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Bitches Unleashed: Performance and Embodied Politics in Favela Funk, Raquel Moreira


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Автор: Raquel Moreira
Название:  Bitches Unleashed: Performance and Embodied Politics in Favela Funk
ISBN: 9781433169564
Издательство: Peter Lang
Классификация:
ISBN-10: 1433169568
Обложка/Формат: Hardback
Страницы: 262
Вес: 0.45 кг.
Дата издания: 19.05.2021
Серия: Critical intercultural communication studies
Язык: English
Издание: New ed
Иллюстрации: 4 illustrations, unspecified; 4 illustrations, unspecified
Размер: 22.50 x 15.01 x 1.40 cm
Читательская аудитория: Professional & vocational
Ключевые слова: Media studies, SOCIAL SCIENCE / Media Studies
Подзаголовок: Performance and embodied politics in favela funk
Рейтинг:
Поставляется из: Англии
Описание: This book challenges white and Western feminist approaches to embodied politics, or the use of the body in everyday enactments of resistance, while mapping transgressive performances of femininities by the funkeiras, marginalized women and transfeminine people of color artists in Brazilian favela funk. Often studied from a white feminist perspective, embodied politics reflects debates about agency and structural change that are generally applicable to white women in the West. Concurrently, studies of femininity tend to universalize experiences of gender oppression encountered by white women to women across the globe. In this work, the author offers a transnational perspective on the performative force of embodied politics as a possible means to disrupt white, classist heteropatriarchal structures that oppress particularly poor women and transfeminine people of color in Brazil. This project has a threefold goal: first, it challenges the theoretical shortcomings of white feminist approaches to embodied politics, providing instead a transfeminista take on the concept. Secondly, this project aims to shed light on how traditional methodological approaches have hindered nuanced understandings of women and people of color and their performances. Third and finally, by challenging and re-envisioning the potential of embodied politics from a transnational perspective, the text intends to contribute to the field of critical intercultural communication’s growing but still limited research around bodies and performance, especially of those who are marginalized in global contexts.
Дополнительное описание:

List of Figures – Acknowledgements – Introducing Bitches Unleashed – Femininities, Agency, and White Feminist Failures – “I Don’t Depend on Men for Shit!”: Favela Funk as Industry and Funkeiras’ Autonomy – Femininities on Display: Transgression and the



Bitches Unleashed: Performance and Embodied Politics in Favela Funk

Автор: Raquel Moreira
Название: Bitches Unleashed: Performance and Embodied Politics in Favela Funk
ISBN: 1433169576 ISBN-13(EAN): 9781433169571
Издательство: Peter Lang
Рейтинг:
Цена: 6107.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book challenges white and Western feminist approaches to embodied politics, or the use of the body in everyday enactments of resistance, while mapping transgressive performances of femininities by the funkeiras, marginalized women and transfeminine people of color artists in Brazilian favela funk. Often studied from a white feminist perspective, embodied politics reflects debates about agency and structural change that are generally applicable to white women in the West. Concurrently, studies of femininity tend to universalize experiences of gender oppression encountered by white women to women across the globe. In this work, the author offers a transnational perspective on the performative force of embodied politics as a possible means to disrupt white, classist heteropatriarchal structures that oppress particularly poor women and transfeminine people of color in Brazil. This project has a threefold goal: first, it challenges the theoretical shortcomings of white feminist approaches to embodied politics, providing instead a transfeminista take on the concept. Secondly, this project aims to shed light on how traditional methodological approaches have hindered nuanced understandings of women and people of color and their performances. Third and finally, by challenging and re-envisioning the potential of embodied politics from a transnational perspective, the text intends to contribute to the field of critical intercultural communication’s growing but still limited research around bodies and performance, especially of those who are marginalized in global contexts.


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