At the heart of this book is a spectral theory of world literature that draws on Edward Said, Aamir Mufti, Jacques Derrida and world-systems theory to assess how the field produces local literature as an "other" that haunts its universalising, assimilative imperative with the force of the uncanny. It takes the Middle Eastern novel as both metonym and metaphor of a spectral world literature. It explores the worlding of novels from the Middle East in recent years, and, focusing on the pivotal sites of Middle Eastern modernity (Egypt, Turkey, Iran), argues that lost to their global production, circulation and reception is their constitution in the logic of spectrality. With the intention of redressing this imbalance, it critically restores their engagements with the others of Middle Eastern modernity and shows, through a new reading of the Middle Eastern novel, that world literature is always-already haunted by its others, the ghosts of modernity.
Автор: Bustanov, Alfrid K. (university Of Amsterdam, The Название: Soviet orientalism and the creation of central asian nations ISBN: 0815365721 ISBN-13(EAN): 9780815365723 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Orientalism - the idea that the standpoint of Western writers on the East greatly affected what they wrote about the East, the "Other" - applied also in Russia and the Soviet Union, where the study of the many exotic peoples incorporated into the Russian Empire, often in quite late imperial times, became a major academic industry, where, as in the West, the standpoint of writers greatly affected what they wrote. Russian/Soviet orientalism had a particularly important impact in Central Asia, where in early Soviet times new republics, later states, were created, often based on the distorted perceptions of scholars in St Petersburg and Moscow, and often cutting across previously existing political and cultural boundaries. The book explores how the Soviet orientalism academic industry influenced the creation of Central Asian nations. It discusses the content of oriental sources and discourses, considers the differences between scholars working in St Petersburg and Moscow and those working more locally in Central Asia, providing a rich picture of academic politics, and shows how academic cultural classification cemented political boundaries, often in unhelpful ways.
Описание: Develops a new, "spectral" theory of world literature, and a comparative understanding of the history and current practice of the novel in the Middle East
Addresses the problematic of world literature from the perspective of a Derridean theory of spectrality
Provides an original account of the origins, rise and spread of the novel in the comparative Middle East
Pursues innovative analyses of major novelists from Egypt, Turkey and Iran
Includes readings of novels and other literary works including Cities of Salt by Abdelrahman Munif, Arabian Nights and Days and Morning and Evening Talk by Naguib Mahfouz, The Black Book by Orhan Pamuk, Reading Lolita in Tehran by Azar Nafisi, The Saffron Kitchen by Yasmin Crowther and Persepolis by Marjane Satrapi
Contextualizes its primary texts with reference to classic statements of world literature from Goethe and Marx to the present, the discourse of the modern novel as initiated by Cervantes and landmarks of Middle Eastern literary history such as the Mu'allaqāt and Alf Layla wa Layla
This book draws on Edward Said, Aamir Mufti, Jacques Derrida, and world-systems theory to address the institutionalized construct of "world literature" from its origins in Goethe and Marx to the present day. It argues that through its history, this construct has served to incorporate if not annul local literatures and the concept of "local literature" itself, and to universalize the novel, the lyric poem, and the stage play as the only literary forms appropriate to modernity. It demonstrates this thesis through a comparative reading of the reinscription of the classical Arabic-Islamic concept of "adab" as "literature" in the modern, European sense in Egypt, Turkey, and Iran in the 19th to mid-20th centuries. It then turns to the Middle Eastern novel in the global contexts of its production, translation, circulation, and reception today. Through new readings of novels and other literary works by Abdelrahman Munif, Naguib Mahfouz, Orhan Pamuk, Azar Nafisi, Yasmin Crowther, and Marjane Satrapi, and with reference to landmarks of Middle Eastern and world literary history ranging from the Mu'allaqāt and Alf Layla wa Layla to Don Quixote, it argues that these texts--like "world literature" itself--are constitutively haunted by specters of the literary forms and traditions, of the life-worlds that they expressed, cast aside by modernity. In the case of the Middle Eastern novel, it is adab and all that it encompassed in the classical Arab-Islamic world that is suppressed or othered, but that spectral, yet returns in new, genuinely worldly constellations of form.
Автор: Geoffrey P. Nash Название: Orientalism and Literature ISBN: 1108499007 ISBN-13(EAN): 9781108499002 Издательство: Cambridge Academ Рейтинг: Цена: 16315.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book reviews the evolution of the concept of Orientalism as it has been explored, imagined and narrated in literature. Building upon existing scholarship, it aims to give readers a comprehensive grasp of the origins and present contours of Orientalism, and to point out future directions in this field.
