With over 80 scholarly articles, reviews, and critical interventions from the last 50 years, Bertolt Brecht: Critical and Primary Sources set covers the key periods of Brecht's life, from his time in Augsburg (1898-1918) through the Weimer Republic (1918-1933), exile (1933-1948) and the German Democratic Republic (1949-1956). It also explores his theories, fundamentally his belief in the theatre's ability to represent and change the world, core practices and relationships.
Alongside primary sources that include writings by Brecht published in English for the first time, such as his short but important reflection in 'originality' in theatre production, key featured scholars include Fredric Jameson and his essay 'Episch, or, the Third Person', and pieces on Brecht's collaborative working methods by Claus and Wera K chenmeister, and the director Egon Monk. Volume 1 covers Brecht's life and work, including essays on his famous Mother Courage and Her Children, production reviews, poetry, novels and short stories, with some thoughts on his journals. Volume 2 covers theory, containing essays and primary writings on Brechtian terminology, and some of the more enigmatic terms like 'Epic theatre', 'Verfremdung', 'Gestus' and 'Fabel', features a survey of important theoretical works, a section on Brecht on non-theatre media, his relationship to other major thinkers, ideas and sources and the reception of his ideas. Volume 3 covers practice, including Brecht's practice as documenter and director, beginning with his disastrous start in the Weimar Republic through to his later role as director as the Berliner Ensemble, his relationships with other practitioners and his own collaborators, reviews of important productions and global receptions. Each volume includes a contextualizing introduction surveying the topics covered and the development of scholarship on Brecht.
Автор: Ferguson John Название: A Companion to Greek Tragedy ISBN: 0292740867 ISBN-13(EAN): 9780292740860 Издательство: Marston Book Services Цена: 9900.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This handbook provides students and scholars with a highly readable yet detailed analysis of all surviving Greek tragedies and satyr plays.
Автор: Wright Matthew Название: Lost Plays of Greek Tragedy (Volume 2) ISBN: 1474276474 ISBN-13(EAN): 9781474276474 Издательство: Bloomsbury Academic Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The surviving works of Aeschylus, Sophocles and Euripides have been familiar to readers and theatregoers for centuries; but these works are far outnumbered by their lost plays. Between them these authors wrote around two hundred tragedies, the fragmentary remains of which are utterly fascinating.
In this, the second volume of a major new survey of the tragic genre, Matthew Wright offers an authoritative critical guide to the lost plays of the three best-known tragedians. (The other Greek tragedians and their work are discussed in Volume 1: Neglected Authors.) What can we learn about the lost plays of Aeschylus, Sophocles and Euripides from fragments and other types of evidence? How can we develop strategies or methodologies for 'reading' lost plays? Why were certain plays preserved and transmitted while others disappeared from view? Would we have a different impression of the work of these classic authors - or of Greek tragedy as a whole - if a different selection of plays had survived? This book answers such questions through a detailed study of the fragments in their historical and literary context. Making use of recent scholarly developments and new editions of the fragments, The Lost Plays of Greek Tragedy makes these works fully accessible for the first time.
This book examines the ways the encounters between modernist theatre makers and Greek tragedy were constitutive in the modernist experiments in performance. Through a series of events / instances / poses that engage visual, literary and performing arts, the modernist love/hate relationship with classical Greek tragedy is read as contributing to a modernist notion of theatricality, one that follows a double motion, revising both our understanding of Greek tragedy and of modernism itself. Isadora Duncan, Edward Gordon Craig, T.S. Eliot, Ezra Pound, W. B. Yeats, H. D, and Bertolt Brecht and their various, sometimes successful sometimes failed experiments in creating a modernist aesthetic in performing, dancing, translating, designing Greek tragedies, sometimes for the stage and sometimes for the page, are presented as radical experiments in and gestures towards the autonomy of performance. In the process the artists of the theatre themselves – the actor, the designer, the director, the playwright – are reconfigured and given a lineage and genealogy, through this modernist revision of tragedy and the tragic not as as a philosophical or philological tradition, but as a performance practice.
Автор: Wright, Matthew (university Of Exeter, Uk) Название: Lost plays of greek tragedy (volume 2) ISBN: 1474276466 ISBN-13(EAN): 9781474276467 Издательство: Bloomsbury Academic Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The surviving works of Aeschylus, Sophocles and Euripides have been familiar to readers and theatregoers for centuries; but these works are far outnumbered by their lost plays. Between them these authors wrote around two hundred tragedies, the fragmentary remains of which are utterly fascinating.
In this, the second volume of a major new survey of the tragic genre, Matthew Wright offers an authoritative critical guide to the lost plays of the three best-known tragedians. (The other Greek tragedians and their work are discussed in Volume 1: Neglected Authors.)
What can we learn about the lost plays of Aeschylus, Sophocles and Euripides from fragments and other types of evidence? How can we develop strategies or methodologies for 'reading' lost plays? Why were certain plays preserved and transmitted while others disappeared from view? Would we have a different impression of the work of these classic authors - or of Greek tragedy as a whole - if a different selection of plays had survived? This book answers such questions through a detailed study of the fragments in their historical and literary context. Making use of recent scholarly developments and new editions of the fragments, The Lost Plays of Greek Tragedy makes these works fully accessible for the first time.
Описание: Beyond the Fifth Century brings together 13 scholars from various disciplines (Classics, Ancient History, Mediaeval Studies) to explore interactions with Greek tragedy from the 4th century BCE up to the Middle Ages. The volume breaks new ground in several ways. Its chronological scope encompasses periods that are not usually part of research on tragedy reception, especially the Hellenistic period, late antiquity and the Middle Ages. The volume also considers not just performance reception but various other modes of reception, between different literary genres and media (inscriptions, vase paintings, recording technology). There is a pervasive interest in interactions between tragedy and society-at-large, such as festival culture and entertainment (both public and private), education, religious practice, even life-style. Finally, the volume features studies of a comparative nature which focus less on genealogical connections (although such may be present) but rather on the study of equivalences.
