Writing Old Age and Impairments in Late Medieval England, Will Rogers
Автор: Joel T. Rosenthal Название: Social Memory in Late Medieval England ISBN: 3319696998 ISBN-13(EAN): 9783319696997 Издательство: Springer Рейтинг: Цена: 6567.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This concise and unique volume explores the vital relationship between testimony, memory, and the community in medieval society.
Автор: James-maddocks, Holly Pearsall, Derek Connolly, Margaret Driver, Martha W. Kerby-fulton, Kathryn Название: Scribal cultures in late medieval england - essays in honour of linne r. mooney ISBN: 184384575X ISBN-13(EAN): 9781843845751 Издательство: Boydell & Brewer Рейтинг: Цена: 9504.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Essays bringing out the richness and vibrancy of pre-modern textual culture in all its variety.
Автор: Rosenthal, Joel T. Название: Social memory in late medieval england ISBN: 3319888242 ISBN-13(EAN): 9783319888248 Издательство: Springer Рейтинг: Цена: 6567.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This concise and unique volume explores the vital relationship between testimony, memory, and the community in medieval society. Joel T. Rosenthal assembles various categories of testimonies to illuminate how “ordinary” Late Medieval people saw themselves as units of their community, their awareness of the issues surrounding the theater of birth, their interest in the world of and beyond the village, and what aspects of the ubiquitous mother Church were worth recalling. Supported by primary sources and by modern scholarly focus on such issues as social memory, village life, rumor and gossip, and demography, this book provides both a wealth of source material and insightful discussion on how historians can chart the role of memory and community in its shaping of medieval identity and society.
Описание: This study investigates the affective agency of the book, through the emotional literacy training that a single codex provided a late-medieval English household. It demonstrates how MS Ashmole 61 affirms both the physical and moral agency of nonhumans, who fashion spiritually generous and socially mindful human household members. -- .
Описание: A fresh appraisal of late medieval manuscript culture in England, examining the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared.
Автор: Edited By Rory Naism Название: Writing, kingship and power in anglo-saxon england ISBN: 1107160979 ISBN-13(EAN): 9781107160972 Издательство: Cambridge Academ Рейтинг: Цена: 18216.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book brings together new research that represents current scholarship on the nexus between authority and written sources from Anglo-Saxon England. Ranging from the seventh to the eleventh century, the chapters in this volume offer fresh approaches to a wide range of linguistic, historical, legal, diplomatic and palaeographical evidence.
Описание: An examination of how regional identities are reflected in texts from medieval England.
Автор: Porck Thijs Название: Old Age in Early Medieval England ISBN: 1783273755 ISBN-13(EAN): 9781783273751 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First full-length study of the notion and concept of old age in early medieval England.
Описание: The Gender of Money in Middle English Literature: Value and Economy in Late Medieval England explores the vital and under-examined role that gender plays in the conceptualization of money and value in a period that precedes and shapes what we now recognize as the discipline of political economy.
What is the body when it performs music? And what, conversely, is music as it reverberates through or pours out of a performing body? Tekla Bude starts from a simple premise—that music requires a body to perform it—to rethink the relationship between music, matter, and the body in the late medieval period.
Progressing by way of a series of case studies of texts by Richard Rolle, Walter Hilton, Margery Kempe, Geoffrey Chaucer, William Langland, and others, Bude argues that writers thought of "music" and "the body" not as separate objects or ontologically prior categories, but as mutually dependent and historically determined processes that called each other into being in complex and shifting ways. For Bude, these "sonic bodies" are often unexpected, peculiar, even bizarre, and challenge our understanding of their constitutive parts.
Building on recent conversations about embodiment and the voice in literary criticism and music theory, Sonic Bodies makes two major interventions across these fields: first, it broadens the definitional ambits and functions of both "music" and "the body" in the medieval period; and second, it demonstrates how embodiment and musicality are deeply and multiply intertwined in medieval writing. Compelling literary subjects, Bude argues, are literally built out of musical situations.
Описание: This volume makes a powerful argument for epitome (combining textual dismemberment and re-composition) as a broad hermeneutic field encompassing multifarious historical, conceptual and aesthetical concerns. The contributors gather from across the globe to present case studies of the 'summing up' of cultural artefacts, literary and artistic, in epitomic writing, and as a collective they demonstrate the importance of this genre that has been largely overlooked by scholars.
The volume is divided into five sections: the first showcases the broad range of fields from which epitomic analysis can be made, from classics to postmodernism to cultural memory studies; the second focuses in on epitome as dismemberment in writing from late antiquity to the modern day; the third considers a 'productive negativity' of epitomic writings and how they are useful tools for investigating the very borders and paradoxes of language; the fourth brings this to bear on materiality; the fifth considers re-composition as a counterpart to dismemberment and problematises it.
Across the volume, examples are taken from important late antique writers such as Ausonius, Clement of Alexandria, Macrobius, Nepos, Nonius Marcellus and Symphosius, and from modern authors such as Antonin Artaud, Barthes, Nabokov and Pascal Quignard. Epitomic writings about art from decorated tabulae to sarcophagi are also included, as are epitomic images themselves in the form of manuscript illustrations that sum up their text.
This ground-breaking volume connects the situatedness of genre in English poetry with developments in classical scholarship, exploring how an emphasis on the interaction between English literary criticism and Classics changes, sharpens, or perhaps even obstructs views on genre in English poetry. "Genre" has classical roots: both in the etymology of the word and in the history of genre criticism, which begins with Aristotle. In a similar vein, recent developments in genre studies have suggested that literary genres are not given or fixed entities, but subjective and unstable (as well as historically situated), and that the reception of genre by both writers and scholars feeds back into the way genre is articulated in specific literary works.
Classical scholarship, literary criticism, and genre form a triangle of key concepts for the volume, approached in different ways and with different productive results by contributors from across the disciplines of Classics and English literature. Covering topics from the establishment of genre in the Middle Ages to the invention of female epic and the epyllion, and bringing together the works of English poets from Milton to Tennyson to Josephine Balmer, the essays collected hereargue that the reception and criticism of classical texts play a crucial part in generic formation in English poetry.
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