Описание: A sweeping study of the distaff side of anti-communism/anti-government conspiracy politics.”—Eileen Boris, coeditor of The Practice of U.S. Women’s History: Narratives, Intersections, and Dialogues “Benowitz shows how the conservative women of the 1950s helped to lay the foundation for the ‘New Right.’”—Mary C. Brennan, author of Pat Nixon: Embattled First Lady In the mid-twentieth century, a grassroots movement of women—mostly white, middle-class, and conservative—sought to shape the political, cultural, and social ideologies of the baby boomers in what they perceived was a quickly changing world poisoned by communism. In Challenge and Change, June Melby Benowitz draws on a wide variety of primary sources to highlight the connections between the women of the Old Right, the New Right, and today’s Tea Party. Through interviews, as well as through their letters to presidents, editors, and one another, Benowitz allows these women to speak for themselves. She examines the issues that stirred them to action—education, health, desegregation, moral corruption, war, patriotism, and the Equal Rights Amendment—and explores the development of the right-wing women’s movement and its growth from the mid-twentieth into the twenty-first century.
2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies Demonstrates how Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture
In Whose Harlem Is This, Anyway?, Shannon King vividly uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. New Negro activists, such as Hubert Harrison and Frank Crosswaith, challenged local forms of economic and racial inequality in attempts to breakdown the structural manifestations that upheld them. Insurgent stay-at-home black mothers took negligent landlords to court, complaining to magistrates about the absence of hot water and heat in their apartment buildings. Black men and women, propelling dishes, bricks, and other makeshift weapons from their apartment windows and their rooftops, retaliated against hostile policemen harassing blacks on the streets of Harlem. From the turn of the twentieth century to the Great Depression, black Harlemites mobilized around local issues—such as high rents, jobs, leisure, and police brutality—to make their neighborhood an autonomous black community. In Whose Harlem Is This, Anyway?, Shannon King demonstrates how, against all odds, the Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture. By the end of the 1920s, Harlem had experience a labor strike, a tenant campaign for affordable rents, and its first race riot. These public forms of protest and discontent represented the dress rehearsal for black mass mobilization in the 1930s and 1940s. By studying blacks' immense investment in community politics, King makes visible the hidden stirrings of a social movement deeply invested in a Black Harlem. Whose Harlem Is This, Anyway? is a vibrant story of the shaping of a community during a pivotal time in American History.
2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies Demonstrates how Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture
In Whose Harlem Is This, Anyway?, Shannon King vividly uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. New Negro activists, such as Hubert Harrison and Frank Crosswaith, challenged local forms of economic and racial inequality in attempts to breakdown the structural manifestations that upheld them. Insurgent stay-at-home black mothers took negligent landlords to court, complaining to magistrates about the absence of hot water and heat in their apartment buildings. Black men and women, propelling dishes, bricks, and other makeshift weapons from their apartment windows and their rooftops, retaliated against hostile policemen harassing blacks on the streets of Harlem. From the turn of the twentieth century to the Great Depression, black Harlemites mobilized around local issues—such as high rents, jobs, leisure, and police brutality—to make their neighborhood an autonomous black community. In Whose Harlem Is This, Anyway?, Shannon King demonstrates how, against all odds, the Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture. By the end of the 1920s, Harlem had experience a labor strike, a tenant campaign for affordable rents, and its first race riot. These public forms of protest and discontent represented the dress rehearsal for black mass mobilization in the 1930s and 1940s. By studying blacks' immense investment in community politics, King makes visible the hidden stirrings of a social movement deeply invested in a Black Harlem. Whose Harlem Is This, Anyway? is a vibrant story of the shaping of a community during a pivotal time in American History.
Описание: Deeply grounded by both extensive oral history interviews and archival research, Bread, Justice, and Liberty provides innovative contributions to scholarship on Chilean history, social movements, popular protest and democratization, neoliberal economics, and the Cold War in Latin America.
In the mid-twentieth century, a grassroots movement of women--mostly white, middle-class, and conservative--sought to shape the political, cultural, and social ideologies of the baby boomers in what they perceived was a quickly changing world poisoned by communism.
In Challenge and Change, June Melby Benowitz draws on a wide variety of primary sources to highlight the connections between the women of the Old Right, the New Right, and today's Tea Party. Through interviews, as well as through their letters to presidents, editors, and one another, Benowitz allows these women to speak for themselves. She examines the issues that stirred them to action--education, health, desegregation, moral corruption, war, patriotism, and the Equal Rights Amendment--and explores the development of the right-wing women's movement and its growth from the mid-twentieth into the twenty-first century.
Описание: In this first narrative history of one of the longest boycott campaigns in US history, Allyson Brantley draws from a broad archive as well as oral history interviews with long-time boycotters to offer a compelling, grassroots view of anti-corporate organising and unlikely coalitions.
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