Описание: Ce livre porte sur les relations culturelles entre la France et la Su de de 1945 nos jours. Il r unit les articles pr sent s l'occasion de la conf rence internationale, Frankrike-Sverige - Tur och retur, qui a eu lieu Stockholm en janvier 2014, organis e par l'Universit Paris-Sorbonne et l'Universit de Stockholm. Ces vingtdeux articles tracent ensemble une histoire crois e des m diations mat rielles et immat rielles, dynamiques et complexes, ayant permis la construction des identit s culturelles dans trois domaines principaux: les repr sentations et l'imaginaire; la m diation et les vecteurs de transmission; la traduction, la r ception et la circulation des oeuvres.
Exchanges between different cultures and institutions of learning have taken place for centuries, but it was only in the twentieth century that such efforts evolved into formal programs that received focused attention from nation-states, empires and international organizations. Global Exchanges provides a wide-ranging overview of this underresearched topic, examining the scope, scale and evolution of organized exchanges around the globe through the twentieth century. In doing so it dramatically reveals the true extent of organized exchange and its essential contribution for knowledge transfer, cultural interchange, and the formation of global networks so often taken for granted today.
Название: Circulations in the Global History of Art ISBN: 1138295566 ISBN-13(EAN): 9781138295568 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.
Описание: This book brings a renewed critical focus to the history of novel writing, publishing, selling and reading, expanding its viewing beyond national territories.
Описание: This book brings a renewed critical focus to the history of novel writing, publishing, selling and reading, expanding its viewing beyond national territories.
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