Ernst Lubitsch, the great author of Hollywood comedy and pioneer of such genres as the sophisticated romantic comedy, the musical, and the screwball comedy, is a relatively overlooked figure in mainstream film theory. In this collection, renowned world thinkers and philosophers position Lubitsch as the premium director of subversive cinema, reflecting on his attitude toward love and politics which correspond to contemporary issues.Followers of the Hegelian, Marxist, Freudian, Lacanian, and Deleuzian traditions discuss thephilosophical, political, and ethical dimensions of Lubitsch's late Hollywood work. They focus on love as stealing, the ethics of style, and comedy in times of austerity in the director's masterpiece, Trouble in Paradise (1932); answer the question of why comedy is always polygamous; discuss links between masochism, melancholia, and ideology in Ninotchka(1939); celebrate the ethical gesture of comedy in To Be or Not to Be (1942); and promote the revolutionary comic spirit of Lubitsch's last directorial effort, Cluny Brown (1946). These essays' witty, subversive, and provocative approaches highlight Lubitsch's unique understanding of love, sex, comedy, and politics and idiosyncratic conception of totalitarian"nightmares" and capitalistic "paradise," countering the non-dialectic and politically correct discourse of mainstream and independent cinema today.
Описание: This volume collects essays which are thematically connected through the work of Kent Emery Jr., to whom the volume is dedicated. A main focus lies on the attempts to bridge the gap between mysticism and a systematic approach to medieval philosophical thought. The essays address a wide range of topics concerning (a) the nature of the human soul (in philosophical and theological discourse); (b) medieval theories of cognition (natural and supernatural), self-knowledge and knowledge of God; (c) the human soul’s contemplation of, and union with, God; (d) the tradition of “the modes of theology” in the Middle Ages; (e) the relation between philosophy and theology. Various articles are dedicated to major figures of the 13th and 14th century philosophy, others display new material based on critical editions. Contributors are Jan A. Aertsen, Stephen Brown, Bernardo Carlos Bazan, William J. Courtenay, Alfredo Santiago Culleton, Silvia Donati, Bernd Goehring, Guy Guldentops, Daniel Hobbins, Roberto Hofmeister Pich, Georgi Kapriev, Steven P. Marrone, Stephen M. Metzger, Timothy B. Noone, Mikolaj Olszewski, Alessandro Palazzo, Garrett R. Smith, Andreas Speer, Carlos Steel, Loris Sturlese, Chris Schabel, Christian Trottmann, and Gordon A. Wilson.
Описание: Explores the changing place of Latin America in US culture from the mid-nineteenth century to the recent US-Cuba detente. In doing so, it uncovers the complex ways in which Americans have imagined the global geography of poverty and progress, as the hemispheric imperialism of the nineteenth century yielded to the Cold War discourse of "underdevelopment".
Описание: A Cultural History of Underdevelopment explores the changing place of Latin America in U.S. culture from the mid-nineteenth century to the recent U.S.-Cuba d?tente. In doing so, it uncovers the complex ways in which Americans have imagined the global geography of poverty and progress, as the hemispheric imperialism of the nineteenth century yielded to the Cold War discourse of ""underdevelopment."" John Patrick Leary examines representations of uneven development in Latin America across a variety of genres and media, from canonical fiction and poetry to cinema, photography, journalism, popular song, travel narratives, and development theory.For the United States, Latin America has figured variously as good neighbor and insurgent threat, as its possible future and a remnant of its past. By illuminating the conventional ways in which Americans have imagined their place in the hemisphere, the author shows how the popular image of the United States as a modern, exceptional nation has been produced by a century of encounters that travelers, writers, radicals, filmmakers, and others have had with Latin America. Drawing on authors such as James Weldon Johnson, Willa Cather, and Ernest Hemingway, Leary argues that Latin America has figured in U.S. culture not just as an exotic ""other"" but as the familiar reflection of the United States’ own regional, racial, class, and political inequalities.
Автор: Telotte, J. P. (professor In The School Of Literature, Media, And Communication, Georgia Institute Of Technology) Название: Animating the science fiction imagination ISBN: 0190695277 ISBN-13(EAN): 9780190695279 Издательство: Oxford Academ Рейтинг: Цена: 3800.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From twentieth-century animations and comic strips to advertising, Animating the Science Fiction Imagination unearths a significant body of cartoon science fiction from the pre-World War II era that appeared at approximately the same time the genre was itself struggling to find an identity, an audience, and even a name.
