Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films, Tingting Hu
Название: Women and Genocide: Survivors, Victims, Perpetrators ISBN: 0253033810 ISBN-13(EAN): 9780253033819 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4514.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The genocides of modern history--Rwanda, Armenia, Guatemala, the Holocaust, and countless others--and their effects have been well documented, but how do the experiences of female victims and perpetrators differ from those of men? In Women and Genocide, human rights advocates and scholars come together to argue that the memory of trauma is gendered and that women's voices and perspectives are key to our understanding of the dynamics that emerge in the context of genocidal violence. The contributors of this volume examine how women consistently are targets for the sexualized violence that serves as an instrument of ethnic cleansing, how female perpetrators take advantage of the new power structures, and how women are involved in the struggle for justice in post-genocidal contexts. By placing women at center stage, Women and Genocide helps us to better understand the nexus existing between misogyny and violence in societies where genocide erupts.
Описание: The book will appeal to international scholars, students and educators within the fields of Holocaust Studies, Film Studies, European Cinema and Women`s Studies.
Автор: Bemporad Elissa, Warren Joyce Название: Women and Genocide: Survivors, Victims, Perpetrators ISBN: 0253032768 ISBN-13(EAN): 9780253032768 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The genocides of modern history--Rwanda, Armenia, Guatemala, the Holocaust, and countless others--and their effects have been well documented, but how do the experiences of female victims and perpetrators differ from those of men? In Women and Genocide, human rights advocates and scholars come together to argue that the memory of trauma is gendered and that women's voices and perspectives are key to our understanding of the dynamics that emerge in the context of genocidal violence. The contributors of this volume examine how women consistently are targets for the sexualized violence that serves as an instrument of ethnic cleansing, how female perpetrators take advantage of the new power structures, and how women are involved in the struggle for justice in post-genocidal contexts. By placing women at center stage, Women and Genocide helps us to better understand the nexus existing between misogyny and violence in societies where genocide erupts.
Описание: This book analyses the actions, background, connections and the eventual trials of Hungarian female perpetrators in the Second World War through the concept of invisibility.
Описание: This book explores and analyzes the central role played by women who exercised agency as either rescuers or perpetrators during the Rwandan genocide.
Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word "femminicidio" as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond.
Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word "femminicidio" as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond.
The 1994 genocide in Rwanda, which followed the death of President Habyarimana, was one of the worst humanitarian disasters of the twentieth century and shamed both African and global leaderships. As wars in the Congo continue to tear apart the region, this book examines how the politics that led to the 1994 genocide continue to be played out in the international media. Scholars of political science contend that narratives are used strategically by states to influence and shape the behaviour of other actors in the international system. This book explore how, through processes of denial and revisionism, strong states with geopolitical interests in the Great Lakes region of Africa, African states directly involved in conflict, militia groups and rebels, as well as human rights activists and NGOs, all employ media narratives strategically with the aim of influencing political decision-making and public perceptions of genocide and war.Examining how international political discourse on the 1994 genocide in Rwanda is gendered, Georgina Holmes argues that states, militaries and human rights organisations use gendered narratives for political gain, and breaks new ground in analysing the role of gender in the conflict. This book is essential reading on the gendered dynamics of conflict and genocide in Rwanda and the Democratic Republic of Congo and will appeal to anyone with an interest in Gender Studies, Political Communication, Media and Film Studies, African Studies, Genocide Studies and International Relations.
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