Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of ‘found footage,’ to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema’s affective capacities have shifted in relation to these modifications in the forms of cinematic horror. It applies a rich theoretical synthesis of phenomenological and Deleuzian approaches to a number of case studies, including films like The Blair Witch Project, Paranormal Activity and Creep as well as video games such as Alien: Isolation and new media forms such as Youtube horror and virtual reality horror.
Описание: This book tells a story of masculinity through the experiences of one boy, `Adam`. Against this backdrop, nuanced and longitudinal accounts of boys` and men`s experiences of masculinity are significant because they can offer insight into the complex bodily, social, economic, and historical forces that configure masculinities.
Автор: Overell Rosemary Название: Affective Intensities in Extreme Music Scenes ISBN: 1137406763 ISBN-13(EAN): 9781137406767 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An ethnographic study of gender, place and belonging, Affective Intensities introduces readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan.
Описание: This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of `digital haunting`, contemporary horror cinema reflects - and exploits - the anxieties of our age.
Описание: Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of `found footage,` to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror.
Автор: R. Overell Название: Affective Intensities in Extreme Music Scenes ISBN: 1349488046 ISBN-13(EAN): 9781349488049 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An ethnographic study of gender, place and belonging, Affective Intensities introduces readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan.
Through an identification of key case studies both mainstream and lesser known, Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema argues that found footage horror cinema is uniquely able to confront a pervasive contemporary culture of anxiety and trauma. This book traces how and why the subgenre has continued to endure, even as we enter a post-cinematic landscape.
Through three distinct sections, Blood on the Lens proposes key observations on the found footage horror subgenre. She questions how these films engage with national trauma, the common themes of this body of films and how they relate to wider anxieties. In addition, McMurdo investigates the effect various cultural movements have had on the aesthetics of found footage horror, how these films position their spectator and encourage an active viewing mode, and how the line between fiction and fact is blurred both paratextually and within the films themselves.
Автор: Turner Название: Found Footage Horror Films ISBN: 1138388513 ISBN-13(EAN): 9781138388512 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book adopts a cognitive theoretical framework to address the mental processes triggered by found footage horror films. Films studied include The Blair Witch Project, Rec, Paranormal Activity, Exhibit A, Cloverfield, Man Bites Dog, The Last Horror Movie, and Zero Day.
Описание: Connects the found footage horror subgenre to significant traumatic events and societal anxieties in American history and contemporary America
Through an identification of key case studies both mainstream and lesser known, Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema argues that found footage horror cinema is uniquely able to confront a pervasive contemporary culture of anxiety and trauma. This book traces how and why the subgenre has continued to endure, even as we enter a post-cinematic landscape.
Through three distinct sections, Blood on the Lens proposes key observations on the found footage horror subgenre. She questions how these films engage with national trauma, the common themes of this body of films and how they relate to wider anxieties. In addition, McMurdo investigates the effect various cultural movements have had on the aesthetics of found footage horror, how these films position their spectator and encourage an active viewing mode, and how the line between fiction and fact is blurred both paratextually and within the films themselves.
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