A History of Contemporary Stage Combat: 1969 - Today, Letraunik Brian
Автор: Duggan Patrick Название: Trauma-Tragedy: Symptoms of Contemporary Performance ISBN: 0719099889 ISBN-13(EAN): 9780719099885 Издательство: NBN International Рейтинг: Цена: 4222.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book advances a new performance theory or mode, `trauma-tragedy`, that suggests much contemporary performance can generate the sensation of being present in trauma through its structural embodiment in performance, or `presence-in-trauma effects`. -- .
Автор: Letraunik, Brain Название: History of contemporary stage combat ISBN: 1138503932 ISBN-13(EAN): 9781138503939 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A History of Contemporary Stage Combat chronicles the development of stage combat from the origins of the Society of British Fight Directors in 1969 to the modern day.
Автор: Maguire Tom Название: Performing Story on the Contemporary Stage ISBN: 1137356405 ISBN-13(EAN): 9781137356406 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the way in which the contemporary proliferation of forms of storytelling practice in international theatre has created a distinctive set of performance practices. Texts and performers discussed include Split Britches, Billy Connolly, Anna Deavere Smith`s Let Me Down Easy, Spalding Gray, David Hare`s Via Dolorosa
Название: Contemporary duologues: two men ISBN: 1848425333 ISBN-13(EAN): 9781848425330 Издательство: Неизвестно Рейтинг: Цена: 2374.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A selection of the best contemporary scenes for two male actors. In the Good Audition Guides series.
Автор: Sams, Victoria Название: Immigration and contemporary british theater ISBN: 1433113058 ISBN-13(EAN): 9781433113055 Издательство: Peter Lang Рейтинг: Цена: 12214.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Immigration and Contemporary British Theater: Finding a Home on the Stage analyzes how contemporary British theater has responded to post-war immigration to the United Kingdom through its depictions of home and domestic life. Bridging literary analysis, theater history, and migration studies, the book examines the ways that immigration to the United Kingdom has reshaped British theatrical culture and inspired new conceptions of Britishness and of communal belonging. Furthermore, it examines how immigrant theater artists from widely varying backgrounds (geographical, educational, cultural) have worked within and around existing theatrical institutions in Britain.
Описание: Expressionism and Its Deformation in Contemporary Chinese Theatre is the first scholarly book to explore the deep and intricate relationship between Expressionism and contemporary Chinese drama, attempting to assume the critical task of challenging these dramatists while delineating the contours of the most recent trends of Chinese theatre.
All of the monologues in this book are from recently produced plays by award-winning, well-known, and emerging new playwrights. These challenging character studies are suitable for competitive auditions, acting or literature classes, forensic contests, and more. The selections are for actresses from 13 to 20 years of age. Individual chapters are divided into "thematic" ages that introduce characters at a particular event or time in their lives. A valuable resource for any auditioning female actor or theatre student. Features monologues from: The Phantom of the Operaby Gaston Leroux, Trojan Barbieby Christine Evans, Laughing WildandMiss Witherspoonby Christopher Durang, The Mineola Twinsby Paula Vogel, God in Bedby Glenn Alterman, Random WomenandEnigmaby Carolyn Carpenter, My Battle with Bulimiaby Peter Langman, and many more.
