The first inclusive collection to examine post-2008 developments in Balkan cinema, this book brings together a number of international scholars to explore its industrial contexts and textual dimensions. With a focus on transnational links, global networks and cross-cultural exchanges, the book addresses the role of national and supranational institutions as well as film festival networks in supporting film production, distribution and reception. It also identifies key characteristics in the subject matter and aesthetics of Balkan films made since the global economic crisis. Through critical and comprehensive country profiles, and with a focus on smaller and underrepresented cinemas from Montenegro, Kosovo, North Macedonia and Albania, the collection argues for the continuing relevance of the concept of ‘Balkan cinema’.
Автор: Enroth Henrik, Brommesson Douglas Название: Global Community?: Transnational and Transdisciplinary Exchanges ISBN: 178348473X ISBN-13(EAN): 9781783484737 Издательство: Bloomsbury Рейтинг: Цена: 6683.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the range and depth of work currently being done in the humanities and social sciences on the conceptual, normative and empirical aspects of global community.
Описание: An important feature of this book is its analysis of various contemporary issues in applied economics, distinguished by advanced theoretical research and empirical analysis focusing on Japan and Korea.
Описание: Never have financial markets been subjected to a period of change as rapid and extensive as took place from the 1970s onwards. Ranald C. Michie provides an authoritative account of this upheaval based on a careful reading of the Financial Times over the last four decades.
Описание: This proceedings volume presents recent theoretical and practical advances in operational research (OR). The chapters are based on papers presented at the 13th Balkan Conference on Operations Research (BALCOR).
Описание: A critical and comprehensive analysis of post-2008 Balkan cinema through a transnational and cross-cultural approach
Comprehensive account of all national cinemas from the Balkan region
Emphasis on co-productions, transnational exchanges and global circulation
Reference tables on national and regional film supporting institutions and film festivals
Focus on small and as-yet underrepresented cinemas, such as Montenegro, Kosovo, North Macedonia, and Albania
The first inclusive collection to examine post-2008 developments in Balkan cinema, this book brings together a number of international scholars to explore its industrial contexts and textual dimensions. With a focus on transnational links, global networks and cross-cultural exchanges, the book addresses the role of national and supranational institutions as well as film festival networks in supporting film production, distribution and reception. It also identifies key characteristics in the subject matter and aesthetics of Balkan films made since the global economic crisis. Through critical and comprehensive country profiles, and with a focus on smaller and underrepresented cinemas from Montenegro, Kosovo, North Macedonia and Albania, the collection argues for the continuing relevance of the concept of 'Balkan cinema'.
Exchanges between different cultures and institutions of learning have taken place for centuries, but it was only in the twentieth century that such efforts evolved into formal programs that received focused attention from nation-states, empires and international organizations. Global Exchanges provides a wide-ranging overview of this underresearched topic, examining the scope, scale and evolution of organized exchanges around the globe through the twentieth century. In doing so it dramatically reveals the true extent of organized exchange and its essential contribution for knowledge transfer, cultural interchange, and the formation of global networks so often taken for granted today.
Автор: Enroth Henrik, Brommesson Douglas Название: Global Community?: Transnational and Transdisciplinary Exchanges ISBN: 1783484721 ISBN-13(EAN): 9781783484720 Издательство: Bloomsbury Рейтинг: Цена: 20345.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the range and depth of work currently being done in the humanities and social sciences on the conceptual, normative and empirical aspects of global community.
Автор: Edited By Nicola Di Название: Empires and exchanges in eurasian late antiquity ISBN: 1107094348 ISBN-13(EAN): 9781107094345 Издательство: Cambridge Academ Рейтинг: Цена: 20275.00 р. Наличие на складе: Поставка под заказ.
Описание: Empires and Exchanges in Eurasian Late Antiquity offers an integrated picture of Rome, China, Iran, and the Steppes during a formative period of world history. In the half millennium between 250 and 750 CE, settled empires underwent deep structural changes, while various nomadic peoples of the steppes (Huns, Avars, Turks, and others) experienced significant interactions and movements that changed their societies, cultures, and economies. This was a transformational era, a time when Roman, Persian, and Chinese monarchs were mutually aware of court practices, and when Christians and Buddhists criss-crossed the Eurasian lands together with merchants and armies. It was a time of greater circulation of ideas as well as material goods. This volume provides a conceptual frame for locating these developments in the same space and time. Without arguing for uniformity, it illuminates the interconnections and networks that tied countless local cultural expressions to far-reaching inter-regional ones.
Описание: Although the Federal Republic of Germany and the United States share many legal, social, and political values, they also represent different traditions in terms of how each understands the idea of universal human rights. The contributors to this volume represent legal-constitutional, historical, bio-ethical, philosophical, and social science reflections on what the two nation states share, and what distinguishes their understanding of universal human rights. The rise of neo-populist and authoritarian nationalist impulses in Europe and the Americas, the differing responses of the two liberal democratic republics provide an insight into how each nation state still affirms a long-standing commitment to universal human rights. No other work in German or English currently provides a comparison between the two countries and across many disciplines.
Napoli/New York/Hollywood is an absorbing investigation of the significant impact that Italian immigrant actors, musicians, and directors—and the southern Italian stage traditions they embodied—have had on the history of Hollywood cinema and American media, from 1895 to the present day. In a unique exploration of the transnational communication between American and Italian film industries, media or performing arts as practiced in Naples, New York, San Francisco, and Los Angeles, this groundbreaking book looks at the historical context and institutional film history from the illuminating perspective of the performers themselves—the workers who lend their bodies and their performance culture to screen representations. In doing so, the author brings to light the cultural work of families and generations of artists that have contributed not only to American film culture, but also to the cultural construction and evolution of “Italian-ness” over the past century. Napoli/New York/Hollywood offers a major contribution to our understanding of the role of southern Italian culture in American cinema, from the silent era to contemporary film. Using a provocative interdisciplinary approach, the author associates southern Italian culture with modernity and the immigrants’ preservation of cultural traditions with innovations in the mode of production and in the use of media technologies (theatrical venues, music records, radio, ethnic films). Each chapter synthesizes a wealth of previously under-studied material and displays the author’s exceptional ability to cover transnational cinematic issues within an historical context. For example, her analysis of the period from the end of World War I until the beginning of sound in film production in the end of the 1920s, delivers a meaningful revision of the relationship between Fascism and American cinema, and Italian emigration. Napoli/New York/Hollywood examines the careers of those Italian performers who were Italian not only because of their origins but because their theatrical culture was Italian, a culture that embraced high and low, tragedy and comedy, music, dance and even acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
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