The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City, Rondуn Cйsar Miguel
Автор: Perry Marc D. Название: Negro Soy Yo: Hip Hop and Raced Citizenship in Neoliberal Cuba ISBN: 0822358859 ISBN-13(EAN): 9780822358855 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux.
Описание: This volume explores the significations and developments of the Salsa consciente movement, a Latino musico-poetic and political discourse that exploded in the 1970s but then dwindled in momentum into the early 1990s. This movement is largely linked to the development of Nuyolatino popular music brought about in part by the mass Latino migration to New York City beginning in the 1950s and the subsequent social movements that were tied to the shifting political landscapes. Defined by its lyrical content alongside specific sonic markers and political and social issues facing U.S. Latinos and Latin Americans, Salsa consciente evokes the overarching cultural-nationalist idea of Latinidad (Latin-ness). Through the analysis of over 120 different Salsa songs from lyrical and musical perspectives that span a period of over sixty years, the author makes the argument that the urban Latino identity expressed in Salsa consciente was constructed largely from diasporic, deterritorialized, and at times imagined cultural memory, and furthermore proposes that the Latino/Latin American identity is in part based on African and Indigenous experience, especially as it relates to Spanish colonialism. A unique study on the intersection of Salsa and Latino and Latin American identity, this volume will be especially interesting to scholars of ethnic studies and musicology alike.
Автор: Miller Sue Название: Improvising Sabor: Cuban Dance Music in New York ISBN: 1496832167 ISBN-13(EAN): 9781496832160 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as Jos? Fajardo, Johnny Pacheco, George Castro, and Eddy Zervig?n dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachach? and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugal?'s development in the late 1960s with little mention of the chachach? and pachanga's popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.
Автор: Benjamin Lapidus Название: New York and the International Sound of Latin Music, 1940-1990 ISBN: 1496831284 ISBN-13(EAN): 9781496831286 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed.
Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990.
Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
Автор: Sue Miller Название: Improvising Sabor: Cuban Dance Music in New York ISBN: 1496832159 ISBN-13(EAN): 9781496832153 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as Jos? Fajardo, Johnny Pacheco, George Castro, and Eddy Zervig?n dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachach? and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugal?'s development in the late 1960s with little mention of the chachach? and pachanga's popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.
Автор: Lapidus Benjamin Название: New York and the International Sound of Latin Music, 1940-1990 ISBN: 1496831292 ISBN-13(EAN): 9781496831293 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed.
Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990.
Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.
Автор: Brown Tammy L. Название: City of Islands: Caribbean Intellectuals in New York ISBN: 1496813065 ISBN-13(EAN): 9781496813060 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tammy L. Brown uses the life stories of West Indian intellectuals to investigate the dynamic history of immigration to New York and the long battle for racial equality in modern America. The majority of the 40,000 black immigrants who arrived at Ellis Island during the first wave of Caribbean immigration to New York hailed from the English-speaking Caribbean—mainly Jamaica, Barbados, and Trinidad. Arriving at the height of the Industrial Revolution and a new era in black culture and progress, these black immigrants dreamed of a more prosperous future. However, northern-style Jim Crow hindered their upward social mobility. In response, Caribbean intellectuals delivered speeches and sermons, wrote poetry and novels, and created performance art pieces challenging the racism that impeded their success.Brown traces the influences of religion as revealed at Unitarian minister Ethelred Brown’s Harlem Community Church and in Richard B. Moore’s fiery speeches on Harlem street corners during the age of the “New Negro.” She investigates the role of performance art and Pearl Primus’s declaration that “dance is a weapon for social change” during the long civil rights movement. Shirley Chisholm’s advocacy for women and all working-class Americans in the House of Representatives and as a presidential candidate during the peak of the Feminist Movement moves the book into more overt politics. Novelist Paule Marshall’s insistence that black immigrant women be seen and heard in the realm of American Arts and Letters at the advent of “multiculturalism” reveals the power of literature. The wide-ranging styles of West Indian campaigns for social justice reflect the expansive imaginations and individual life stories of each intellectual Brown studies. In addition to deepening our understanding of the long battle for racial equality in America, these life stories reveal the powerful interplay between personal and public politics.
