Studies in Music History: Essays for Oliver Strunk, Powers Harold
Автор: Taruskin Richard Название: Russian Music at Home and Abroad: New Essays ISBN: 0520288092 ISBN-13(EAN): 9780520288096 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In our divided, post-Cold War, and now post-9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. The author assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions.
Автор: Buchanan Название: Soundscapes from the Americas ISBN: 1138062545 ISBN-13(EAN): 9781138062542 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Dedicated to the late Gerard B hague (1937-2005), whose pioneering work in Latin American music, popular culture, and performance studies contributed extensively to ethnomusicological discourse in the 1970s-1990s, this anthology offers comparative perspectives on the evolving legacy of performance ethnography in socio-musical analysis. President of the Society for Ethnomusicology from 1979-81, editor of its journal, Ethnomusicology, from 1974-78, and founder and editor of the trilingual Latin American Music Review from 1980 until his death, B hague also established the ethnomusicology graduate program at the University of Texas at Austin in 1974, thereby influencing the training and thinking of dozens of the field's practitioners. Among these are the volume's eight authors, whose contributions reflect the heritage but also contemporary trajectories of B hague's scholarly concerns. Prefaced by an essay outlining key developments in the ethnography of performance paradigm, the volume's seven case studies portray snapshots of musical life in representative communities of the Americas, including the southwestern and Pacific United States, Puerto Rico, Bolivia, Chile, Cuba, and Ecuador. Situated in milieus ranging from the indigenous festivals of the Andean highlands, to the competitive public gatherings of poet-singers in post-Pinochet Chile, to the Puerto Rican dance halls of the Hawaiian islands, these studies pose anthropological inquiries into the ontology of performance practice, the social power of poetic performativity, and the experience and embodiment of sound in place.
Автор: Wilson Scott A. Название: Music at the Extremes: Essays on Sounds Outside the Mainstream ISBN: 0786494506 ISBN-13(EAN): 9780786494507 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4990.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Away from the spotlight of the pop charts and the demands of mainstream audiences, original music is still being played and audiences continue to engage with innovative artists. This collection of fresh essays gathers together critical writing on such genres as Power Electronics, Black Metal, Neo-Folk, Martial Industrial, Hard-Core Punk and Horrorcore.
When Reconstruction ended in 1877, tens of thousands of African Americans migrated from the Old South to the Midwest. Within a decade, they had established dozens of towns with churches, halls, and musical groups--and dozens of weekly newspapers which recorded both musical performances and attitudes toward a complicated set of musical traditions.
Black Music in the Black Press begins with Reconstruction and ends with the Great Depression.
Ethnomusicologist Marc Rice has combed huge collections of newspapers, from which he culled scores of editorial reviews, dozens of advertisements, and hundreds of articles, organizing them in ways which make clear the conflicts and changes. By keeping the focus on the articles themselves, he has brought readers first-hand accounts of the tastes and values black newswriters like William Kelly or music experts like Martha Broadus-Anderson debated and promulgated a century ago. And more, he has given current readers what they need to see, the stars: McCabe & Young, Walker and Williams, Scott Joplin, Sissieretta Jones, Ada Brown, Billy Kersands, W.H. Handy, Bennie Moten, Count Basie, Bill Bojangles, Irene and Vernon Castle, Bessie Smith, Louis Armstrong--and many many more.
From Witchita to Kansas City to Chicago, Indianapolis, Cleveland, and Detroit, black editors praised or excoriated minstrel shows, cakewalks, and "coon" songs. Later, they debated the value of "ragtime," blues, and jazz. Black performers won audiences with spectacular minstrel shows, created their own musical comedies and operas, modulated spirituals into sorrow songs, developed orchestras and dance clubs. Newsmen like George Knox of the Indianapolis Freeman, "an ex-slave with progressive ideas," balanced what they recognized as musical genius against the potentially demeaning effect of racist farce. Some saw "refined minstrelsy" in the McCabe & Young Minstrels, for example or praised the "droll humor" of Walker and Williams' Mr. Lode of Koal as "clean, hearty, romping mirth."
