Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other.
Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgical calendar, the eucharistic rite, hymns for vigils and festivals, and scenes from the life of Christ on the making of Christian selves. Exploring the verse of great Byzantine liturgical poets, including Romanos the Melodist, Andrew of Crete, Theodore the Stoudite, and Symeon the New Theologian, he demonstrates how their compositions offered templates for Christian self-regard and self-criticism, defining the Christian "I." Cantors, choirs, and congregations sang in the first person singular expressing guilt and repentence, while prayers and sermons defined the collective identity of the Christian community as sinners in need of salvation. By examining the way models of selfhood were formed, performed, and transmitted in the Byzantine Empire, Liturgical Subjects adds a vital dimension to the history of the self in Western culture.
Описание: This book describes the Church of Jerusalem, as the mother of all Churches, and its liturgy in the beginnings of Christianity. The main objective of this research is to find, in the primary sources (as the pilgrim Egeria, St. Cyril of Jerusalem, the Armenian and the Georgian Lectionaries), the original elements of the Christian liturgy of the early Church of Jerusalem, in the first five centuries, and to collect the various scattered pieces. The author clarifies the image, and reconstructs, as far as possible, the historical-liturgical picture. By this book we will discover how much the other liturgical traditions of various churches, especially the Church of Rome, have copied the Jerusalemite tradition. The detailed description of the Jerusalemite liturgy, especially for the feasts of the liturgical year, offers us a vivid picture of Jerusalem's unique role in Christian devotion and the mysterious connection between the Christian faith and the land of biblical history. The presentation of the anaphora of St. James will enlighten our understanding of the Eucharistic prayer in all the liturgical traditions, especially Syriac, Byzantine and Roman.
The book provides the first broad survey of church textiles of Spanish America and demonstrates that, while overlooked, textiles were a vital part of visual culture in the Catholic Church.
When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as “church clothing.” These textile ornaments covered churches’ altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church, Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work.
The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a “silk standard” was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.
Автор: Bobertz Charles A. Название: The Gospel of Mark: A Liturgical Reading ISBN: 0801035694 ISBN-13(EAN): 9780801035692 Издательство: Неизвестно Рейтинг: Цена: 6828.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A respected biblical scholar offers a liturgical reading of the Gospel of Mark, arguing that the Gospel is a narrative interpretation of early Christian ritual.
Описание: Louis Bouyer was a major figure in the Church of the last century. These memoirs, which Bouyer wrote in a humble and humorous vein--though without withholding his notoriously sharp pen when needed--allow the reader to enter with him into the great events that shook the Church and the world during the era of upheavals and transformations through which he lived. They amount to an intelligent, sensitive, and pious man's fascinating chronicle and deep reflection on Christianity's life and travails in a world committed to modernity. Bouyer here tells us the full and varied story of a life devoted to the discovery of the sources and Tradition of the Church in doctrine, spirituality, liturgy, and scripture.
We follow Bouyer's journeys from his inherited Protestantism to the fullness of the Catholic Faith, from his position as a Lutheran pastor to the priesthood in the Oratory of France, from humble parish life to the Olympian heights of his official theological and liturgical collaboration (and difficulties) before and after the Council with such influential figures as Congar, Dani lou, de Lubac, Bugnini, and... Joseph Ratzinger (Benedict XVI). Bouyer paints the lush landscape of a century's illusions and disenchantments; his memoirs are essential for understanding the history of the Church during that momentous time.
"It would be impossible for anyone to speak knowledgeably about liturgical developments in the past 50 years without being cognizant of the work done by Louis Bouyer. His Memoirs, which feature his outspoken opinions and profound intelligence as well as a personality deeply imbued with the true spirit of the Catholic liturgy, can serve as a balance and perhaps an antidote to misinformation about the post-Vatican II developments in the Sacred Liturgy of the Latin Rite. A careful perusal of these Memoirs, now available in English in an excellent translation by John Pepino, also can serve as a corrective to the sometimes unbridled and euphoric optimism that marked liturgical studies in the late 1960s and early 1970s. I cannot recommend strongly enough the reading and study of this work."--BISHOP (EMERITUS) FABIAN BRUSKEWITZ, Lincoln, NE
"While Father Louis Bouyer was a prolific author in many fields of theology, his most lasting legacy may well be his contribution to liturgical renewal, including his collaboration in the post-conciliar reform of the Roman rite. Bouyer is a sharp observer, and his retrospective is frank and at times caustic. Here is the authentic voice of a key witness to momentous developments in twentieth-century Catholicism. The publication of these important memoirs makes a real contribution to writing the history of the Church in our times."--FR. UWE MICHAEL LANG, Cong. Orat.; Heythrop College, University of London
"Louis Bouyer was, according to his former student Cardinal Lustiger "the least conformist and yet among the most traditional" of theologians--a reality borne out in these memoirs, which reveal Bouyer sinking ever-deeper roots in Catholic tradition as well as his ever-present ability to look at matters with a fresh, critical eye. Expertly translated and edited with additional notes for English readers, The Memoirs of Louis Bouyer not only provides important historical details hitherto unpublished--particularly regarding the liturgical movement and post-conciliar reform--but also offers a lesson in the nature of living Catholic Tradition: one that Bouyer would insist that we learn, and learn well."--DOM ALCUIN REID, Monast re Saint-Beno t, La Garde-Freinet, France
Автор: Phillips-Robins Helena Название: Liturgical Song and Practice in Dante`s Commedia ISBN: 0268200688 ISBN-13(EAN): 9780268200688 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7524.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This study explores ways in which Dante presents liturgy as enabling humans to encounter God.
In Liturgical Song and Practice in Dante’s “Commedia,” Helena Phillips-Robins explores for the first time the ways in which the relationship between humanity and divinity is shaped through the performance of liturgy in the Commedia. The study draws on largely untapped thirteenth-century sources to reconstruct how the songs and prayers performed in the Commedia were experienced and used in late medieval Tuscany. Phillips-Robins shows how in the Commedia Dante refashions religious practices that shaped daily life in the Middle Ages and how Dante presents such practices as transforming and sustaining relationships between humans and the divine. The study focuses on the types of engagement that Dante’s depictions of liturgical performance invite from the reader. Based on historically attentive analysis of liturgical practice and on analysis of the experiential and communal nature of liturgy, Phillips-Robins argues that Dante invites readers themselves to perform the poem’s liturgical songs and, by doing so, to enter into relationship with the divine. Dante calls not only for readers’ interpretative response to the Commedia but also for their performative and spiritual activity.
Focusing on Purgatorio and Paradiso, Phillips-Robins investigates the particular ways in which relationships both between humans and between humans and God can unfold through liturgy. Her book includes explorations of liturgy as a means of enacting communal relationships that stretch across time and space; the Christological implications of participating in liturgy; the interplay of the personal and the shared enabled by the language of liturgy; and liturgy as a living out of the theological virtues of faith, hope, and love. The book will interest students and scholars of Dante studies, medieval Italian literature, and medieval theology.
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