Poetry and Dialogism: Hearing Over, Scanlon M., Engbers C.
Автор: Ferguson, Margaret (university Of Southern Queensland Australia) Kendall, Tim (university Of Exeter) Salter, Mary Jo (mount Holyoke College) Название: Norton anthology of poetry - with poetry workshops and poets in dialogue notes, 6e ISBN: 0393679020 ISBN-13(EAN): 9780393679021 Издательство: Wiley Рейтинг: Цена: 7285.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A responsive and media-rich revision of the best-selling anthology of poetry in English.
Автор: Hosle Vittorio Название: Philosophical Dialogue ISBN: 0268030979 ISBN-13(EAN): 9780268030971 Издательство: Wiley EDC Рейтинг: Цена: 4631.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
No overall history of the philosophical dialogue has appeared since Rudolf Hirzel's two-volume study was published in 1895. In The Philosophical Dialogue: A Poetics and a Hermeneutics, Vittorio H?sle covers the development of the genre from its beginning with Plato to the late twentieth-century work of Iris Murdoch and Paul Feyerabend. H?sle presents a taxonomy and a doctrine of categories for the complex literary genre of the philosophical dialogue, focusing on the poetical laws that structure the genre, and develops hermeneutical rules for its correct interpretation.
Following an introduction that employs the categories of subjectivity and intersubjectivity to classify philosophy's modes of expression, H?sle's book is structured by the classical triad of the production, inner structure, and reception of the literary dialogue. To explain what is meant by "philosophical dialogue," H?sle first deals with the specific traits of philosophical dialogue in contrast to other literary forms of philosophy and its special status among them. Second, he distinguishes the philosophical dialogue as a literary genre from actual philosophical conversation, and as a philosophical literary genre from nonphilosophical literary dialogues. Finally, he takes up the connection between literary form and philosophical content in the philosophical dialogue. Numerous authors of dialogues are discussed, with a special focus on Plato, Cicero, Augustine, Hume, and Diderot.
Originally published in Germany as Der philosophische Dialog: Eine Poetik und Hermeneutik (2006), this book not only contributes to the philosophical discussion of dialogue but to a great extent defines it. This fine translation will prove useful to both philosophers and literary critics in the English-speaking world.
Автор: Gragnolati Manuele, Southerden Francesca Название: Possibilities of Lyric: Reading Petrarch in Dialogue ISBN: 3965580140 ISBN-13(EAN): 9783965580145 Издательство: Неизвестно Рейтинг: Цена: 1931.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book focuses on dialog from a varied combination of fields: Linguistics, Philosophy of Language and Computation. Finally, it examines dialog and abduction and sheds light on a generation of dialog contexts by means of multimodal logic applied to speech acts.
Автор: Scanlon Название: Poetry and Dialogism ISBN: 1137401273 ISBN-13(EAN): 9781137401274 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: These essays extend an ongoing conversation on dialogic qualities of poetry by positing various foundations, practices, and purposes of poetic dialogism. The authors enrich and diversify the theoretical discourse on dialogic poetry and connect it to fertile critical fields like ethnic studies, translation studies, and ethics and literature.
Автор: Piattelli-Palmarini Massimo, Uriagereka Juan, Salaburu Pello Название: Of Minds and Language: A Dialogue with Noam Chomsky in the Basque Country ISBN: 0199544670 ISBN-13(EAN): 9780199544677 Издательство: Oxford Academ Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book presents a state-of-the-art account of what we know and would like to know about language, mind, and brain. It brings together leading researchers in linguistics, psycholinguistics, language acquisition, cognitive neuroscience, comparative cognitive psychology, and evolutionary biology.
This ground-breaking volume connects the situatedness of genre in English poetry with developments in classical scholarship, exploring how an emphasis on the interaction between English literary criticism and Classics changes, sharpens, or perhaps even obstructs views on genre in English poetry. "Genre" has classical roots: both in the etymology of the word and in the history of genre criticism, which begins with Aristotle. In a similar vein, recent developments in genre studies have suggested that literary genres are not given or fixed entities, but subjective and unstable (as well as historically situated), and that the reception of genre by both writers and scholars feeds back into the way genre is articulated in specific literary works.
Classical scholarship, literary criticism, and genre form a triangle of key concepts for the volume, approached in different ways and with different productive results by contributors from across the disciplines of Classics and English literature. Covering topics from the establishment of genre in the Middle Ages to the invention of female epic and the epyllion, and bringing together the works of English poets from Milton to Tennyson to Josephine Balmer, the essays collected hereargue that the reception and criticism of classical texts play a crucial part in generic formation in English poetry.
