In this book, Stefanie Schafer provides the first study of the Yankee’s many facets. Reading together Yankee Doodle, Brother Jonathan, Uncle Sam, the Yankee Peddler and the Down Easter, she highlights the Yankee’s ambiguity: His performance hinges on storytelling and fraudulence. An invention of transatlantic origin, the Yankee straddles regional and sectional, rural and urban, working class and bourgeois US identities. For nineteenth-century audiences at home and abroad, he becomes the hegemonic embodiment of US national character, its political and material culture and the homespun agent of its imperial fantasies.
Описание: Analyzing published and archival oral histories of formerly enslaved African Americans, Libra R. Hilde explores the meanings of manhood and fatherhood during and after the era of slavery, demonstrating that black men and women articulated a surprisingly broad and consistent vision of paternal duty across more than a century. Complicating the tendency among historians to conflate masculinity within slavery with heroic resistance, Hilde emphasizes that, while some enslaved men openly rebelled, many chose subtle forms of resistance in the context of family and local community. She explains how a significant number of enslaved men served as caretakers to their children and shaped their lives and identities. From the standpoint of enslavers, this was particularly threatening--a man who fed his children built up the master's property, but a man who fed them notions of autonomy put cracks in the edifice of slavery.
Fatherhood highlighted the agonizing contradictions of the condition of enslavement, and to be an involved father was to face intractable dilemmas, yet many men tried. By telling the story of the often quietly heroic efforts that enslaved men undertook to be fathers, Hilde reveals how formerly enslaved African Americans evaluated their fathers (including white fathers) and envisioned an honorable manhood.
Автор: Link William A Название: Creating Citizenship in the Nineteenth-Century South ISBN: 081306483X ISBN-13(EAN): 9780813064833 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3129.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: More than merely legal status, citizenship is also a form of belonging, shaping individual and group rights, duties, and identities. The pioneering essays in this volume are the first to address the evolution and significance of citizenship in the American South during the long nineteenth century. They explore the politics and contested meanings of citizenry from a variety of disciplinary perspectives in a tumultuous period when slavery, Civil War, Reconstruction, and segregation redefined relationships between different groups of southern men and women, both black and white.
In this book, Stefanie Schafer provides the first study of the Yankee’s many facets. Reading together Yankee Doodle, Brother Jonathan, Uncle Sam, the Yankee Peddler and the Down Easter, she highlights the Yankee’s ambiguity: His performance hinges on storytelling and fraudulence. An invention of transatlantic origin, the Yankee straddles regional and sectional, rural and urban, working class and bourgeois US identities. For nineteenth-century audiences at home and abroad, he becomes the hegemonic embodiment of US national character, its political and material culture and the homespun agent of its imperial fantasies.
Описание: In the decades before the U.S. Civil War, the city of Boston evolved from a dilapidated, haphazardly planned, and architecturally stagnant provincial town into a booming and visually impressive metropolis. In an effort to remake Boston into the ""Athens of America,"" neighborhoods were leveled, streets straightened, and an ambitious set of architectural ordinances enacted. However, even as residents reveled in a vibrant new landscape of landmark buildings, art galleries, parks, and bustling streets, the social and sensory upheaval of city life also gave rise to a widespread fascination with the unseen. Focusing his analysis between 1820 and 1860, Justin T. Clark traces how the effort to impose moral and social order on the city also inspired many—from Transcendentalists to clairvoyants and amateur artists—to seek out more ethereal visions of the infinite and ideal beyond the gilded paintings and glimmering storefronts.By elucidating the reciprocal influence of two of the most important developments in nineteenth-century American culture—the spectacular city and visionary culture—Clark demonstrates how the nineteenth-century city is not only the birthplace of modern spectacle, but also a battleground for the freedom and autonomy of the spectator.
Описание: In the decades before the U.S. Civil War, the city of Boston evolved from a dilapidated, haphazardly planned, and architecturally stagnant provincial town into a booming and visually impressive metropolis. In an effort to remake Boston into the ""Athens of America,"" neighborhoods were leveled, streets straightened, and an ambitious set of architectural ordinances enacted. However, even as residents reveled in a vibrant new landscape of landmark buildings, art galleries, parks, and bustling streets, the social and sensory upheaval of city life also gave rise to a widespread fascination with the unseen. Focusing his analysis between 1820 and 1860, Justin T. Clark traces how the effort to impose moral and social order on the city also inspired many—from Transcendentalists to clairvoyants and amateur artists—to seek out more ethereal visions of the infinite and ideal beyond the gilded paintings and glimmering storefronts.
By elucidating the reciprocal influence of two of the most important developments in nineteenth-century American culture—the spectacular city and visionary culture—Clark demonstrates how the nineteenth-century city is not only the birthplace of modern spectacle, but also a battleground for the freedom and autonomy of the spectator.
Описание: Reconstructs important milestones in the lives of 2,808 white, native-born men who resided in Boston, Massachusetts, in 1860 or 1870. Selected systematically from the census for those two years, these men represent two cross-sections of those viewed by contemporaries as "typical" Bostonians.
