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Coraline: A Closer Look at Studio LAIKA`s Stop-Motion Witchcraft, Mihaela Mihailova
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Автор:
Mihaela Mihailova
Название:
Coraline: A Closer Look at Studio LAIKA`s Stop-Motion Witchcraft
ISBN:
9781501347863
Издательство:
Bloomsbury Academic
Классификация:
Теория и критика кино
Анимационное кино
Телевидение и фильмы для детей и юношества
ISBN-10: 1501347861
Обложка/Формат: Hardback
Страницы: 296
Вес: 0.57 кг.
Дата издания: 23.09.2021
Серия: Animation: key films/filmmakers
Язык: English
Иллюстрации: 30 bw illus
Размер: 229 x 152 x 18
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Animated films,Film theory & criticism,Television & film (Children's / Teenage), PERFORMING ARTS / Animation,PERFORMING ARTS / Film & Video / Direction & Production,PERFORMING ARTS / Film & Video / History & Criticism
Подзаголовок: A closer look at studio laika`s stop-motion witchcraft
Рейтинг:
Поставляется из: Англии
Описание:
Coraline
(Henry Selick, 2009) is stop-motion studio LAIKAs feature-length debut based on the popular childrens novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This open access collection brings together an international group of practitioners and scholars to examine
Coraline’
s place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium. More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands. Divided into three sections, this volume’s chapters situate
Coraline
within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium’s aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship. In doing so, they invite recognition – and appreciation – of the fact that
Coraline
occupies many liminal spaces at once. It straddles the boundary between children’s entertainment and traditional ‘adult’ genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance. Finally, it marks a pivotal point in stop-motion animation’s digital turn. Following the film’s recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema’s gifted child. As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on
bloomsburycollections.com.
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