Автор: Matthew Wright Название: The Lost Plays of Greek Tragedy (Volume 1): Neglected Authors ISBN: 1472567757 ISBN-13(EAN): 9781472567758 Издательство: Bloomsbury Academic Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Numerous books have been written about Greek tragedy, but almost all of them are concerned with the 32 plays that still survive. This book, by contrast, concentrates on the plays that no longer exist. Hundreds of tragedies were performed in Athens and further afield during the classical period, and even though nearly all are lost, a certain amount is known about them through fragments and other types of evidence.
Matthew Wright offers an authoritative two-volume critical introduction and guide to the lost tragedies. This first volume examines the remains of works by playwrights such as Phrynichus, Agathon, Neophron, Critias, Astydamas, Chaeremon, and many others who have been forgotten or neglected. (Volume 2 explores the lost works of Aeschylus, Sophocles and Euripides.) What types of evidence exist for lost tragedies, and how might we approach this evidence? How did these plays become lost or incompletely preserved? How can we explain why all tragedians except Aeschylus, Sophocles and Euripides became neglected or relegated to the status of 'minor' poets? What changes and continuities can be detected in tragedy after the fifth century BC? Can the study of lost works and neglected authors change our views of Greek tragedy as a genre? This book answers such questions through a detailed study of the fragments in their historical and literary context. Including English versions of previously untranslated fragments as well as in-depth discussion of their significance, The Lost Plays of Greek Tragedy makes these works accessible for the first time.
Название: Greek tragedy after the fifth century ISBN: 1107038553 ISBN-13(EAN): 9781107038554 Издательство: Cambridge Academ Рейтинг: Цена: 16790.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Accessible survey exploring, for the first time in English, both textual and non-textual evidence for the development of Greek tragedy after the fifth century BC. Ranges widely across topics from theatre performance, music and dance to transmission and reception later in antiquity. Essential for classicists and theatre scholars and practitioners.
Автор: Matthew Wright Название: The Lost Plays of Greek Tragedy (Volume 1): Neglected Authors ISBN: 1472567765 ISBN-13(EAN): 9781472567765 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Numerous books have been written about Greek tragedy, but almost all of them are concerned with the 32 plays that still survive. This book, by contrast, concentrates on the plays that no longer exist. Hundreds of tragedies were performed in Athens and further afield during the classical period, and even though nearly all are lost, a certain amount is known about them through fragments and other types of evidence.
Matthew Wright offers an authoritative two-volume critical introduction and guide to the lost tragedies. This first volume examines the remains of works by playwrights such as Phrynichus, Agathon, Neophron, Critias, Astydamas, Chaeremon, and many others who have been forgotten or neglected. (Volume 2 explores the lost works of Aeschylus, Sophocles and Euripides.)
What types of evidence exist for lost tragedies, and how might we approach this evidence? How did these plays become lost or incompletely preserved? How can we explain why all tragedians except Aeschylus, Sophocles and Euripides became neglected or relegated to the status of 'minor' poets? What changes and continuities can be detected in tragedy after the fifth century BC? Can the study of lost works and neglected authors change our views of Greek tragedy as a genre? This book answers such questions through a detailed study of the fragments in their historical and literary context. Including English versions of previously untranslated fragments as well as in-depth discussion of their significance, The Lost Plays of Greek Tragedy makes these works accessible for the first time
Автор: Brian Arkins Название: Irish Appropriation of Greek Tragedy ISBN: 1788748700 ISBN-13(EAN): 9781788748704 Издательство: Peter Lang Рейтинг: Цена: 4764.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book presents an analysis of more than 30 plays written by Irish dramatists and poets that are based on the tragedies of Sophocles, Euripides and Aeschylus. These plays proceed from the time of Yeats and Synge through MacNeice and the Longfords on to many of today’s leading writers. A special feature of the book is that, in order to cater for these who may know little about Greek tragedy, it begins with a chapter entitled ‘A Brief Reading of Greek Tragedy’, and then, in regard to each Greek play analysed, it presents a mini-essay on that play, before coming to the Irish version(s) of it. Three features of these Irish appropriations stand out. Firstly, there are three methods of using a Greek tragedy: straight translation, which requires us to interrogate the original play; version, which preserves the invariant core of the original, but which can add or subtract material; loose adaptation, which often moves the action into the modern world. Secondly, there is a considerable stress on Sophocles whose emphasis on the theme of recognition resonates in a postcolonial society that must define itself. Thirdly, there is a considerable stress on the experience of women – such as Antigone and Medea – that can relate to the position of women in Irish society after independence.
Автор: Castagnoli Luca Название: Greek Memories ISBN: 1108471722 ISBN-13(EAN): 9781108471725 Издательство: Cambridge Academ Рейтинг: Цена: 16790.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Greek Memories aims to identify and examine the central concepts underlying the theories and practices of memory in the Greek world, from the archaic period to Late Antiquity, across all the main literary genres, and to trace some fundamental changes in these theories and practices.
Автор: Balme, Christopher B. (ludwig-maximilians-universitat Munchen) Название: Cambridge studies in modern theatre ISBN: 1108487890 ISBN-13(EAN): 9781108487894 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Actor and manager, Maurice E. Bandmann (1872-1922) toured theatre throughout the British Empire and beyond. His career represents a significant shift towards the globalization of theatre in the twentieth century. This book explores Bandmann`s impact on global theatre history and provides a new approach to the theatrical study of this era.
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