Описание: This book will interest anyone who wants to better understand the period spanning the end of the Roman Empire and the birth of medieval civilization. It is a unique, far-reaching study that goes beyond synthesis to propose a new paradigm for urban evolution across the Roman world.
As with dance, so with juggling--the moment that the performer finishes the routine, their act ceases to exist beyond the memory of the audience. There is no permanent record of what transpired, so studying the ancient roots of juggling is fraught with difficulty. Using the records that do exist, juggling appears to have emerged around the world in cultures independent of one another in the ancient past. Paintings in Egypt from 2000 BCE show jugglers engaged in performance. Stories from the island nation of Tonga place juggling's creation with their goddess of the underworld--a figure who has guarded a cave since time immemorial. Juggling games and rituals are pervasive in isolated Inuit cultures in northern Canada and Greenland. Though the earliest representation of juggling is 4,000 years old, the practice is surely much older--in the same way that humans were doubtlessly singing and dancing long before the first bone flute was created. This book is an attempt to catalogue this tangible history of juggling in human culture. It is the story of juggling, represented in art and writing from around the world, across time. Although much has been written about modern jugglers-specific performers, their props, and their routines-little has been said about those who first developed the craft. As juggling enters a golden age in the internet era, Juggling: From Antiquity to the Middle Ages offers a look into the past--to the origins of our art form.
Описание: These essays range from the late Roman empire through to the tenth century, and from Byzantium to Anglo-Saxon England, taking a historian`s perspective to look at the use of irony, ridicule and satire as political tools.
Any reader of scholarship on the ancient and early medieval world will be familiar with the term 'Germanic', which is frequently used as a linguistic category, ethnonym, or descriptive identifier for a range of forms of cultural and literary material. But is the term meaningful, useful, or legitimate? The term, frequently applied to peoples, languages, and material culture found in non-Roman north-western and central Europe in classical antiquity, and to these phenomena in the western Roman Empire’s successor states, is often treated as a legitimate, all-encompassing name for the culture of these regions. Its usage is sometimes intended to suggest a shared social identity or ethnic affinity among those who produce these phenomena. Yet, despite decades of critical commentary that have highlighted substantial problems, its dominance of scholarship appears not to have been challenged. This edited volume, which offers contributions ranging from literary and linguistic studies to archaeology, and which span from the first to the sixteenth centuries AD, examines why the term remains so pervasive despite its problems, offering a range of alternative interpretative perspectives on the late and post-Roman worlds.
Описание: Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.
Описание: A high-level scholarly collection of articles on the transmission of knowledge and culture from a Mediterranean world politically fragmented by the fall of the western Roman empire and Islamic expansion into Latin Europe, 400-800 AD.
Описание: Apocalypse and Reform from Late Antiquity to the Middle Ages provides the ideal introduction to what reformist apocalypticism meant for the formation of Medieval Europe, from the Fall of Rome to the twelfth century.
Millennium transcends boundaries – between epochs and regions, and between disciplines. Like the Millennium-Jahrbuch, the journal Millennium-Studien pursues an international, interdisciplinary approach that cuts across historical eras. Composed of scholars from various disciplines, the editorial and advisory boards welcome submissions from a range of fields, including history, literary studies, art history, theology, and philosophy. Millennium-Studien also accepts manuscripts on Latin, Greek, and Oriental cultures.
In addition to offering a forum for monographs and edited collections on diverse topics, Millennium-Studien publishes commentaries and editions. The journal primary accepts publications in German and English, but also considers submissions in French, Italian, and Spanish.
If you want to submit a manuscript please send it to the editor from the most relevant discipline:
Wolfram Brandes, Frankfurt (Byzantine Studies and Early Middle Ages): brandes@rg.mpg.de
This important book [...] is a helpful guide to thinking with things and teaching with things. Each entry challenges the reader to approach objects as historical actors that can speak to the changes and continuities of life in the late antique and early medieval world. ? Early Medieval Europe
Fifty Early Medieval Things introduces readers to the material culture of late antique and early medieval Europe, north Africa, and western Asia. Ranging from Iran to Ireland and from Sweden to Tunisia, Deborah Deliyannis, Hendrik Dey, and Paolo Squatriti present fifty objects—artifacts, structures, and archaeological features—created between the fourth and eleventh centuries, an ostensibly "Dark Age" whose cultural richness and complexity is often underappreciated. Each thing introduces important themes in the social, political, cultural, religious, and economic history of the postclassical era.
Some of the things, like a simple ard (plow) unearthed in Germany, illustrate changing cultural and technological horizons in the immediate aftermath of Rome's collapse; others, like the Arabic coin found in a Viking burial mound, indicate the interconnectedness of cultures in this period. Objects such as the Book of Kells and the palace-city of Anjar in present-day Jordan represent significant artistic and cultural achievements; more quotidian items (a bone comb, an oil lamp, a handful of chestnuts) belong to the material culture of everyday life. In their thing-by-thing descriptions, the authors connect each object to both specific local conditions and to the broader influences that shaped the first millennium AD, and also explore their use in modern scholarly interpretations, with suggestions for further reading.
Lavishly illustrated and engagingly written, Fifty Early Medieval Things demonstrates how to read objects in ways that make the distant past understandable and approachable.
Описание: Research on early medieval Cyprus has focused on the late antique `golden age` (late fourth/early fifth to seventh century) and the so-called Byzantine `reconquista` (post-965 AD) while overlooking the intervening period. This phase was characterized, supposedly, by the division of the political sovereignty between the Umayyads and the Byzantine
Описание: These essays range from the late Roman empire through to the tenth century, and from Byzantium to Anglo-Saxon England, taking a historian`s perspective to look at the use of irony, ridicule and satire as political tools.
Описание: In Hispanojewish Archaeology, Alexander Bar-Magen Numhauser provides the first book-length archaeological exploration of the Jewish presence in late antique and early medieval Hispania. Using epigraphic, numismatic, architectural, and other archaeological remains, this volume describes the multiple cultural expressions of a vibrant Jewish community that emerged as part of the Mediterranean Diaspora, becoming part of the wider Hispanian society. Part of this review includes a detailed examination of the Ilici (Elche, Spain) basilical building, interpreted by previous scholars as both a church and a synagogue, using published and hitherto unpublished material of its decades-long excavation. From the archaeological remains of this Hispanojewish presence a new picture emerges, challenging the traditional premises of the archaeological research on the late antique western Mediterranean.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