Описание: We are living in a science fiction cinema age. This is the genre that delivers the grandest visions with the latest effects in the biggest blockbusters—and women are now at the center of many of its stories. But it hasn’t always been this way. In a unique survey of more than 650 films produced across 120 years, Dean Conrad charts a history of highs and lows, in which women have struggled to be seen and heard in a genre traditionally regarded as being of men, by men and for men. This is the story of female characters in science fiction cinema, from their absence and token presence in the silent pictures of the 19th century, through their roles as assistants, pulp princesses, sexy robots, scientists, soldiers, academics and more, up to their prominent place in the 21st century’s established franchises. World wars, social upheavals, cultural changes and advances in film technology have all had their effect on the development of the genre—and there is no better barometer for this than its female roles. Placed in context and supported by theory, these are the fabulous, furious, funny, fragile and frustrating women of science fiction cinema.
Автор: Slugan Mario Название: Fiction and Imagination in Early Cinema ISBN: 1788314123 ISBN-13(EAN): 9781788314121 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: When watching the latest instalment of Batman , it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.
Автор: Gendler Tamar Szabo Название: Intuition, Imagination, and Philosophical Methodology ISBN: 0199589763 ISBN-13(EAN): 9780199589760 Издательство: Oxford Academ Рейтинг: Цена: 28393.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tamar Gendler draws together a series of essays in which she investigates philosophical methodology, and shows the value for philosophy of empirical psychology. Three intertwined themes run through the volume: imagination, intuition and philosophical methodology: Gendler explores how we engage with subject matter that we take to be imaginary.
Автор: Gendler, Tamar Szabo Название: Intuition, Imagination, and Philosophical Methodology ISBN: 0199683158 ISBN-13(EAN): 9780199683154 Издательство: Oxford Academ Рейтинг: Цена: 5938.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tamar Gendler draws together a series of essays in which she investigates philosophical methodology, and shows the value for philosophy of empirical psychology. Three intertwined themes run through the volume: imagination, intuition and philosophical methodology: Gendler explores how we engage with subject matter that we take to be imaginary.
Автор: Robertson Robert Название: Cinema and the Audiovisual Imagination ISBN: 178076717X ISBN-13(EAN): 9781780767178 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: So far, the study of cinema has been overwhelmingly visual. Robert Robertson instead presents cinema as an audiovisual medium, based on Sergei Eisenstein’s ideas on the montage of music, image and sound. Cinema and the Audiovisual Imagination applies an audiovisual focus to films by directors such as Spike Lee, Maya Deren, David Lynch, Alfred Hitchcock, Stanley Kubrick, Fritz Lang, Luis Bunuel, Pier Paolo Pasolini, Werner Herzog, David Lean and Sergei Eisenstein. In addition, Eisenstein’s concept of ‘nonindifferent’ nature is extended to films beyond the European tradition – by Satyajit Ray, Kaneto Shindo, Akira Kurosawa and Chris H. Lynn– and the audiovisual and landscape is explored in films by Dziga Vertov, Andrei Tarkovsky, Sergei Paradjanov, Bruce Conner, Jack Chambers, Derek Jarman and Alexander Sokurov. The audiovisual in avant-garde animation by John and James Whitney, Len Lye, Norman McLaren and in the film experiments of Busby Berkeley are considered too. Responding to recent developments in technology which have enabled practitioners to work extensively with music and sound on an equal level with the visual track, the book also examines the audiovisual creative process in opera, in a music/film collaboration with Dennis Dracup and in Robertson’s own music/film Oserake and The River That Walks.
Описание: The warlocks and ghosts of fantasy film haunt our popular culture, but the genre has too long been ignored by critics. This comprehensive critical survey of fantasy cinema demonstrates that the fantasy genre amounts to more than escapism.
Bernard Lonergan was a mid 20th century Canadian philosopher and theologian. This book aims to help form a basis for inquiry into Lonergan's achievement in his new approach to the great philosophical questions: what do I do when I know something? (cognitional theory), why is doing that 'knowing'? (epistemology) and what do I know when I do that? (metaphysics).
Lonergan deals with these questions somewhat more deeply in his major works, Insight (1957, 1992) and Method in Theology (1972, 2017). Here he invites one to discover in oneself the dynamic structure of one's own cognitional and moral being and in doing this, one finds an operative procedure that is not open to radical revision. In fact, Lonergan has unearthed a dynamic, conscious framework for creativity, a method that grounds all investigation that is intelligent and critical. It is a resource that is transcendental in that it is the concrete and dynamic unfolding of human attentiveness, intelligence, reasonableness and responsibility, and this unfolding occurs whenever one uses one's mind in an appropriate fashion.
This method, for investigators too, is new in its finding eight tasks that are distinct and separable stages in the single process from data to results and can be adapted to any subject in which investigations are responding to past history and are to influence future history.
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