Описание: British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.
Описание: British Literature and Classical Music explores literary representations of classical music in early 20th century British writing. Covering authors ranging from T.S. Eliot and Virginia Woolf to Aldous Huxley, H.G. Wells and D.H. Lawrence, the book examines literature produced during a period of widely proliferating philosophical, educational, and performance-oriented musical activities in both public and private settings. David Deutsch demonstrates how this proliferation caused classical music to become an increasingly vital element of British culture and a vehicle for exploring contentious issues such as social mobility, sexual freedoms, and international political rivalries. Through the use of archives of concert programs, cult novels, and letters written during the First and Second World Wars, the book examines how authors both celebrated and satirized the musicality of the lower-middle and working classes, same-sex desiring individuals, and cosmopolitan promoters of a shared European culture to depict these groups as valuable members of and - less frequently as threats to – British life.
This book is mapping the fields of modern output-oriented teaching, intercultural learning, and drama methods in the foreign language class. It explains that drama-based language learning transcends the usual learning scopes in its practical relevance and its far-reaching contextual implications. By including (inter-)cultural aspects, as well as human and civil rights issues, modern teaching can provide students with new frames of references and shifts their attention from an individualistic worldview towards a more tolerant perception of «the other.» The term of «cultura franca» hints at a liberation of cultural restraints and this is exactly what is indispensable in order to educate students to become the interculturally adept speakers our modern time needs.
Автор: E H Mikhail Название: Contemporary British Drama 1950–1976 ISBN: 1349030872 ISBN-13(EAN): 9781349030873 Издательство: Springer Рейтинг: Цена: 19564.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: By examining the representation of urban space in contemporary British fiction, this book argues that key to the political left`s strategy was a model of action which folded politics into culture and elevated disenfranchisement to the status of a political principle.
Описание: By examining the representation of urban space in contemporary British fiction, this book argues that key to the political left`s strategy was a model of action which folded politics into culture and elevated disenfranchisement to the status of a political principle.
Описание: This study presents the historical development of topical drama in the German Democratic Republic from 1945 to 1975. The author investigates the sociopolitical function of both dramas and dramatists such as Karl Grunberg, Friedrich Wolf, and Erwin Strittmatter during the various transitional stages of the GDR's growth toward a socialist society.
The substantive, critical study of plays, authors, productions, and dramatic theory is supplemented by a critical analysis of the Socialist Unity Party's cultural and literary policies during the GDR's turbulent history. While Western critics tend to isolate individual GDR dramas and interpret them out of context, Huettich explores in depth how the cultural policy of the GDR significantly helped shape the course of post-World War II drama in the 'planned society.'
Описание: The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane’s Crave and 4.48 Psychosis, Ed Thomas’s Stone City Blue and Tim Crouch’s ENGLAND. Through these case studies, Delgado-Garcia demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated.
Автор: Hersh Zeifman; Cynthia Zimmerman Название: Contemporary British Drama, 1970–90 ISBN: 0333491149 ISBN-13(EAN): 9780333491140 Издательство: Springer Рейтинг: Цена: 24456.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Focuses on the plays produced in England in the last two decades - a period that has received relatively little critical attention. The primary aim of the collection is to celebrate the range of British drama since 1970, by examining the work of 14 important and representative playwrights.
Автор: Hersh Zeifman; Cynthia Zimmerman Название: Contemporary British Drama, 1970–90 ISBN: 1349108219 ISBN-13(EAN): 9781349108213 Издательство: Springer Рейтинг: Цена: 23058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.
Over the centuries, drama has been an influential and imaginative medium for presenting, analysing and offering ways of resolving real or fictional battles. This volume provides readers with a timely study of inter-generational conflicts and crises as seen through the eyes of male and female British and Irish playwrights from the medieval period to the twenty-first century. The contributions suggest that at the heart of inter-generational discord lies various crises between (the) age(d) and youth or, more generally, the idea of what is «old» and «new». The interaction and co-existence of age and youth in their embodied, symbolic or conceptual forms is the topic of this volume. The collection is built around the words «age(d)»/«young», which denote both the biological age of the characters and the more conceptual potential of these terms. Ultimately, the contributors to this collection of essays analyse not only the idea of inter-generationality within selected dramatic works but also inter-generational conflicts seen in clashes of cultures, artistic visions, concepts and aesthetic idea(l)s.
Описание: “New Readings in British Drama: From the Post-War Period to the Contemporary Era” offers new readings of British plays produced after the Second World War by underlining the fact that literary theories have never been stagnant and exhausted in the field of drama as part of literary studies. Scholarly editions focusing exclusively on contemporary drama and its critical readings are still a rarity, as contemporary literary scholars tend to neglect drama in favour of fiction. Therefore, our contributors have attempted to examine the works of Tom Stoppard, Caryl Churchill, Sarah Kane, Roy Williams, Mark Ravenhill, Thomas Eccleshare, Anders Lutsgarten and Jackie Kay from the perspectives of the major theories by emphasising how key theoretical approaches can help elucidate theatrical texts and their performances from a contemporary critical standpoint.
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