Die "Schriften des Historischen Kollegs" werden herausgegeben vom jeweiligen Vorsitzenden des Kuratoriums des Historischen Kollegs: bis 2011 durch Lothar Gall, von 2012 bis 2017 durch Andreas Wirsching, von 2017 bis 2020 durch Martin Schulze Wessel, seit Oktober 2020 durch Hartmut Leppin in Verbindung mit Florian Albert, Birgit Emich, Thomas O. Hollmann, Hartmut Leppin, Susanne Lepsius, Diana Mishkova, Bernhard Loffler, Frank Rexroth, Willibald Steinmetz und Gerrit Walther.
Zum Historischen Kolleg: http://www.historischeskolleg.de/
Автор: Matthew Christopher Hulbert, John C. Inscoe, Kenneth Greenberg, William L. Andrews, Lesley J. Gordon, John David Smith, Jonathon Sarris, Catherine Cli Название: Writing History with Lightning: Cinematic Representations of Nineteenth-Century America ISBN: 0807170461 ISBN-13(EAN): 9780807170465 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7484.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Balancing historical nuance with passion for cinematic narratives, Writing History with Lightning confronts how movies about nineteenth-century America influence the ways in which mass audiences remember, understand, and envision the nation`s past.
This book is a contribution to the new field of literary studies which is informed by book history and takes interest in the intersection of the ideal and material aspects of literature. It studies the ways eighteenth-century English novels, plays and poems illustrated the changes which the growth of literacy, the proliferation of writing and the emergence of print marketplace made in the social and cultural life of Britain and demonstrated the contingency of the emerging criticism on the technological and economic conditions of book production. The first part focusses on the representation of the tensions created by the emergence of literate society and on the hopes and fears awoken by the expansion of the cultural public sphere caused by the proliferation of print. The second part explores the contribution of literature to the shaping of the roles of authors, readers and patrons in the field of literary production.
Автор: Barnes Название: Museum Representations of Maoist China ISBN: 0815399316 ISBN-13(EAN): 9780815399315 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ’Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.
Автор: Barnes, Amy Jane Название: Museum representations of maoist china ISBN: 1472416554 ISBN-13(EAN): 9781472416551 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The collection, interpretation and display of art from the People`s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of `Chineseness` and their style, content and the means of their production question accepted notions of how we perceive art.
Описание: An important sociological intervention into the role played by media narratives-usually reflecting the ruling ideas-in shaping social and political responses to Europe`s refugee `crisis.`
Описание: A polynomial identity for an algebra (or a ring) $A$ is a polynomial in noncommutative variables that vanishes under any evaluation in $A$. An algebra satisfying a nontrivial polynomial identity is called a PI algebra, and this is the main object of study in this book, which can be used by graduate students and researchers alike. The book is divided into four parts. Part 1 contains foundational material on representation theory and noncommutative algebra. In addition to setting the stage for the rest of the book, this part can be used for an introductory course in noncommutative algebra. An expert reader may use Part 1 as reference and start with the main topics in the remaining parts. Part 2 discusses the combinatorial aspects of the theory, the growth theorem, and Shirshov's bases. Here methods of representation theory of the symmetric group play a major role. Part 3 contains the main body of structure theorems for PI algebras, theorems of Kaplansky and Posner, the theory of central polynomials, M. Artin's theorem on Azumaya algebras, and the geometric part on the variety of semisimple representations, including the foundations of the theory of Cayley-Hamilton algebras. Part 4 is devoted first to the proof of the theorem of Razmyslov, Kemer, and Braun on the nilpotency of the nil radical for finitely generated PI algebras over Noetherian rings, then to the theory of Kemer and the Specht problem. Finally, the authors discuss PI exponent and codimension growth. This part uses some nontrivial analytic tools coming from probability theory. The appendix presents the counterexamples of Golod and Shafarevich to the Burnside problem.
The Limits of Orientalism: Seventeenth-Century Representations of India challenges the recent postcolonial readings of European, predominantly English, representations of India in the seventeenth century. Following Edward Said's discourse of "Orientalism," most postcolonial analyses of the seventeenth-century representations of India argue that the natives are represented as barbaric or exotic "others," imagining these representations as products of colonial ideology. Such approaches tend to offer a homogeneous idea of the "native" and usually equate it with the term "Indian." Sapra, however, argues that instead of representing all natives as barbaric "others," the English drew parallels, especially between themselves and the Mughal aristocracy, associating with them as partners in trade and potential allies in war. While the Muslims are from the outset largely portrayed as highly civilized and cultured, early European writers tended to be more conflicted with Hindus, their first highly negative views undergoing a transformation that brings into question any straightforward Orientalist reading of the texts and anticipates the complexity of later representations of the indigenous peoples of the sub-continent.
Sapra's theoretical and methodological approach is influenced by such writers as Aijaz Ahmad and Denis Porter, who have highlighted powerful alternatives to Said's discourse of "Orientalism." Sapra historicizes European representations of the indigenous to draw attention to the contrasting approaches of the Portuguese, the Dutch and the English in relation to seventeenth-century India, effectively undermining comfortable notions of a homogenous "West." Unlike the Portuguese, for whom the idea of a dynasty and the conversion of heathens went hand in hand with the idea of trade, for the Dutch and the English the primary consideration was commercial. In keeping with the commercial approach of the English East India Company, most English travelers, instead of representing the Muslims as barbaric "others," highlight the compatibility between the two cultures and consistently praise the Mughal empire for its religious tolerance. In the representations of the Hindus, Sapra demonstrates that most writers, even while denigrating the Hindu religion, appreciate the civilized society of the Hindus. Moreover, in the representations of sati or widow-burning, a distinction needs to be made between the patriarchal and the Orientalist points of views, which are at variance with each other. The tension between the patriarchal and the Orientalist positions challenges Gayatri Chakravorty Spivak's analysis of sati in "Can the Subaltern Speak?" which has become the standard model for most postcolonial appraisals of European representations of sati. The book highlights the lacuna in postcolonial readings by providing access to selections of commonly unavailable early-modern writings by Thomas Roe, Edward Terry, Henry Lord, Thomas Coryate, Alexander Hamilton and other the records of the East India Company, which makes the book vital for students of theory, European and South-Asian history, and Renaissance literatures.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Описание: This collection of essays explores current thematic and aesthetic directions in fictional science narratives in different genres, predominantly novels, but also poetry, film, and drama.
Описание: This book constitutes a sociological research on the current “narrations” of the economic and refugee crisis which has mobilized all the aspects of social storytelling during the last decade, most particularly in the European South. Because the different (mass and social) media reflect the dominant ideas and representations, the research on the meaning of different media narratives becomes a necessary report for the understanding of the relation (or “inexistent dialogue”?) between official political discourses and popular myths (based on everyday life values of prosperity, mostly promoted by the mass culture and the cultural industries’ products). Despite the ongoing inequalities and difficulties, the contemporary audiences seem to counterbalance misery by the dreams of happiness, provided by this kind of products.
Contributors include: Christiana Constantopoulou, Amalia Frangiskou, Evangelia Kalerante, Laurence Larochelle, Debora Marcucci, Valentina Marinescu, Albertina Pretto, Maria Thanopoulou, Joanna Tsiganou, Vasilis Vamvakas, and Eleni Zyga.
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