Описание: Contemporary Monologues for Young Actors features 54 original monologues created specifically for actors and acting students ages 7-14 and for the teachers, directors and acting coaches who work with them. Written by award-winning New York City playwright Douglas M. Parker, these refreshing monologues encompass a broad range of circumstances and emotions perfect for young actors seeking new material to explore - some of which will appeal to slightly younger actors and others of which will excite slightly older actors. Here are some of the features of this book:
A broad range of circumstances and emotions, from comedic to heartfelt to quirky
Emotional arcs and strong endings to challenge actors and keep audiences engaged
Modern day topics with contemporary language
Convenient organization from "younger" to "older" as the book progresses
Ideal for auditions, as short performance pieces or for use in the classroom
Below are sample monologues from the book: SHARING Some people think I don't like sharing, but that isn't true at all. I love sharing. I mean, what's not to love about being able to go up to someone and say, "Hey, can I have some of that candy?" And then they give you some Or, "Can I ride your bike for a while?" And then you get to ride their bike Sharing is awesome. Sometimes you have to be careful, though. Like if someone comes up to me and says, "Can I have one of your cookies?" Well, if I gave them a cookie, then I might not have any cookies left to share with other people and that would be, like, the opposite of sharing. So I have to say no. Because sharing is really important. SCOUT Before we moved here, we had this big dog named Scout. Mom always said he was a total mutt, but I think he was also part collie. And maybe part golden retriever. But he was definitely at least half mutt. Scout was supposed to be the whole family's dog, but he was really mine. I mean, after school, it was me he would be waiting for. And when anyone threw his ball, I'm the one he always brought it back to. And at night, it was always my bed he slept in. But before we moved here, my Mom found out we weren't allowed to have any pets, so we had to give him away to my cousins. I don't really talk about it, but sometimes I dream about Scout. He's got his ball in his mouth and he's looking for me. And I'm saying, "Here, Scout. I'm right here." But he doesn't hear me, and he can't see me, and I'm saying, "I'm right here. Scout. I'm right here." And then, I don't know, I guess I wake up . . . I don't know if Scout dreams about me. UNIVERSE I saw on the Discovery Channel where a long time ago, before the beginning of time, the entire universe was as small as the head of a pin. And everything was inside it. Stars, planets, houses, people, cars - other pins. Everything in the universe. And then one day, this head of a pin just exploded and everything came out at like a million degrees hot and a million miles an hour. And all the stars and planets and people and cars just kept getting bigger and bigger, until they filled up all of space and all of time, just burning and melting and spinning. And as soon as I heard that, I knew that I was just like that pin, and that one day I'm gonna explode too. And when I do, fire and stars and whole worlds will come out of me and they'll be a million degrees hot and they'll travel so far and so fast that I'll never have to come back here again. Not ever...Not ever.
Описание: What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 19 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create work which is original and authentic. Among the contemporary directors, choreographers, performers, and actors to share their insights are: Annabel Arden (Complicite, UK), Richard Lowdon (Forced Entertainment, UK), Richard Foreman (Ontological-Hysteric Theatre, USA), Sean Patten, Berit Stumpf (Gob Squad, UK), Maxine Doyle (Punchdrunk, UK), Soheil Parsa (Modern Times Stage Company, Canada), Eugenio Barba (Odin Teatret, Denmark), Jan Fabre (Belgium), Heiner Goebbels (Germany), Jerome Bel (France), Helgard Haug (Rimini Protokoll, Germany)
Описание: What are the key elements that go into creating a work of art for the stage? Which are the most productive conditions and methods of rehearsal? In this collection of interviews, 19 international artists share their experience and offer practical advice on the creation of performance work. Their answers provide a goldmine of tried and tested approaches as they discuss the common problems and difficulties of creative work, their turning-point experiences, and ways in which they have challenged performers and themselves to go beyond conditioned reflexes to create work which is original and authentic. Among the contemporary directors, choreographers, performers, and actors to share their insights are: Annabel Arden (Complicite, UK), Richard Lowdon (Forced Entertainment, UK), Richard Foreman (Ontological-Hysteric Theatre, USA), Sean Patten, Berit Stumpf (Gob Squad, UK), Maxine Doyle (Punchdrunk, UK), Soheil Parsa (Modern Times Stage Company, Canada), Eugenio Barba (Odin Teatret, Denmark), Jan Fabre (Belgium), Heiner Goebbels (Germany), Jerome Bel (France), Helgard Haug (Rimini Protokoll, Germany)
Автор: Eddie Paterson Название: The Contemporary American Monologue: Performance and Politics ISBN: 147258502X ISBN-13(EAN): 9781472585028 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world.
Eddie Paterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance.
The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon.
Автор: Harbison Lawrence Название: Best Contemporary Monologues for Men 18-35 ISBN: 1480369616 ISBN-13(EAN): 9781480369610 Издательство: Неизвестно Рейтинг: Цена: 2344.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: BEST CONTEMPORARY MONOLOGUES FOR MEN 18-35
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