This ground-breaking volume connects the situatedness of genre in English poetry with developments in classical scholarship, exploring how an emphasis on the interaction between English literary criticism and Classics changes, sharpens, or perhaps even obstructs views on genre in English poetry. "Genre" has classical roots: both in the etymology of the word and in the history of genre criticism, which begins with Aristotle. In a similar vein, recent developments in genre studies have suggested that literary genres are not given or fixed entities, but subjective and unstable (as well as historically situated), and that the reception of genre by both writers and scholars feeds back into the way genre is articulated in specific literary works.
Classical scholarship, literary criticism, and genre form a triangle of key concepts for the volume, approached in different ways and with different productive results by contributors from across the disciplines of Classics and English literature. Covering topics from the establishment of genre in the Middle Ages to the invention of female epic and the epyllion, and bringing together the works of English poets from Milton to Tennyson to Josephine Balmer, the essays collected hereargue that the reception and criticism of classical texts play a crucial part in generic formation in English poetry.
Описание: Transpoetic Exchange illuminates the poetic interactions between Octavio Paz (1914-1998) and Haroldo de Campos (1929-2003) from three perspectives--comparative, theoretical, and performative. The poem Blanco by Octavio Paz, written when he was Ambassador to India in 1966, and Haroldo de Campos' translation (or what he calls a 'transcreation') of that poem, published as Transblanco in 1986, as well as Campos' GalÁxias, written from 1963 to 1976, are the main axes around which the book is organized.
The volume is divided into three parts. 'Essays' unites seven texts by renowned scholars who focus on the relationship between the two authors, their impact and influence, and their cultural resonance by exploring explore the historical background and the different stylistic and cultural influences on the authors, ranging from Latin America and Europe to India and the U.S. The second section, 'Remembrances,' collects four experiences of interaction with Haroldo de Campos in the process of transcreating Paz's poem and working on Transblanco and GalÁxias. In the last section, 'Poems,' five poets of international standing--Jerome Rothenberg, Antonio Cicero, Keijiro Suga, AndrÉ Vallias, and Charles Bernstein--share their creations that demonstrate influence by and dialogue with the work of Paz and de Campos.
Paz and Campos, one from Mexico and the other from Brazil, were central figures in the literary history of the second half of the 20th century, in Latin America and beyond. Both poets signal the direction of poetry as that of translation, understood as the embodiment of otherness and of a poetic tradition that every new poem brings back as a Babel re-enacted.
This volume is a print corollary to and expansion of an international colloquium and poetic performance held at Stanford University in January 2010 and it offers a discussion of the role of poetry and translation from a global perspective. The collection holds great value for those interested in all aspects of literary translation and it enriches the ongoing debates on language, modernity, translation and the nature of the poetic object.
Описание: This study examines women poets and their poetry in late imperial China. The author explores the poetic forms and devices women poets employed, places their work into the context of the wider literary history of the period, and analyzes how they asserted their own agency to negotiate their literary, social, and political concerns.
Автор: Bowe David Название: Poetry in Dialogue in the Duecento and Dante ISBN: 0198849575 ISBN-13(EAN): 9780198849575 Издательство: Oxford Academ Рейтинг: Цена: 21841.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume explores poetic dialogue and dialogic patterns in medieval vernacular Italian poetry. It focuses on representations of conversion narratives and poetic subjectivity in the writings of Guittone d`Arezzo, Guido Guinizzelli, and Guido Cavalcanti, and Dante.
Описание: Confronting the rifts created by our common conceptual vocabulary for North American colonial studies How can we tell colonial histories in ways that invite intercultural conversation within humanistic fields that are themselves products of colonial domination? Beginning with a famous episode of failed communication from the narrative of the freed slave Olaudah Equiano, The Silence of the Miskito Prince explores this question by looking critically at five concepts frequently used to imagine solutions to the challenges of cross-cultural communication: understanding, cosmopolitanism, piety, reciprocity, and patience. Focusing on the first two centuries of North American colonization, Matt Cohen traces how these five concepts of cross-cultural relations emerged from, and continue to evolve within, colonial dynamics. Through a series of revealing archival explorations, he argues the need for a new vocabulary for the analysis of past interactions drawn from the intellectual and spiritual domains of the colonized, and for a historiographical practice oriented less toward the illusion of complete understanding and scholarly authority and more toward the beliefs and experiences of descendant communities. The Silence of the Miskito Prince argues for new ways of framing scholarly conversations that use past interactions as a site for thinking about intercultural relations today. By investigating the colonial histories of these terms that were assumed to promote inclusion, Cohen offers both a reflection on how we got here and a model of scholarly humility that holds us to our better or worse pasts.
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