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British Children`s Cinema: From the Thief of Bagdad to Wallace and Gromit, Noel Brown


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Автор: Noel Brown
Название:  British Children`s Cinema: From the Thief of Bagdad to Wallace and Gromit
ISBN: 9781350242876
Издательство: Bloomsbury Academic
Классификация:






ISBN-10: 135024287X
Обложка/Формат: Paperback
Страницы: 320
Вес: 0.40 кг.
Дата издания: 29.07.2021
Серия: Cinema and society
Язык: English
Иллюстрации: 25 bw integrated
Размер: 23.39 x 15.60 x 1.68 cm
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: 20th century history: c 1900 to c 2000,Age groups: children,Film theory & criticism,Film: styles & genres,Films, cinema,Popular culture,Social & cultural history, HISTORY / Europe / Great Britain,HISTORY / Social History,PERFORMING ARTS / Television / Hi
Подзаголовок: From the thief of bagdad to wallace and gromit
Рейтинг:
Поставляется из: Англии
Описание: British childrens films have played a part in the childhoods of generations of young people around the world for over a century. Until now, however, their cherished status has remained largely unexplored. In this book, Noel Brown relates the history of childrens cinema in Britain from the early years of commercial cinema to the present day, to reveal the reasons behind its acclaim in international popular culture.Drawing on multiple sources, Brown provides in-depth analysis of a range of iconic films, including The Railway Children, The Thief of Bagdad, Bugsy Malone, the Harry Potter films,Mary Poppins, Nanny McPhee, Paddington, Oliver!, and Aardmans Wallace and Gromit series. Futhermore, he investigates industrial and commercial contexts, such as the role of the Childrens Film Foundation; and includes revealing insights on changing social and cultural norms, such as the once-sacred tradition of Saturday morning cinema. Brown challenges common prejudices that childrens films are inherently shallow or simplistic, revealing the often complex strategies that underpin their enduring appeal to audiences of all ages and backgrounds.In addition, he shows how the films allow a privileged access to historic cultures and the nations political past. In doing so, Brown firmly establishes childrens cinema as an important genre not only for students and scholars of film studies but also for those interested in socio-cultural history, the production and reception of popular entertainment and anyone looking for entertainment, escapism and nostalgia.


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