Black Magic Woman and Narrative Film: Race, Sex and Afro-Religiosity, Missouri Montrй Aza
Автор: Goett Jennifer Название: Black Autonomy: Race, Gender, and Afro-Nicaraguan Activism ISBN: 1503600548 ISBN-13(EAN): 9781503600546 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Decades after the first multicultural reforms were introduced in Latin America, Afrodescendant people from the region are still disproportionately impoverished, underserved, policed, and incarcerated. In Nicaragua, Afrodescendants have mobilized to confront this state of siege through the politics of black autonomy. For women and men grappling with postwar violence, black autonomy has its own cultural meanings as a political aspiration and a way of crafting selfhood and solidarity.
Jennifer Goett's ethnography examines the race and gender politics of activism for autonomous rights in an Afrodescendant. Creole community in Nicaragua. Weaving together fifteen years of research, Black Autonomy follows this community-based movement from its inception in the late 1990s to its realization as an autonomous territory in 2009 and beyond. Goett argues that despite significant gains in multicultural recognition, Afro-Nicaraguan Creoles continue to grapple with the day-to-day violence of capitalist intensification, racialized policing, and drug war militarization in their territories. Activists have responded by adopting a politics of autonomy based on race pride, territoriality, self-determination, and self-defense. Black Autonomy shows how this political radicalism is rooted in African diasporic identification and gendered cultural practices that women and men use to assert control over their bodies, labor, and spaces in an atmosphere of violence.
Автор: Ahad-Legardy Badia Название: Afro-Nostalgia: Feeling Good in Contemporary Black Culture ISBN: 0252085663 ISBN-13(EAN): 9780252085666 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3380.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The past as a building block of a more affirming and hopeful future
As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia. As a result, black lives have been predominately narrated through historical scenes of slavery and oppression. This phenomenon created a missing archive of romantic historical memories.
Badia Ahad-Legardy mines literature, visual culture, performance, and culinary arts to form an archive of black historical joy for use by the African-descended. Her analysis reveals how contemporary black artists find more than trauma and subjugation within the historical past. Drawing on contemporary African American culture and recent psychological studies, Ahad-Legardy reveals nostalgia’s capacity to produce positive emotions. Afro-nostalgia emerges as an expression of black romantic recollection that creates and inspires good feelings even within our darkest moments.
Original and provocative, Afro-Nostalgia offers black historical pleasure as a remedy to contend with the disillusionment of the present and the traumas of the past.
Описание: Juan Francisco Manzano and Gabriel de la Concepci?n Vald?s (Pl?cido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic Language for African-inspired spirituality. Likewise, Pl?cido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution. Pl?cido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. Matthew Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Pl?cido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress. Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Pl?cido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation.
Описание: Juan Francisco Manzano and Gabriel de la Concepci?n Vald?s (Pl?cido) were perhaps the most important and innovative Cuban writers of African descent during the Spanish colonial era. Both nineteenth-century authors used Catholicism as a symbolic Language for African-inspired spirituality. Likewise, Pl?cido and Manzano subverted the popular imagery of neoclassicism and Romanticism in order to envision black freedom in the tradition of the Haitian Revolution.Pl?cido and Manzano envisioned emancipation through the lens of African spirituality, a transformative moment in the history of Cuban letters. Matthew Pettway examines how the portrayal of African ideas of spirit and cosmos in otherwise conventional texts recur throughout early Cuban literature and became the basis for Manzano and Pl?cido’s antislavery philosophy. The portrayal of African-Atlantic religious ideas spurned the elite rationale that literature ought to be a barometer of highbrow cultural progress.Cuban debates about freedom and selfhood were never the exclusive domain of the white Creole elite. Pettway’s emphasis on African-inspired spirituality as a source of knowledge and a means to sacred authority for black Cuban writers deepens our understanding of Manzano and Pl?cido not as mere imitators but as aesthetic and political pioneers. As Pettway suggests, black Latin American authors did not abandon their African religious heritage to assimilate wholesale to the Catholic Church. By recognizing the wisdom of African ancestors, they procured power in the struggle for black liberation.
Описание: From the 1880s to the early 1900s, a particularly turbulent period of US race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. This book explores how writers experimented with innovative narrative strategies to revise stereotypical views of black identity and experience.
Автор: Goett Jennifer Название: Black Autonomy: Race, Gender, and Afro-Nicaraguan Activism ISBN: 0804799563 ISBN-13(EAN): 9780804799560 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10659.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Decades after the first multicultural reforms were introduced in Latin America, Afrodescendant people from the region are still disproportionately impoverished, underserved, policed, and incarcerated. In Nicaragua, Afrodescendants have mobilized to confront this state of siege through the politics of black autonomy. For women and men grappling with postwar violence, black autonomy has its own cultural meanings as a political aspiration and a way of crafting selfhood and solidarity.
