Описание: Plays from Romania: Dramaturgies of Subversion reflects the diversity of dramatic writing exploring the past and present of Romania, and takes stock thirty years after the collapse of communism. In addition to plays originally written in Romanian, the collection includes work by German, Hungarian and Roma authors born and/or working in Romania, and brings together plays written during the communist period and its aftermath.
The plays included in the collection, edited and translated by Jozefina Komporaly and fully published for the first time in English, demonstrate broad variety in terms of form and content – ranging from family dramas to allegories, and absurdist experiments to modular texts rooted in open dramaturgy – and are the work of both individual playwrights and the results of collective creation. These works share a preoccupation with critically reflecting urgent concerns rooted in Romanian realities, and are notable dramaturgical experiments that push the boundaries of the genre. In addition, these plays also seek novel ways to examine universal experiences of the human condition, such as love, loss, abuse, betrayal, grief, violence, manipulation and despair.
This unique anthology celebrates the renewed vitality and variety of writing for the stage after 1990, and endeavours to place Romanian theatre in a forward-looking transnational context.
Lowlands ('Niederungen') by Herta Muller, adapted for the stage by Mihaela Panainte (German)
This stage adaptation is based on a volume of short stories by Herta Muller written in German in 1982 and focuses on the perspective of a child narrator, by way of a series of episodes that centre on mundane aspects of daily life in a remote village against the backdrop of the oppressive atmosphere of mid-twentieth century Romania.
The Spectator Sentenced to Death ('Spectatorul condamnat la moarte') by Matei Visniec (Romanian)
This play is a bitter parody of the Stalinist justice system, which totally disregards the fundamental question whether the accused is actually guilty or not.
The Passport ('Kalucsni') by Gyorgy Dragoman (Hungarian)
This play is set pre-1989 in a typical small town in the Transylvanian province of Romania, in which the lives of the various social classes, and the fate of the persecuted and that of those who persecute are closely intertwined.
The Man Who Had His Inner Evil Removed ('Omul din care a fost extras raul') by Matei Visniec (Romanian)
This topical play is a sharp reflection on the voluntary servitude in which we place ourselves, often unawares, in conditions of our contemporary consumer culture, and a fierce critique of increasingly dominant tendencies to abandon moral criteria in political life.
Stories of the Body (Artemisia, Eva, Lina, Teresa) ('A test tortenetei') by Andras Visky (Hungarian)
The cycle Stories of the Body comprises four plays based on real life stories as experienced by remarkable women (including Mother Teresa and Italian Renaissance painter Artemisia Gentileschi), and are connected to various cities including Budapest, Cluj/Kolozsvar, Kolkata and Rome, from the 17th to the 21st century.
Sexodrom by Giuvlipen Theatre Company (Mihaela Dragan, Antonella Lerca Duda, Nicoleta Ghita, Zita Moldovan, Bety Pisica, Oana Rusu, Raj Alexandru Udrea), based on a concept by Bogdan Georgescu.(Roma)
This is a work of collective creation by members of the Roma Theatre company Giuvlipen, aiming to bring to public attention taboo subjects, to enhance the visibility of Roma performers and to experiment with new forms of theatre-making in a Romanian context.
Описание: Plays from Romania: Dramaturgies of Subversion reflects the diversity of dramatic writing exploring the past and present of Romania, and takes stock thirty years after the collapse of communism. In addition to plays originally written in Romanian, the collection includes work by German, Hungarian and Roma authors born and/or working in Romania, and brings together plays written during the communist period and its aftermath.
The plays included in the collection, edited and translated by Jozefina Komporaly and fully published for the first time in English, demonstrate broad variety in terms of form and content – ranging from family dramas to allegories, and absurdist experiments to modular texts rooted in open dramaturgy – and are the work of both individual playwrights and the results of collective creation. These works share a preoccupation with critically reflecting urgent concerns rooted in Romanian realities, and are notable dramaturgical experiments that push the boundaries of the genre. In addition, these plays also seek novel ways to examine universal experiences of the human condition, such as love, loss, abuse, betrayal, grief, violence, manipulation and despair.
This unique anthology celebrates the renewed vitality and variety of writing for the stage after 1990, and endeavours to place Romanian theatre in a forward-looking transnational context.
Lowlands ('Niederungen') by Herta Muller, adapted for the stage by Mihaela Panainte (German)
This stage adaptation is based on a volume of short stories by Herta Muller written in German in 1982 and focuses on the perspective of a child narrator, by way of a series of episodes that centre on mundane aspects of daily life in a remote village against the backdrop of the oppressive atmosphere of mid-twentieth century Romania.
The Spectator Sentenced to Death ('Spectatorul condamnat la moarte') by Matei Visniec (Romanian)
This play is a bitter parody of the Stalinist justice system, which totally disregards the fundamental question whether the accused is actually guilty or not.