Yet, though black musicians proved their talents in a myriad ways, some reviewers seemed to value them insofar as they conformed to Eurocentric standards, reserving praise for "classically trained" black pianists and condemning popular comics for creating "noise" and "trash."
In eight chapters, organized chronologically and featuring articles from both large and smaller newspapers, Black Music in the Black Press presents these multiple perspectives, tracking the ways in which tastes changed over the half century between 1880 and 1935. As the decades passed, minstrel shows faded. Ragtime, blues, and "jass" blossomed. Venues grew, as well. The first World War brought further changes--including recognition that European audiences responded positively to black music. The Great Depression, and Prohibition further changed the ways in which black music was presented and evaluated. And finally, the impact of new technologies--of radio and studio recording--on black musicians was carefully assessed by writers in the black press.
Black Music in the Black Press is a treasure trove.
Автор: Condy Oliver Название: Symphonies for the Soul: Classical Music to Cure Any Ailment ISBN: 1788403185 ISBN-13(EAN): 9781788403184 Издательство: Conran Octopus Рейтинг: Цена: 2042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An A-Z of ailments - physical, mental and spiritual - and the classical music that will help to cure the body and soothe the soul.
Автор: Frith, Simon Название: Taking Popular Music Seriously ISBN: 0754626792 ISBN-13(EAN): 9780754626794 Издательство: Taylor&Francis Рейтинг: Цена: 27562.00 р. Наличие на складе: Нет в наличии.
Автор: Dunskus Oliver Название: Wes Montgomery: His Life and his Music ISBN: 3751995951 ISBN-13(EAN): 9783751995955 Издательство: Неизвестно Рейтинг: Цена: 6018.00 р. Наличие на складе: Нет в наличии.
Автор: O`Callaghan, Katherine Название: Essays on Music and Language in Modernist Literature ISBN: 0367593475 ISBN-13(EAN): 9780367593476 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Brian Wilson and The Beach Boys, Bob Dylan, Bruce Springsteen, and Paul Simon-these familiar figures have written road music for half a century and continue to remain highly-regarded artists. But there is so much more to say about road music. This book fills a glaring hole in scholarship about the road and music. In a collection of 13 essays, Music and the Road explores the origins of road music in the blues, country-western, and rock 'n' roll; the themes of adventure, freedom, mobility, camaraderie, and love, and much more in this music; the mystique and reality of touring as an important part of getting away from home, creating community among performers, and building audiences across the country from the 1930s to the present; and the contribution of music to popular road films such as Bonnie and Clyde, Easy Rider, Thelma and Louise, and On the Road.
Автор: Diana R. Dansereau; Jay Dorfman Название: Pluralism in American Music Education Research ISBN: 3319901605 ISBN-13(EAN): 9783319901602 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume examines pluralism in light of recent music education research history and pluralistic approaches in practice. Pluralistic research holds the potential to blend frameworks, foundations, methods, and analysis protocols, and leads to a sophisticated understanding of music teaching and learning. This blending could take place in a range of contexts that may span an individual study to a lifelong research agenda. Additionally, pluralistic ideals would guide the addressing of questions as a community. The volume also illuminates the work of innovative music education researchers who are constructing pluralistic research studies and agendas, and advocate for the music education profession to embrace such an approach in order to advance shared research goals. The ramifications of this transformation in music education research are a subject of discussion, including the implications for researcher education and the challenges inherent in conducting and disseminating such research.
Автор: Taruskin Richard Название: Russian Music at Home and Abroad: New Essays ISBN: 0520288084 ISBN-13(EAN): 9780520288089 Издательство: Wiley Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In our divided, post-Cold War, and now post-9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. The author assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions.
Автор: Oliver Wendy, Guarino Lindsay Название: Jazz Dance: A History of the Roots and Branches ISBN: 0813049296 ISBN-13(EAN): 9780813049298 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5821.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since 1960. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the many histories of jazz dance and examine various aspects of the field.
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