Jennifer Goett's ethnography examines the race and gender politics of activism for autonomous rights in an Afrodescendant. Creole community in Nicaragua. Weaving together fifteen years of research, Black Autonomy follows this community-based movement from its inception in the late 1990s to its realization as an autonomous territory in 2009 and beyond. Goett argues that despite significant gains in multicultural recognition, Afro-Nicaraguan Creoles continue to grapple with the day-to-day violence of capitalist intensification, racialized policing, and drug war militarization in their territories. Activists have responded by adopting a politics of autonomy based on race pride, territoriality, self-determination, and self-defense. Black Autonomy shows how this political radicalism is rooted in African diasporic identification and gendered cultural practices that women and men use to assert control over their bodies, labor, and spaces in an atmosphere of violence.
Автор: Paulette A. Ramsay, Antonio D. Tillis Название: The Afro-Hispanic Reader and Anthology ISBN: 9766379149 ISBN-13(EAN): 9789766379148 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6237.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The growing prominence of afrocentricity has contributed to the increase in black Hispanic literature and the emergence of Afro-Hispanism as a legitimate genre of historical and sociocultural study. From Nicolás Guillén to Manuel Zapata Olivella and Nancy Morejón, Spanish-speaking black writers have been steadily pressing against the invisibility of black culture.In The Afro-Hispanic Reader, editors Paulette A. Ramsay and Antonio D. Tillis, together with their contributors, present the writings of prominent and emerging Afro-Hispanic writers in a critical study of the work of this seldom-recognised body of scholars. Bilingual in its presentation in both Spanish and English, the reader provides a fulsome discussion on African Diasporic literature and cultural forms and a wider embrace of cultural production by writers in the Americas, the Caribbean and in Africa. The book is divided into four parts, the first two focusing on a specific country in the Caribbean, Central and Latin America, Mexico and Equatorial Guinea. An overview of the black presence is discussed together with the historical, political, and sociocultural issues that have emerged in each country. The work and contribution of an individual writer is also presented with questions for discussion to enable a deeper understanding of the writer’s context and themes. Parts three and four present additional excerpts from black Hispanic writers showcasing the rich body of literature and further highlighting the enduring legacy of the African Diaspora.A welcomed addition to the field of literary criticism, this reader will significantly contribute to the increasing recognition and regeneration of Afro-Hispanism.
Автор: Bonnie S. Wasserman Название: Contemporary Afro-Brazil: A Multidisciplinary Anthology ISBN: 1516525906 ISBN-13(EAN): 9781516525904 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 26955.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contemporary Afro-Brazil: A Multidisciplinary Anthology exposes students to all aspects of Afro-Brazilian culture, including sports, music and dance, ideas of gender, socioeconomic and political disparities, and more. The anthology includes primary and secondary sources that emphasize and demonstrate the African influence in Brazilian culture from the beginning of the Atlantic Slave Trade to today. Over the course of 10 modules, students learn about the “discovery” of Brazil by the Portuguese, the establishment of the Atlantic Slave Trade, the existence (or not) of a racial democracy in Brazil, and how African traditions are often interwoven with Catholicism to create a unique religious practice and tradition. Additional readings explore the African influence on Brazilian dance, music, and film, the development and policing of favelas, and gender inequality in the nation. The collection closes with sections dedicated to the Afro-Brazilian influence on soccer and modern-day politics, protest, and policy, as Afro-Brazilians struggle to overcome socioeconomic, racial, and political disparities. Contemporary Afro-Brazil is a cross-disciplinary anthology designed to serve as a supplementary text for foundational courses in anthropology, history, political science, sociology, music, dance, religion, and gender studies that focus on Latin America and Brazil.
Описание: "Delves into the historical convergence of peoples and cultural traditions that both enrich and problematize notions of national belonging, identity, culture, and citizenship."--Antonio D. Tillis, editor of Critical Perspectives on Afro-Latin American Literature "With rich detail and theoretical complexity, Watson reinterprets Panamanian literature, dismantling longstanding nationalist interpretations and linking the country to the Black Atlantic and beyond. An engaging and important contribution to our understanding of Afro-Latin America."--Peter Szok, author of Wolf Tracks: Popular Art and Re-Africanization in Twentieth-Century Panama "Illuminates the deeper discourse of African-descendant identities that runs through Panama and other Central American countries."--Dawn Duke, author of Literary Passion, Ideological Commitment: Toward a Legacy of Afro-Cuban and Afro-Brazilian Women Writers
This volume tells the story of two cultural groups: Afro-Hispanics, whose ancestors came to Panama as African slaves, and West Indians from the English-speaking countries of Jamaica and Barbados who arrived during the mid-nineteenth and early-twentieth centuries to build the railroad and the Panama Canal.
