Описание: Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
Описание: A few months into the popular uprisings in the Middle East and North Africa (MENA) region in 2009/10, the promises of social media, including its ability to influence a participatory governance model, grassroots civic engagement, new social dynamics, inclusive societies and new opportunities for businesses and entrepreneurs, became more evident than ever. Simultaneously, cartography received new considerable interest as it merged with social media platforms. In an attempt to rearticulate the relationship between media and mapping practices, whilst also addressing new and social media, this interdisciplinary book abides by one relatively clear point: space is a media product. The overall focus of this book is accordingly not so much on the role of new technologies and social networks as it is on how media and mapping practices expand the very notion of cultural engagement, political activism, popular protest and social participation.
Описание: Provides a perspective on knowledge management at Siemens, an internationally recognised benchmark, by presenting the reader with the best of the corporation`s practical applications and experiences.
This book contributes to the discourse about science communication strategies from different perspectives. It provides models, projects and case studies of international academicians and practitioners from different fields. The book is divided into two parts. The first part sets the focus on case studies and best practises of science communication and storytelling. The second part presents 40 different popular science texts about different topics written by students within the scope of the course "Science Writing and Journalism" in the Department of Communication and Design at Bilkent University in Ankara. The students wrote popular science texts based on academic papers and sources and present them with a big variety of popularization strategies.
Автор: Matthias Middell, Steffi Marung Название: Spatial Formats under the Global Condition ISBN: 3110638835 ISBN-13(EAN): 9783110638837 Издательство: Walter de Gruyter Цена: 14495.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contributions to this volume summarize and discuss the theoretical foundations of the Collaborative Research Centre at Leipzig University which address the relationship between processes of (re-)spatialization on the one hand and the establishment and characteristics of spatial formats on the other hand. Under the global condition spatial formats are products of collective negotiations on the most effective and widely acceptable balance between the claim for sovereignty and the need for interconnectedness.
This book brings together the state of our knowledge on the interactions between climate change and marine biota. It focusses broadly on the environmental stressors during the Anthropocene period; when human activities started to have a significant global impact on earth's geological imprint and ecosystems. This period of rapid change is accompanied by rising carbon dioxide levels, increasing global temperatures, loss of oxygen in aquatic systems, and the fast release of pollutants into the environment among many other environmental stressors originating from large scale human activities, such as widespread overfishing.
The Future of Marine Life in a Changing Ocean starts by providing the reader with a brief background on fundamental concepts in ocean science and climate. It then moves on to a brief description of recent changes in marine chemistry such as ocean acidification, a decline in oxygen levels in the oceans, ocean warming, and marine pollution, with some examples of shifts in ecosystem diversity. The chapters discuss these topics in the context of how a changing ocean impacts ecosystem health, the biological carbon pump, the sequestration of carbon dioxide from the surface ocean into the deep sea, and the perceived notion of the ocean's unlimited resilience to maintain its role as a 'carbon reservoir'. Topics include threats to marine diversity, ecosystem function, latitudinal shifts in productivity and diversity, and changes in global cycling of elements such as carbon. It concludes with an analysis of the impact of climate change on food security.
Written for undergraduate and graduate students, and researchers in the natural and social sciences, this book provides a science background to study environmental change in marine ecosystems as well as a science framework to study policy, marine law and the economics of climate change. This book is an essential read for anyone hoping to understand key challenges facing our oceans.
Описание: Limit-Space is an architectural speculation. It constitutes a spatial logic resonating with the ontological subjectlessness embraced by the 21st century and its myriad of multi-specie agencies, human and non-human, organic and non-organic, natural and artificial. Conceived, built and inhabited by a myriad of xenos emancipated from the absolute subject of modernity and the relational subject of postmodernity, Limit-Space is driven by a primary vocation: that of defying both the Promethean flatness of the Platonic chora and the baroque fluctuations of the Aristotelian topos by fiercely opposing their 20th century common architectural condition: that of being measurable, that of being sistematizable, that of being homogeneous, that of being modern. Liminal in its mismatched interplay of pressures, limited in its massive figurative determination, and limitrophe in its foliated consistency, Limit-Space capitalizes on the Roman territorial notion of limes. Its spatial nature as differential sameness and auto-referential difference particularly impacts on the conception of the floor as an architectural element: it reformulates its continuous and discrete attributes by formal and performative differentiation, recovering some of the morphological traces characteristic of pre-modern architecture while marking a definitive departure from the architectural gestures associated with the 20th century. The book proposes a spatial logic both opposing the spatial configurations characteristic of the 20th century and establishing a dialogue with the current death of the notion of subject. It narrows down the discussion through three triangular associations in between Space, Subject and Floor, historically contextualizing the first two and speculatively developing the third one, considered to be surreptitiously blossoming in the current state of art of experimental architecture.
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