Описание: Amy Werbel provides a colorful journey through professional censor Anthony Comstock`s career that doubles as a history of post-Civil War America`s risque visual and sexual culture. Lust on Trial provides fresh insights into Comstock, the sexual habits of Americans during his era, and the complicated relationship between law and cultural change.
How did writers convey ideas under the politically repressive conditions of state socialism? Did the perennial strategies to outwit the censors foster creativity or did unintentional self-censorship lead to the detriment of thought? Drawing on oral history and primary source material from the Editorial Board of the Czechoslovak Academy of Sciences and state science policy documents, Libora Oates-Indruchov explores to what extent scholarly publishing in state-socialist Czechoslovakia and Hungary was affected by censorship and how writers responded to intellectual un-freedom.
Divided into four main parts looking at the institutional context of censorship, the full trajectory of a manuscript from idea to publication, the author and their relationship to the text and language, this book provides a fascinating insight into the ambivalent beneficial and detrimental effects of censorship on scholarly work from the Prague Spring of 1968 to the Velvet Revolution of 1989.
Censorship in Czech and Hungarian Academic Publishing, 1969-89 also brings the historical censorship of state-socialism into the present, reflecting on the cultural significance of scholarly publishing in the light of current debates on the neoliberal academia and the future of the humanities.
Описание: Since 1803, Australia's newspapers have had a part in curating and distributing our nation's stories second only to conversation. Yet anxiety over what exactly those stories should be and how much to tell has been a constant irritant to editors, proprietors, journalists, readers, politicians and lawyers alike. The first Australian newspaper editor, a West-Indian Creole called 'Happy George', set the tone for this battle for freedom of the press when his paper was secretly censored by the Colonial Secretary. Back then the Australian settler population was about 7,000, frontier Sydney was a jail and they did things differently. When you stole your neighbour's heifer you were publicly hanged from a branch of the nearest gum-tree. By 1923, the peak of newspaper influence in Australia, 21 proprietors owned 26 capital-city daily newspapers in a population of only 5.7 million. Print monopolised communication. In today's digital age, with 25 million Australians living in one of the world's most stable democracies, newspapers are no longer tied to the tyranny of hot metal, and reach out via fibre, copper and air past their paper origins into the 24-hour news cycle. Yet anxiety over censorship remains. In this epic collection of essays, Robert Pullan, a life-long journalist, tells the lives of the poets, preachers, drunks, gunmen and genius-editors who shaped Australian press history and battled the censorship ogre. The stories are quintessentially Australian and told with an evocative voice that brings history to life and challenges the assumption that it is only now in our history that we must battle for freedom of communication. As he asks -- why is it that the most eloquent judicial defence of the press was made nearly two centuries ago in 1827? This book reveals through its telling of personal stories from over two centuries of Australian history that the most effective censorship, self-censorship, is already practiced in newsrooms across the country in capital city dailies and regional and suburban newspapers. Perhaps then, it is in the stories of the past, that we can discern where best to head now.
Автор: Stephens Название: The Censorship of English Drama 1824–1901 ISBN: 0521136555 ISBN-13(EAN): 9780521136556 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally published in 1980, this was the first study to make use of the Lord Chamberlain`s files on English stage censorship. Dramatic censorship is shown to be a significant index of the Victorian age and the book fills an important gap in the knowledge and understanding not only of Victorian theatre, but of Victorian manners and attitudes.
Автор: Williams Название: Obscenity and Film Censorship ISBN: 1107113776 ISBN-13(EAN): 9781107113770 Издательство: Cambridge Academ Рейтинг: Цена: 12355.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bernard Williams`s Report on Obscenity and Film Censorship continues to be an important and influential reference for discussions on obscenity and censorship. Presented in a fresh series livery for the twenty-first century, and with a specially commissioned preface written by Onora O`Neill, this influential work is now available for a new generation of readers.
Автор: Keith Fink Название: Sex, Race, and Politics: Free Speech on Campus ISBN: 1609276205 ISBN-13(EAN): 9781609276201 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides an entertaining and academic look at free speech and association issues on the college campus. The presentation of the legal material mixed in with humorous fact patterns makes analysis of the cutting edge campus speech issues enjoyable. Each section includes in-depth discussion questions to encourage a deeper engagement and understanding of the text.
As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions.
Using the National Board’s extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB’s Progressive-era founding in New York; its evolving set of “standards” for directors, producers, municipal officers, and citizens; its “city plan,” which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB’s influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.
Автор: Schell Bernadette H. Название: Internet Censorship: A Reference Handbook ISBN: 1610694813 ISBN-13(EAN): 9781610694810 Издательство: Marston Book Services Цена: 9900.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Covering topics ranging from web filters to laws aimed at preventing the flow of information, this book explores freedom-and censorship-of the Internet and considers the advantages and disadvantages of policies at each end of the spectrum.
Описание: Licensing, Censorship and Authorship in Early Modern England examines in detail both how the practice of censorship shaped writing in the Shakespearean period, and how our sense of that censorship continues to shape modern understandings of what was written.
Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art.
As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.
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