Описание: Motion in Maps, Maps in Motion argues that the mapping of stories, movement, and change should not be understood as an innovation of contemporary cartography, but rather as an important aspect of human cartography with a longer history than might be assumed. The authors in this collection reflect upon the main characteristics and evolutions of story and motion mapping, from the figurative news and history maps that were mass-produced in early modern Europe, through the nineteenth- and twentieth-century flow maps that appeared in various atlases, up to the digital and interactive motion and personalized maps that are created today. Rather than presenting a clear and homogeneous history from the past up until the present, this book offers a toolbox for understanding and interpreting the complex interplays and links between narrative, motion, and maps.
Описание: The volume discusses the world as it was known in the Medieval and Early Modern periods, focusing on projects concerned with mapping as a conceptual and artistic practice, with visual representations of space, and with destinations of real and fictive travel. Maps were often taken as straightforward, objective configurations. However, they expose deeply subjective frameworks with social, political, and economic significance. Travel narratives, whether illustrated or not, can address similar frameworks. Whereas travelled space is often adventurous, and speaking of hardship, strange encounters and danger, city portraits tell a tale of civilized life and civic pride. The book seeks to address the multiple ways in which maps and travel literature conceive of the world, communicate a 'Weltbild', depict space, and/or define knowledge. The volume challenges academic boundaries in the study of cartography by exploring the links between mapmaking and artistic practices. The contributions discuss individual mapmakers, authors of travelogues, mapmaking as an artistic practice, the relationship between travel literature and mapmaking, illustration in travel literature, and imagination in depictions of newly explored worlds.
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Описание: The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
Описание: A few months into the popular uprisings in the Middle East and North Africa (MENA) region in 2009/10, the promises of social media, including its ability to influence a participatory governance model, grassroots civic engagement, new social dynamics, inclusive societies and new opportunities for businesses and entrepreneurs, became more evident than ever. Simultaneously, cartography received new considerable interest as it merged with social media platforms. In an attempt to rearticulate the relationship between media and mapping practices, whilst also addressing new and social media, this interdisciplinary book abides by one relatively clear point: space is a media product. The overall focus of this book is accordingly not so much on the role of new technologies and social networks as it is on how media and mapping practices expand the very notion of cultural engagement, political activism, popular protest and social participation.
Описание: The Sykes-Picot Agreement was one of the defining moments in the history of the modern Middle East. Yet its co-creator, Sir Mark Sykes, had far more involvement in British Middle East strategy during World War I than the Agreement for which he is now most remembered. Between 1915 and 1916, Sykes was Lord Kitchener's agent at home and abroad, operating out of the War Office until the war secretary's death at sea in 1916. Following that, from 1916 to 1919 he worked at the Imperial War Cabinet, the War Cabinet Secretariat and, finally, as an advisorto the Foreign Office. The full extent of Sykes's work and influence has previously not been told. Moreover, the general impression given of him is at variance with the facts. Sykes led the negotiations with the Zionist leadership in the formulation of the Balfour Declaration, which he helped to write, and promoted their cause to achieve what he sought for a pro-British post-war Middle East peace settlement, although he was not himself a Zionist. Likewise, despite claims he championed the Arab cause, there is little proof of this other than general rhetoric mainly for public consumption. On the contrary, there is much evidence he routinely exhibited a complete lack of empathy with the Arabs. In this book, Michael Berdine examines the life of this impulsive and headstrong young British aristocrat who helped formulate many of Britain's policies in the Middle East that are responsible for much of the instability that has affected the region ever since.
Описание: The book presents and discusses a large corpus of Jewish maps of the Holy Land that were drawn by Jewish scholars from the 11 th to the 20 th century, and thus fills a significant lacuna both in the history of cartography and in Jewish studies. The maps depict the biblical borders of the Holy Land, the allotments of the tribes, and the forty years of wanderings in the desert. Most of these maps are in Hebrew although there are several in Yiddish, Ladino and in European languages. The book focuses on four aspects: it presents an up-to-date corpus of known maps of various types and genres; it suggests a classification of these maps according to their source, shape and content; it presents and analyses the main topics that were depicted in the maps; and it puts the maps in their historical and cultural contexts, both within the Jewish world and the sphere of European cartography of their time. The book is an innovative contribution to the fields of history of cartography and Jewish studies. It is written for both professional readers and the general public. The Hebrew edition (2014), won the Izhak Ben-Zvi Prize.
Описание: In Describing the City, Describing the State Sandra Toffolo presents a comprehensive analysis of descriptions of the city of Venice and the Venetian Terraferma in the Renaissance, when the Venetian mainland state was being created. Working with an extensive variety of descriptions, the book demonstrates that no one narrative of Venice prevailed in the early modern European imagination, and that authors continuously adapted geographical descriptions to changing political circumstances. This in turn illustrates the importance of studying geographical representation and early modern state formation together. Moreover, it challenges the long-standing concept of the myth of Venice, by showing that Renaissance observers never saw the city of Venice and the Venetian Terraferma in a monolithic way.
Описание: Since antiquity, artists have visualized the known world through the female (sometimes male) body. In the age of exploration, America was added to figures of Europe, Asia, and Africa who would come to inhabit the borders of geographical visual imagery. In the abundance of personifications in print, painting, ceramics, tapestry, and sculpture, do portrayals vary between hierarchy and global human dignity? Are we witnessing the emergence of ethnography or of racism? Yet, as this volume shows, depictions of bodies as places betray the complexity of human claims and desires. Bodies and Maps: Early Modern Personifications of the Continents opens up questions about early modern politics, travel literature, sexualities, gender, processes of making, and the mobility of forms and motifs.
Contributors are: Louise Arizzoli, Elisa Daniele, Hilary Haakenson, Elizabeth Horodowich, Maryanne Cline Horowitz, Ann Rosalind Jones, Paul H. D. Kaplan, Marion Romberg, Mark Rosen, Benjamin Schmidt, Chet Van Duzer, Bronwen Wilson, and Michael Wintle.
Название: Monsters and borders in the early modern imagination ISBN: 0367666332 ISBN-13(EAN): 9780367666330 Издательство: Taylor&Francis Рейтинг: Цена: 6889.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the axis where monstrosity and borderlands meet to reflect the tensions, apprehensions, and excitement over the radical changes of the early modern era. It investigates the monstrous as it acts in liminal spaces in the Renaissance and the era of Enlightenment.
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