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Roland Barthes and Film: Myth, Eroticism and Poetics, Patrick ffrench


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Автор: Patrick ffrench
Название:  Roland Barthes and Film: Myth, Eroticism and Poetics
ISBN: 9781350191372
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 135019137X
Обложка/Формат: Paperback
Страницы: 328
Вес: 0.39 кг.
Дата издания: 22.04.2021
Серия: Film thinks
Язык: English
Иллюстрации: 15 bw illus; 15 bw illus
Размер: 234 x 156 x 11
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Film theory & criticism,Philosophy: aesthetics,Photography & photographs,Social & political philosophy, LITERARY CRITICISM / Semiotics & Theory,PERFORMING ARTS / Film & Video / History & Criticism,PHILOSOPHY / Aesthetics,PHOTOGRAPHY / Criticism
Подзаголовок: Myth, eroticism and poetics
Рейтинг:
Поставляется из: Англии
Описание: Suspicious of what he called the spectator’s “sticky” adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and “myth”. In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes’ thought was, Ffrench argues, punctuated by the experience of watching films – and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays ‘The Third Meaning’ and ‘On Leaving the Cinema’ and the acclaimed book Camera Lucida, Ffrench examines Barthes’ writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in “leaving the cinema” – disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance – he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.


Roland Barthes and Film

Автор: ffrench Patrick
Название: Roland Barthes and Film
ISBN: 1788310659 ISBN-13(EAN): 9781788310659
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 17424.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films - and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory.

Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in "leaving the cinema" - disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance - he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.

Roland Barthes` Cinema

Автор: Watts Philip
Название: Roland Barthes` Cinema
ISBN: 0190277556 ISBN-13(EAN): 9780190277550
Издательство: Oxford Academ
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Цена: 3721.00 р.
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Описание: Roland Barthes` Cinema offers the first systematic English-language critical treatment of Barthes` writing on cinema, reassessing the relevance of his work for a new generation of readers and filmgoers.

Benjamin, Barthes and the Singularity of Photography

Автор: Yacavone Kathrin
Название: Benjamin, Barthes and the Singularity of Photography
ISBN: 162356669X ISBN-13(EAN): 9781623566692
Издательство: Bloomsbury Academic
Цена: 4434.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Benjamin, Barthes and the Singularity of Photography presents two of the most important intellectual figures of the twentieth century in a new comparative light. Pursuing hitherto unexplored aspects of Benjamin's and Barthes's engagement with photography, it provides new interpretations of familiar texts and analyzes material which has only recently become available. It argues that despite the different historical, philosophical and cultural contexts of their work, Benjamin and Barthes engage with similar issues and problems that photography uniquely poses, including the relationship between the photograph and its beholder as a confrontation between self and other, and the dynamic relation between time, subjectivity, memory and loss. Each writer emphasizes the singular event of the photograph's apprehension and its ethical and existential aspects rooted in the power and poignancy of photographic images. Mapping the complex relationship between photographic history and theory, cultural criticism and autobiography, this book will be of considerable interest not only to historians and theorists of photography but also to scholars working in literary and cultural studies.


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