In the first half of the twentieth century, many writers and artists turnedto the art and received example of the Elizabethans as a means ofarticulating an emphatic (and anti-Victorian) modernity. By the middleof that century, this cultural neo-Elizabethanism had become absorbedwithin a broader mainstream discourse of national identity, heritage andcultural performance. Taking strength from the Coronation of a new, youngQueen named Elizabeth, the New Elizabethanism of the 1950s heralded anation that would now see its 'modern', televised monarch preside over animminently glorious and artistic age.This book provides the first in-depth investigation of New Elizabethanismand its legacy. With contributions from leading cultural practitioners andscholars, its essays explore New Elizabethanism as variously manifestin ballet and opera, the Coronation broadcast and festivities, nationalhistoriography and myth, the idea of the 'Young Elizabethan', celebrations ofair travel and new technologies, and the New Shakespeareanism of theatreand television. As these essays expose, New Elizabethanism was muchmore than a brief moment of optimistic hyperbole. Indeed, from moderndrama and film to the reinternment of Richard III, from the London Olympicsto the funeral of Margaret Thatcher, it continues to pervade contemporaryartistic expression, politics, and key moments of national pageantry.
In 1860, Milton Bradley invented a game called The Checkered Game of Life. Having journeyed from Springfield, Massachusetts, to New York City to determine interest in this combination of bright red ink, brass dials, and character-driven decision-making, Bradley exhausted his entire supply of merchandise just two days after his arrival in the city; within a few months, he had sold forty thousand copies. That same year, Walt Whitman left Brooklyn to oversee the printing of the third edition of his Leaves of Grass in Massachusetts. In Slantwise Moves, Douglas A. Guerra sees more than mere coincidence in the contemporary popularity of these superficially different cultural productions. Instead, he argues, both the book and the game were materially resonant sites of social experimentation--places where modes of collectivity and selfhood could be enacted and performed.
Then as now, Guerra observes, "game" was a malleable category, mediating play in various and inventive ways: through the material forms of pasteboard, paper, and india rubber; via settings like the parlor, lawn, or public hall; and by mutually agreed-upon measurements of success, ranging from point accumulation to the creation of humorous narratives. Recovering the lives of important game designers, anthologists, and codifiers--including Anne Abbot, William Simonds, Michael Phelan, and the aforementioned Bradley--Guerra brings his study of commercially produced games into dialogue with a reconsideration of iconic literary works. Through contrapuntal close readings of texts and gameplay, he finds multiple possibilities for self-fashioning reflected in Bradley's Life and Whitman's "Song of Myself," as well as utopian social spaces on billiard tables and the pages of Nathaniel Hawthorne's The Blithedale Romance alike.
Highlighting meaningful overlap in the production and reception of books and games, Slantwise Moves identifies what the two have in common as material texts and as critical models of the mundane pleasures and intimacies that defined agency and social belonging in nineteenth-century America.
Автор: Muller Dalia Antonia Название: Cuban ЙMigrйs and Independence in the Nineteenth-Century Gulf World ISBN: 1469631970 ISBN-13(EAN): 9781469631974 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12415.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: During the violent years of war marking Cuba's final push for independence from Spain, over 3,000 Cuban emigres, men and women, rich and poor, fled to Mexico. But more than a safe haven, Mexico was a key site, Dalia Antonia Muller argues, from which the expatriates helped launch a mobile and politically active Cuban diaspora around the Gulf of Mexico. Offering a new transnational vantage on Cuba's struggle for nationhood, Muller traces the stories of three hundred of these Cuban emigres and explores the impact of their lives of exile, service to the revolution and independence, and circum-Caribbean solidarities.
While not large in number, the emigres excelled at community building, and their effectiveness in disseminating their political views across borders intensified their influence and inspired strong nationalistic sentiments across Latin America. Revealing that emigres' efforts were key to a Cuban Revolutionary Party program for courting Mexican popular and diplomatic support, Muller shows how the relationship also benefited Mexican causes. Cuban revolutionary aspirations resonated with Mexican students, journalists, and others alarmed by the violation of constitutional rights and the increasing conservatism of the Porfirio Diaz regime. Finally, Muller follows emigres' return to Cuba after the Spanish-American War, their lives in the new republic ineluctably shaped by their sojourn in Mexico.
Описание: Examining the literary history of racial and national identity in nineteenth-century America, Kerkering tells the story of how poetry helped define America as a nation before helping to define America into distinct racial categories. Through formal literary effects, national and racial identities become related elements of a single literary history.
Описание: An innovative global history of the American Civil War, Reckoning with Rebellion compares and contrasts the American experience with other civil and national conflicts that happened at nearly the same time—the Indian Rebellion of 1857, the Polish Insurrection of 1863, and China's Taiping Rebellion. Aaron Sheehan-Dean identifies surprising new connections between these historical moments across three continents. Sheehan-Dean shows that insurgents around the globe often relied on irregular warfare and were labeled as criminals, mutineers, or rebels by the dominant powers. He traces commonalities between the United States, British, Russian, and Chinese empires, all large and ambitious states willing to use violence to maintain their authority. These powers were also able to control how these conflicts were described, affecting the way foreigners perceived them and whether they decided to intercede.While the stories of these conflicts are now told separately, Sheehan-Dean argues, the participants understood them in relation to each other. When Union officials condemned secession, they pointed to the violence unleashed by the Indian Rebellion. When Confederates denounced Abraham Lincoln as a tyrant, they did so by comparing him to Tsar Alexander II. Sheehan-Dean demonstrates that the causes and issues of the Civil War were also global problems, revealing the important paradigms at work in the age of nineteenth-century nation-building.A volume in the series Frontiers of the American South, edited by William A. Link
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