The Passport ('Kalucsni') by Gyorgy Dragoman (Hungarian)
This play is set pre-1989 in a typical small town in the Transylvanian province of Romania, in which the lives of the various social classes, and the fate of the persecuted and that of those who persecute are closely intertwined.
The Man Who Had His Inner Evil Removed ('Omul din care a fost extras raul') by Matei Visniec (Romanian)
This topical play is a sharp reflection on the voluntary servitude in which we place ourselves, often unawares, in conditions of our contemporary consumer culture, and a fierce critique of increasingly dominant tendencies to abandon moral criteria in political life.
Stories of the Body (Artemisia, Eva, Lina, Teresa) ('A test tortenetei') by Andras Visky (Hungarian)
The cycle Stories of the Body comprises four plays based on real life stories as experienced by remarkable women (including Mother Teresa and Italian Renaissance painter Artemisia Gentileschi), and are connected to various cities including Budapest, Cluj/Kolozsvar, Kolkata and Rome, from the 17th to the 21st century.
Sexodrom by Giuvlipen Theatre Company (Mihaela Dragan, Antonella Lerca Duda, Nicoleta Ghita, Zita Moldovan, Bety Pisica, Oana Rusu, Raj Alexandru Udrea), based on a concept by Bogdan Georgescu.(Roma)
This is a work of collective creation by members of the Roma Theatre company Giuvlipen, aiming to bring to public attention taboo subjects, to enhance the visibility of Roma performers and to experiment with new forms of theatre-making in a Romanian context.
Автор: Cashman, Kimberly Название: Staging subversions ISBN: 0820470600 ISBN-13(EAN): 9780820470603 Издательство: Peter Lang Рейтинг: Цена: 19450.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a range of perspectives on European integration from different scientific disciplines. It aims to give its readers the opportunity to look at European integration from various scientific angles, such as history, political science, philosophy of science, economics, legal theory, social ontology, and evolutionary psychology.
Автор: Edited By Thomas A. Название: Chaucer and the subversion of form ISBN: 1107192846 ISBN-13(EAN): 9781107192843 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This exploration of literary form in the works of Geoffrey Chaucer delivers a timely and fresh approach to the study of one of the best known medieval English poets. This definitive collection of essays offers a variety of approaches to Chaucer and to the analysis of form.
Описание: A study of medieval attitudes towards the ventriloquism of God`s and Christ`s voices through human media, which reveals a progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest`s voice to a subversive take on the divine voice that foreshadows Protestant devotion.
Описание: This book reflects on what medieval Latin authors don't say about the sex nobody had-or maybe some had-and about how they don't say it. Their silences are artfully constructed, according to a rhetorical tradition reaching back to classical practice and theory. The strategy of preterition calls attention to something scandalous precisely by claiming to pass over it. Because it gestures toward what's missing from the text itself, it epitomizes a destabilizing reliance on audience reaction that informs the whole of classical rhetoric's technology of persuasion. Medieval Latin preterition invites our growing awareness, when we attend to it closely, that silence is not single, but that silences are multiple. Their multiplicity consists not in what preterition is, but in what it does. Preterition's multiple silences enabled subversive interpretations by individuals and communities marginalized under dominant regimes of sexuality-as they still do today.
Описание: This book reflects on what medieval Latin authors don't say about the sex nobody had-or maybe some had-and about how they don't say it. Their silences are artfully constructed, according to a rhetorical tradition reaching back to classical practice and theory. The strategy of preterition calls attention to something scandalous precisely by claiming to pass over it. Because it gestures toward what's missing from the text itself, it epitomizes a destabilizing reliance on audience reaction that informs the whole of classical rhetoric's technology of persuasion. Medieval Latin preterition invites our growing awareness, when we attend to it closely, that silence is not single, but that silences are multiple. Their multiplicity consists not in what preterition is, but in what it does. Preterition's multiple silences enabled subversive interpretations by individuals and communities marginalized under dominant regimes of sexuality-as they still do today.
Описание: First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Jane Chance Название: The Literary Subversions of Medieval Women ISBN: 1349531057 ISBN-13(EAN): 9781349531059 Издательство: Springer Рейтинг: Цена: 10480.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition.
Автор: Chance Название: The Literary Subversions of Medieval Women ISBN: 1403969108 ISBN-13(EAN): 9781403969101 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A study of medieval women as post-colonial writers that defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition.
Описание: Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work's sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics--the formal aspects of literary language that make it sense-perceptible--are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius--specifically his famous prison text, Consolation of Philosophy--to the late medieval English tradition. Johnson argues that Boethius's text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts--including Chaucer's Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk's Testament of Love, John Gower's Confessio amantis, and Thomas Hoccleve's autobiographical poetry--and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
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