Has censorship always been a threat to authorship and artistic production? How did the mass market, the reading public, political or economic concerns influence authors’ creativity and literary production in the late nineteenth century? Was self-censorship an individual choice based on voluntary action or fear in the period? How and to what extent did censorship have an impact on the content, form and structure of the novel genre? This book addresses these pivotal questions and examines the transforming notion of authorship, literary production and censorship with a particular focus on England, Norway and the Ottoman Empire. In the novel genre, George Gissing’s New Grub Street (1891), Knut Hamsun’s Sult (1890) and Halit Ziya Us?akl?gil’s Mai ve Siyah (1898) portray the changing conditions of art and the artist and draws attention to the pressing need for artistic autonomy, self-expression and creativity in the period.
Описание: Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film.
Описание: Amy Werbel provides a colorful journey through professional censor Anthony Comstock`s career that doubles as a history of post-Civil War America`s risque visual and sexual culture. Lust on Trial provides fresh insights into Comstock, the sexual habits of Americans during his era, and the complicated relationship between law and cultural change.
Описание: Lawmakers in Weimar Germany adopted two national censorship laws that regulated movies and pulp fiction. Supporters praised them as a form of social welfare. Critics warned of impending political censorship. This cultural and legal history uncovers these laws` origins and details their impact on the republic and German national identity.
A comprehensive history of censorship in modern Britain
For Victorian lawmakers and judges, the question of whether a book should be allowed to circulate freely depended on whether it was sold to readers whose mental and moral capacities were in doubt, by which they meant the increasingly literate and enfranchised working classes. The law stayed this way even as society evolved. In 1960, the prosecutor asked the jury in the obscenity trial over D. H. Lawrence's Lady Chatterley's Lover, Is it a book that you would even wish your wife or your servants to read? Christopher Hilliard traces the history of British censorship from the Victorians to Margaret Thatcher, exposing the tensions between obscenity law and a changing British society. Hilliard goes behind the scenes of major obscenity trials and uncovers the routines of everyday censorship, shedding new light on the British reception of literary modernism and popular entertainments such as the cinema and American-style pulp fiction and comic books. He reveals the thinking of lawyers and the police, authors and publishers, and politicians and ordinary citizens as they wrestled with questions of freedom and morality. He describes how supporters and opponents of censorship alike tried to remake the law as they reckoned with changes in sexuality and culture that began in the 1960s. Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.
Описание: Lawmakers in Weimar Germany adopted two national censorship laws that regulated movies and pulp fiction. Supporters praised them as a form of social welfare. Critics warned of impending political censorship. This cultural and legal history uncovers these laws` origins and details their impact on the republic and German national identity.
Автор: Delpiano, Patrizia Название: Church and Censorship in Eighteenth-Century Italy ISBN: 0367887614 ISBN-13(EAN): 9780367887612 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Dealing with the issue of ecclesiastical censorship and control over reading and readers, this study challenges the traditional view that during the eighteenth century the Catholic Church in Italy underwent an inexorable decline. It reconstructs the strategies used by the ecclesiastical leadership to regulate the press and culture during a centu
Описание: This book explores the secrets of the extraordinary editorial success of Jacobus Acontius` Satan`s Stratagems, an important book that intrigued readers and outraged religious authorities across Europe. Acontius` work prepared the ground for religious toleration amid seemingly unending religious conflicts.
Описание: This book explores the secrets of the extraordinary editorial success of Jacobus Acontius` Satan`s Stratagems, an important book that intrigued readers and outraged religious authorities across Europe. Acontius` work prepared the ground for religious toleration amid seemingly unending religious conflicts.
Автор: Raymond Birn Название: Royal Censorship of Books in Eighteenth-Century France ISBN: 0804763593 ISBN-13(EAN): 9780804763592 Издательство: Wiley EDC Рейтинг: Цена: 10639.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Today, we are inclined to believe that intellectual freedom has no greater adversary than the censor. In eighteenth-century France, the matter was more complicated. Royal censors envisioned themselves not as fulfilling a mission of state-sponsored repression but rather as guiding the literary traffic of the Enlightenment. By awarding pre-publication and pre-distribution approvals, royal censors sought to insulate authors and publishers from the scandal of post-publication condemnation by parliaments, the police, or the Church. Less official authorizations were also awarded. Though censors did delete words and phrases from manuscripts and sometimes rejected manuscripts altogether, the liberal use of tacit permissions and conditional approvals resulted in the publication and circulation of books that, under a less flexible system, might never have seen the light of day. In essence, eighteenth-century French censors served as cultural intermediaries who bore responsibility for expanding public awareness of the progressive thought of their time.
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