashed with popes and inquisitors determined to erode any local claims of religious authority. Local and unsanctioned saints were spiritual and social fixtures in the towns of northern and central Italy in the thirteenth and fourteenth centuries. In some cases, popes allowed these saints' cults; in others, church officials condemned the saint and/or their followers as heretics. Using a wide range of secular and clerical sources—including vitae, inquisitorial and canonization records, chronicles, and civic statutes—Peterson explores who these unofficial saints were, how the phenomenon of disputed sanctity arose, and why communities would be willing to risk punishment by continuing to venerate a local holy man or woman. She argues that the Church increasingly restricted sanctification in the later Middle Ages, which precipitated new debates over who had the authority to recognize sainthood and what evidence should be used to identify holiness and heterodoxy. The case studies she presents detail how the political climate of the Italian peninsula allowed Italian communities to use saints' cults as a tool to negotiate religious and political autonomy in opposition to growing papal bureaucratization. Open Access edition funded by the National Endowment for the Humanities
William of Norwich is the name of a young boy purported to have been killed by Jews in or about 1144, thus becoming the victim of the first recorded case of such a ritual murder in Western Europe and a seminal figure in the long history of antisemitism. His story is first told in Thomas of Monmouth's The Life and Miracles of William of Norwich, a work that elaborates the bizarre allegation, invented in twelfth-century England, that Jews kidnapped Christian children and murdered them in memory and mockery of the crucifixion of Christ. In Inventing William of Norwich Heather Blurton resituates Thomas's account by offering the first full analysis of it as a specifically literary work. The second half of the twelfth century was a time of great literary innovation encompassing an efflorescence of saints' lives and historiography, as well as the emergence of vernacular romance, Blurton observes. She examines The Life and Miracles within the framework of these new textual developments and alongside innovations in liturgical and devotional practices to argue that the origin of the ritual murder accusation is imbricated as much in literary culture as it is in the realities of Christian-Jewish relations or the emergence of racially based discourses of antisemitism. Resisting the urge to interpret this first narrative of the blood libel with the hindsight knowledge of later developments, she considers only the period from about 1150-1200. In so doing, Blurton redirects critical attention away from the social and economic history of the ritual murder accusation to the textual genres and tastes that shaped its forms and themes and provided its immediate context of reception. Thomas of Monmouth's narrative in particular, and the ritual murder accusation more generally, were strongly shaped by literary convention.
Описание: (The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scene of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media.
Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetkovic, Sofia Fernandez Pozzo, Gohar Grigoryan Savary,
Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.
Nonnus’ Paraphrasis, an epic rendition of the Fourth Gospel, offers a highly sophisticated interpretation of the Johannine text. An essential means to this end is extensive use of the imagery related to Greek, and especially Dionysiac, mysteries.
Doroszewski successfully challenges the once predominant view that the mystery terminology in the poem is nothing more than rhetorical ornament. He convincingly argues for an important exegetical role Nonnus gives to the mystery terms. On the one hand, they refer to the Mystery of Christ. Jesus introduces his followers into the new dimension of life and worship that enables them to commune with God. This is portrayed as falling into Bacchic frenzy and being initiated into secret rites. On the other hand, the terminology has a polemical function, too, as Nonnus uses it to present the Judaic cult as bearing the hallmarks of pagan mysteries.
As the book discusses the Paraphrasis against the background of the mystery metaphor development in antiquity, it serves as an excellent introduction to this key feature of the ancient mentality and will appeal to all interested in the culture of Imperial times, especially in Early Christianity, Patristics, Neoplatonism and Late Antique poetry.
Автор: Carla M. Bino, Corinna Ricasoli Название: Performing the Sacred: Christian Representation and the Arts ISBN: 9004517464 ISBN-13(EAN): 9789004517462 Издательство: Brill Рейтинг: Цена: 24705.00 р. Наличие на складе: Поставка под заказ.
Описание: What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
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