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Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and `80s, Rachel Garfield


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Автор: Rachel Garfield
Название:  Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and `80s
ISBN: 9781788313995
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1788313992
Обложка/Формат: Hardback
Страницы: 288
Вес: 0.62 кг.
Дата издания: 18.11.2021
Серия: Arts
Язык: English
Иллюстрации: 40 bw illus
Размер: 162 x 242 x 21
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Feminism & feminist theory,Film theory & criticism,Punk, New Wave & Indie, ART / Film & Video,PERFORMING ARTS / Film & Video / History & Criticism,SOCIAL SCIENCE / Feminism & Feminist Theory
Подзаголовок: Feminist audio visual culture in the 1970s and 1980s
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Поставляется из: Англии
Описание: Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making. In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist Punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new Punk audio visual aesthetic. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s.


Women Make Horror: Filmmaking, Feminism, Genre

Автор: Peirse Alison
Название: Women Make Horror: Filmmaking, Feminism, Genre
ISBN: 197880511X ISBN-13(EAN): 9781978805118
Издательство: Mare Nostrum (Eurospan)
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Цена: 4634.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist."

"There are really, very few women horror filmmakers working today, that’s why so few are coming up."

"Women are just not that interested in making horror films."

"How can you be a woman and be a fan of horror?"

This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer or filmmaker. These assumptions are based on decades of flawed scholarly, critical and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always been making horror, they have always been an audience for the genre, and today, as this book reveals, women academics, critics and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality and the body.

Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals.

Women Make Horror is designed to not only engage and inspire dialogue between the academy, filmmakers, industry gatekeepers, festival programmers and horror film fans. With this book we can transform how we think about women filmmakers and genre.

Women Make Horror: Filmmaking, Feminism, Genre

Автор: Alison Peirse
Название: Women Make Horror: Filmmaking, Feminism, Genre
ISBN: 1978805128 ISBN-13(EAN): 9781978805125
Издательство: Mare Nostrum (Eurospan)
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Цена: 18810.00 р.
Наличие на складе: Нет в наличии.

Описание: 'but women were never out there making horror films, that's why they are not written about - you can't include what doesn't exist'

'there are really, very few women horror filmmakers working today, that's why so few are coming up'

'women are just not that interested in making horror films'

'how can you be a woman and be a fan of horror?'

This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer or filmmaker. These assumptions are based on decades of flawed scholarly, critical and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always been making horror, they have always been an audience for the genre, and today, as this book reveals, women academics, critics and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality and the body.

Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals.

Women Make Horror is designed to not only engage and inspire dialogue between the academy, filmmakers, industry gatekeepers, festival programmers and horror film fans. With this book we can transform how we think about women filmmakers and genre.

Punk, Gender and Ageing: Just Typical Girls?

Автор: Laura Way
Название: Punk, Gender and Ageing: Just Typical Girls?
ISBN: 1839825693 ISBN-13(EAN): 9781839825699
Издательство: Emerald
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Цена: 14837.00 р.
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Описание: Using in-depth interviews with punk women growing old disgracefully, Way explores how women construct punk identities. Reflecting on punk `then` and `now`, they reveal the constraints punk women experience on their identities growing older, the complex relationship between appearance and dress, and the impact of social expectations around aging.

Will the Real Pakistani Woman Please Stand Up?: Empire, Visual Culture and the Brown Female Body

Автор: Charania Moon
Название: Will the Real Pakistani Woman Please Stand Up?: Empire, Visual Culture and the Brown Female Body
ISBN: 0786499990 ISBN-13(EAN): 9780786499991
Издательство: Mare Nostrum (Eurospan)
Цена: 4990.00 р.
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Описание: In a series of absorbing case studies, this book focuses on the portrayal of Pakistani women in the global media. Analyzing Hollywood films, British documentaries, newspapers and mainstream U.S. magazines, this book traces sensational female figures of Pakistan - all of whom have been subject to patriarchal violence - highlighting the imagery of exploitation and eroticism. The authors' examination of these images addresses questions of spectatorship and fetishism in the age of globalization and the racial and imperial politics of liberal feminism.


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