Описание: Tracing the varying fortunes of Orientalist scholars from the inception of British rule, this study charts the work of key Indologists in the colonial era. The rhetorical constructions of East and West deployed by both colonizer and colonized, as well as attempts to synthesize or transcend such constructions, became crucial to conceptions of the `modern`.
Описание: Acknowledging the significance of Edward Said`s Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization.
Описание: The Mummy is one of the most recognizable figures in horror and is as established in the popular imagination as virtually any other monster, yet the Mummy on screen has until now remained a largely overlooked figure in critical analysis of the cinema. In this compelling new study, Basil Glynn explores the history of the Mummy film, uncovering lost and half-forgotten movies along the way, revealing the cinematic Mummy to be an astonishingly diverse and protean figure with a myriad of on-screen incarnations. In the course of investigating the enduring appeal of this most ‘Oriental’ of monsters, Glynn traces the Mummy’s development on screen from its roots in popular culture and silent cinema, through Universal Studios’ Mummy movies of the 1930s and 40s, to Hammer Horror’s re-imagining of the figure in the 1950s, and beyond.
Автор: Moore-Gilbert B. J. Название: Kipling and "Orientalism " (Routledge Revivals) ISBN: 1138799211 ISBN-13(EAN): 9781138799219 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
First published in 1986, this book sets Kipling firmly in the historical context not only of contemporary India but of prior Anglo-Indian writers about India. Despite his enthusiastic reception in England as 'revealer of the East', in India he seems to have been regarded as just one more Anglo-Indian writer. The author demonstrates the traditionalism of Kipling's use of the themes of Anglo-Indian fiction - themes such as the 'White Man's grave', domestic instability, frustration and loneliness. In particular, Kipling is shown to be writing in a strongly conservative idiom, concentrating on the role of the British hierarchy as the determining factor in a response to India, on British insecurity and fears of a repeat of 1857 mutiny, and regarding Indian institutions only in so far as they represented a threat to British rule. Conservative critiques of liberalism are also discussed.
Описание: Why is the 1798 Napoleonic invasion of Egypt routinely accepted as a watershed moment between premodern and modern in general histories on the Middle East? Although decades of scholarship, most-notably Edward Said's Orientalism, have critiqued traditional binaries of developed and undeveloped in Arab studies, the narrative of 1798 symbolizing the coming of the modern west to the rescue of the static east endures. Peter Gran's The Persistence of Orientalism is the first book to take stock of this dominant paradigm, interrogating its origins and the ways in which scholarship is produced to perpetuate it. Gran surveys the history of American studies of Modern Egypt, examining three central issues: the periodization of modern professional knowledge in the US in the 1890s, the contemporary identity of orientalism and its critique, and the close connection between Oriental Despotism and the dominant formulation of American identity found in American Studies and in American life. Reinvigorating the conversation on the historiography of modern Egypt, this volume will influence a new generation of scholars studying the Middle East and beyond.
Описание: Drawing upon postcolonial, translation, and minority discourse theory, Immigrant Narratives investigates how key Arab American and Arab British writers have described their immigrant experiences, and in so doing acted as mediators and interpreters between cultures, and how they have forged new identities in their adopted countries.
Автор: Librett Jeffrey S. Название: Orientalism and the Figure of the Jew ISBN: 082326291X ISBN-13(EAN): 9780823262915 Издательство: Wiley EDC Рейтинг: Цена: 13556.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Orientalism and the Figure of the Jew proposes a new way of understanding modern Orientalism. Tracing a path of modern Orientalist thought in German across crucial writings from the late eighteenth to the mid–twentieth centuries, Librett argues that Orientalism and anti-Judaism are inextricably entangled. Librett suggests, further, that the Western assertion of “material” power, in terms of which Orientalism is often read, is overdetermined by a “spiritual” weakness: an anxiety about the absence of absolute foundations and values that coincides with Western modernity itself. The modern West, he shows, posits an Oriental origin as a fetish to fill the absent place of lacking foundations. This fetish is appropriated as Western through a quasi-secularized application of Christian typology. Further, the Western appropriation of the “good” Orient always leaves behind the remainder of the “bad,” inassimilable Orient. The book traces variations on this theme through historicist and idealist texts of the nineteenth century and then shows how high modernists like Buber, Kafka, Mann, and Freud place this historicist narrative in question. The book concludes with the outlines of a cultural historiography that would distance itself from the metaphysics of historicism, confronting instead its underlying anxieties.
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