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Caribbean Visionary: A. R. F. Webber and the Making of the Guyanese Nation, Cudjoe Selwyn Reginald


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Автор: Cudjoe Selwyn Reginald
Название:  Caribbean Visionary: A. R. F. Webber and the Making of the Guyanese Nation
ISBN: 9781617031977
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 1617031976
Обложка/Формат: Paperback
Страницы: 294
Вес: 0.44 кг.
Дата издания: 29.08.2011
Серия: Caribbean studies series
Язык: English
Размер: 22.86 x 15.24 x 1.68 cm
Читательская аудитория: General (us: trade)
Подзаголовок: A. r. f. webber and the making of the guyanese nation
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Поставляется из: Англии
Описание: Traces the life of Albert Raymond Forbes Webber (1880-1932), a distinguished Caribbean scholar, statesman, legislator, and novelist. Using Webber as a lens, the book outlines the Guyanese struggle for justice and equality in an age of colonialism, imperialism, and indentureship.


Rediasporization: African-Guyanese Kweh-Kweh

Автор: Gillian Richards-Greaves
Название: Rediasporization: African-Guyanese Kweh-Kweh
ISBN: 1496831152 ISBN-13(EAN): 9781496831156
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание: Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community.

Rediasporization: African-Guyanese Kweh-Kweh

Автор: Gillian Richards-Greaves
Название: Rediasporization: African-Guyanese Kweh-Kweh
ISBN: 1496831160 ISBN-13(EAN): 9781496831163
Издательство: Mare Nostrum (Eurospan)
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Цена: 4389.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Every year on the Friday before Labor Day, Guyanese from all over the world convene in Brooklyn, New York, to celebrate the accidental tradition of Come to My Kwe-Kwe and to connect or reconnect with other Guyanese. Since the fall of 2005, they have celebrated Come to My Kwe-Kwe (more recently, Kwe-Kwe Night), a reenactment of a uniquely African Guyanese prewedding ritual called kweh-kweh, also known as karkalay, mayan, kweh-keh, or pele. Come to My Kwe-Kwe has increasingly become a symbol of African Guyaneseness. In this volume, Rediasporization: African Guyanese Kwe-Kwe, Gillian Richards-Greaves examines the role of Come to My Kwe-Kwe in the construction of a secondary African Guyanese diaspora (a rediasporization) in New York City. She explores how African Guyanese in the United States draw on the ritual to articulate their tripartite cultural identities: African, Guyanese, and American. This work also investigates the factors that affect African Guyanese perceptions of their racial and gendered selves, and how these perceptions, in turn, impact their engagement with African-influenced cultural performances like Come to My Kwe-Kwe. This work demonstrates how the malleability of this celebration allows African Guyanese to negotiate, highlight, conceal, and even sometimes reject complex, shifting, overlapping, and contextual identities. Ultimately, this work explores how these performances in the United States facilitate African Guyanese transformation from an imagined community to a tangible community.


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