Автор: Brown Tammy L. Название: City of Islands: Caribbean Intellectuals in New York ISBN: 1628462264 ISBN-13(EAN): 9781628462265 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How Caribbean thinkers have broadly influenced American culture and the quest for racial justice Tammy L. Brown uses the life stories of West Indian intellectuals to investigate the dynamic history of immigration to New York and the long battle for racial equality in modern America. The majority of the 40,000 black immigrants who arrived at Ellis Island during the first wave of Caribbean immigration to New York hailed from the English-speaking Caribbean--mainly Jamaica, Barbados, and Trinidad. Arriving at the height of the Industrial Revolution and a new era in black culture and progress, these black immigrants dreamed of a more prosperous future. However, northern-style Jim Crow hindered their upward social mobility. In response, Caribbean intellectuals delivered speeches and sermons, wrote poetry and novels, and created performance art pieces challenging the racism that impeded their success. Brown traces the influences of religion as revealed at Unitarian minister Ethelred Brown's Harlem Community Church and in Richard B. Moore's fiery speeches on Harlem street corners during the age of the "New Negro." She investigates the role of performance art and Pearl Primus's declaration that "dance is a weapon for social change" during the long civil rights movement. Shirley Chisholm's advocacy for women and all working-class Americans in the House of Representatives and as a presidential candidate during the peak of the Feminist Movement moves the book into more overt politics. Novelist Paule Marshall's insistence that black immigrant women be seen and heard in the realm of American Arts and Letters at the advent of "multiculturalism" reveals the power of literature. The wide-ranging styles of West Indian campaigns for social justice reflect the expansive imaginations and individual life stories of each intellectual Brown studies. In addition to deepening our understanding of the long battle for racial equality in America, these life stories reveal the powerful interplay between personal and public politics. TAMMY L. BROWN, Cincinnati, Ohio, is assistant professor of history and black world studies at Miami University of Ohio- Oxford. Her work has appeared in Southern Cultures, American Studies Journal, and Callaloo.
The gripping history of Afro-Latino migrants who conspired to overthrow a colonial monarchy, end slavery, and secure full citizenship in their homelands
In the late nineteenth century, a small group of Cubans and Puerto Ricans of African descent settled in the segregated tenements of New York City. At an immigrant educational society in Greenwich Village, these early Afro-Latino New Yorkers taught themselves to be poets, journalists, and revolutionaries. At the same time, these individuals-including Rafael Serra, a cigar maker, writer, and politician; Sotero Figueroa, a typesetter, editor, and publisher; and Gertrudis Heredia, one of the first women of African descent to study midwifery at the University of Havana-built a political network and articulated an ideal of revolutionary nationalism centered on the projects of racial and social justice. These efforts were critical to the poet and diplomat Josй Martн's writings about race and his bid for leadership among Cuban exiles, and to the later struggle to create space for black political participation in the Cuban Republic. In Racial Migrations, Jesse Hoffnung-Garskof presents a vivid portrait of these largely forgotten migrant revolutionaries, weaving together their experiences of migrating while black, their relationships with African American civil rights leaders, and their evolving participation in nationalist political movements. By placing Afro-Latino New Yorkers at the center of the story, Hoffnung-Garskof offers a new interpretation of the revolutionary politics of the Spanish Caribbean, including the idea that Cuba could become a nation without racial divisions. A model of transnational and comparative research, Racial Migrations reveals the complexities of race-making within migrant communities and the power of small groups of immigrants to transform their home societies.
Описание: The Bloomsbury Encyclopedia of Popular Music of the World's five-volume work 'Locations' is the most authoritative reference work on the history and current practice of popular music ever published. The five volumes on 'Locations' that form Part 2 of this multi-volume work follow on from the two volumes of Part 1: Media, Industry and Society (Volume I) and Performance and Production (Volume II). They cover over 200 nation states and are organized according to continental regions: Volume III: Caribbean and Latin America Volume IV: North America, Volume V: Asia and Oceania, Volume VI: Africa and the Middle East, and Volume VII: Europe. Each discusses the history, development and current practice of popular music in cities, districts, cross-border regions, nation states and diasporic communities around the world. Includes coverage of: - The historical, geographical, demographical, political, economic and cultural context - Genres for which the location is known or which have been important to the development and current practice of its popular music - Significant venues such as theatres, dance halls, clubs and bars - The role of the industry: music publishers, record companies/labels, recording studios, radio and TV - The role of the state and government regulatory bodies - The teaching and research of popular music in educational institutions - Songs associated with the location Notable performers and other practitioners such as producers, engineers, technological innovators, record company heads, journalists, critics and scholars, songwriters, composers and lyricists. 250 leading popular music scholars and practitioners have contributed over 500 entries. They include Rafael Jos? de Menezes Bastos on Brazil, Peter Manuel on India and the Caribbean Islands, John Collins on Ghana, Moya Aliya Malamusi on Malawi, T?ru Mitsui on Japan, Motti Regev on Israel, Martin Stokes on Turkey, Richard Peterson on Nashville, Amy Ku'uleialoha Stillman on Hawai'I, Bruce Johnson on Australia, Paolo Prato on Italy, Svanibor Pettan on Croatia and Alf Bj?rnberg on Sweden.
Автор: Palomino, Pablo (assistant Professor Of Latin American And Caribbean Studies And Mellon Faculty Fellow, Assistant Professor Of Latin American And Cari Название: Invention of latin american music ISBN: 0190687401 ISBN-13(EAN): 9780190687403 Издательство: Oxford Academ Рейтинг: Цена: 10138.00 р. Наличие на складе: Поставка под заказ.
Описание: The Invention of Latin American Music reconstructs the history of Latin American music as a genre, focusing on the intellectual, musicological, and diplomatic forces that shaped its spread and success across the globe in the 20th century.
Автор: Leu Lorraine Название: Defiant Geographies: Race and Urban Space in 1920s Rio de Janeiro ISBN: 0822946009 ISBN-13(EAN): 9780822946007 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Racialization and the Production of Space in Relation to Urban Development and the National Imaginary
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