Film Directors and Emotion: An Affective Turn in Contemporary American Cinema, Darragh Greene, Graham Price
Автор: Wiles, Mary M (Author) Название: Jacques Rivette ( Contemporary Film Directors) ISBN: 0252078349 ISBN-13(EAN): 9780252078347 Издательство: Wiley EDC Рейтинг: Цена: 2041.00 р. 2915.00-30% Наличие на складе: Есть (1 шт.) Описание:
As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, Céline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret défense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty.
In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.
Автор: Sticchi Название: Melancholy Emotion in Contemporary Cinema ISBN: 1138317748 ISBN-13(EAN): 9781138317741 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book analyzes film experience through the lens of Baruch Spinoza`s embodied philosophy. Spinoza`s philosophy allows us to appreciate and master sad passions and, at the same time, to show the conceptual power of film experience.
Автор: Witt Michael Название: Jean-Luc Godard, Cinema Historian ISBN: 0253007283 ISBN-13(EAN): 9780253007285 Издательство: Wiley EDC Рейтинг: Цена: 5146.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cin?ma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.
Автор: Paszkiewicz, Katarzyna Название: Genre, authorship and contemporary women filmmakers ISBN: 1474425267 ISBN-13(EAN): 9781474425261 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Examines the significance of women`s work in popular genres
Описание: Addresses postfeminist media culture's emphasis on socioeconomic privilege
In the first extended study into the politics of whiteness inherent within postfeminist cinema, Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the 'melancholic white woman' serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. This figure may be idealised or scapegoated within these films, yet strategic performances of gendered melancholia may produce benefits for white female directors and stars disadvantaged within a patriarchal industry. Examining film genres including the tourist romance, the fantasy film and the psychological thriller, the book also contains case studies of films like The Virgin Suicides, Blue Jasmine, Gone Girl and The Girl on the Train.
Case studies include:
Gone Girl (David Fincher 2014)
The Girl on the Train (Tate Taylor 2016)
The Virgin Suicides (Sofia Coppola 1999)
Marie Antoinette (Sofia Coppola 2006)
Lost in Translation (Sofia Coppola 2003)
Blue Jasmine (Woody Allen 2013)
Black Swan (Darren Aronofsky 2010)
Pirates of the Caribbean (Gore Verbinski 2003, 2006, 2007)
Alice in Wonderland (Tim Burton 2010)
Alice Through the Looking Glass (James Bobin 2016)
Описание: Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of `found footage,` to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror.
Автор: Hogan Patrick Colm Название: Style in Narrative: Aspects of an Affective-Cognitive Stylistics ISBN: 0197539572 ISBN-13(EAN): 9780197539576 Издательство: Oxford Academ Рейтинг: Цена: 30577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing on recent psychological research, this book proposes a new and clear definition of "style" and provides a systematic theoretical account of style in relation to cognitive and affective science. Patrick Hogan uses rich examples from literature, film, and graphic fiction to explain the narrative, thematic, and emotional functions of style in narrative.
Автор: Romain Chareyron, Gilles Viennot Название: Screening Youth: Contemporary French and Francophone Cinema ISBN: 1474449425 ISBN-13(EAN): 9781474449427 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume offers new insights into the works of emerging and well-established Francophone directors, who all chose to place youth at the heart of their narrative and aesthetic concerns.
Since the turn of the millennium, a growing number of female filmmakers have appropriated the aesthetics of horror for their films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovi? and Ana Lily Amirpour, who put ‘a poetics of horror’ to new use in their work, expanding the range of gendered and racialised perspectives in the horror genre.
Exploring themes such as rage, trauma, sexuality, family ties and politics, New Blood in Contemporary Cinema takes on avenging women, bloody vampires, lustful witches, scary mothers, terrifying offspring and female Frankensteins. By following a red trail of blood, the book illuminates a new generation of women directors who have enlarged the general scope and stretched the emotional spectrum of the genre.
Considers the nature and status of contemporary cinema by way of a series of technological reflections on its past
Argues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demise
Draws on the latest thinking on evolving screen technologies and media archaeology and the development of cognate areas such as memory studies
Charts the historical memory of cinema, with a view to considering how our engagement with, and understanding of, this history might be reconfigured in the present.
Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike.
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates in this innovative study, the writings of figures like Kracauer and Walter Benjamin in fact remain an undervalued tool for understanding political cinema today. Through illuminating explorations of Michael Haneke, Valeska Grisebach, Andreas Dresen, and other filmmakers of the post-reunification era, Mukhida develops an analysis centered on film aesthetics and experience, showing how medium-specific devices like lighting, sound, and mise-en-sc?ne can help to cultivate political sensitivity in spectators.
Автор: Thomas Austin, Angelos Koutsourakis Название: Cinema of Crisis: Film and Contemporary Europe ISBN: 147444850X ISBN-13(EAN): 9781474448505 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection explores the politics and aesthetics of filmmaking across Europe in flux. It brings together scholars from Spain to Estonia, Hungary to Britain, in order to trace European filmmakers` diverse responses to the interlinked upheavals and emergencies of the past three decades.
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