While Afro-Hispanics assimilated after centuries of mestizaje (race mixing) and now identify with their Spanish heritage, West Indians hold to their British Caribbean roots and identify more closely with Africa and the Caribbean.
By examining the writing of black Panamanian authors, Sonja Watson highlights how race is defined, contested, and inscribed in Panama. She discusses the cultural, racial, and national tensions that prevent these two groups from forging a shared Afro-Panamanian identity, ultimately revealing why ethnically diverse Afro-descendant populations continue to struggle to create racial unity in nations across Latin America and the Caribbean.
Sonja Stephenson Watson is director of the Women's and Gender Studies Program and associate professor of Spanish at the University of Texas at Arlington. A volume in the series Latin American and Caribbean Arts and Culture, funded by the Andrew W. Mellon Foundation
Описание: Sonja Watson examines the writing of black Panamanian authors to reveal how race is defined, contested, and inscribed in Panama. She tells the story of two competing cultures: Afro-Hispanics whose ancestors came as slaves during the colonial period, and West Indians whose families arrived more recently from English-speaking Caribbean countries to build the Panama Railroad and Panama Canal.
Описание: From the forewords: "At a time when Cuba is undergoing immense economic and social changes, race becomes a kind of cultural litmus test for the national identity. . . . This anthology illustrates fully that it is possible to be both revolutionary and black in Cuba." - Manning Marable, Columbia University "The authors of Afro-Cuban Voices, also key actors in the new, unfolding dialogue about race in Cuba, make a seminal contribution through a forthright critique of 'racial blind spots' in official history and present-day racial discrimination." - James Early, director of cultural studies and communication, Smithsonian Institution From the series editor: "A courageous attempt to deal head-on with the issue of race in Cuba today. . . . P?rez Sarduy and Stubbs [seek to] put a human face on this debate, and do so well. The book will be received with relief by some and with frustration by others. Controversial it will undoubtedly be, since - as with most things Cuban-strong emotions are a given assumption. It will be an admirable beginning for the series and, it is hoped, will spark a much-needed debate in the United States on many aspects of the 'Cuban question.' It is about time." - John M. Kirk Based on the vivid firsthand testimony of prominent Afro-Cubans who live in Cuba, this book of interviews looks at ways that race affects daily life on the island. While celebrating their racial and national identity, the collected voices express an urgent need to end the silences and distortions of history in both pre- and postrevolutionary Cuba. The 14 people interviewed - of different generations and from different geographic areas of Cuba - come from the arts, the media, industry, academia, and medicine. They include a doctor who calls for joint U.S.-Cuban studies on high blood pressure and a craftsman who makes the bat? drums used in Yoruba worship ceremonies. All responded to four controversial questions: What is it like to be black in Cuba? How has the revolution made a difference? To what extent is that difference true today? What can be done? Exposing the contradictions of both racial stereotyping and cultural assimilation, their eloquent answers make the case that the issue of race in Cuba, no matter how hard to define, will not be ignored.
Автор: Ocasio Название: Afro-Cuban Costumbrismo ISBN: 0813061768 ISBN-13(EAN): 9780813061764 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3129.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Costumbrismo, which refers to depictions of life in Latin America during the nineteenth century, introduced some of the earliest black themes in Cuban literature. Rafael Ocasio delves into this literature to offer up a new perspective on the development of Cuban identity, as influenced by black culture and religion, during the sugar cane boom.Comments about the slave trade and the treatment of slaves were often censored in Cuban publications; nevertheless white Costumbrista writers reported on a vast catalogue of stereotypes, religious beliefs, and musical folklore, and on rich African traditions in major Cuban cities. Exploring rare and seldom discussed nineteenth-century texts, Ocasio offers insight into the nuances of black representation in Costumbrismo while analyzing authors such as Sua'rez y Romero, an abolitionist who wrote from the perspective of a plantation owner.Afro-Cuban Costumbrismo expands the idea of what texts constitute Costumbrismo and debunks the traditional notion that this writing reveals little about the Afro-Cuban experience. The result is a novel examination of how white writers' representations of black culture heavily inform our current understanding of nineteenth-century Afro-Cuban culture and national identity.
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