Ernie Kovacs & Early TV Comedy: Nothing in Moderation, Horton Andrew
Автор: Andrew Horton, Michael Brashinsky Название: The Zero Hour: Glasnost and Soviet Cinema in Transition ISBN: 0691227861 ISBN-13(EAN): 9780691227863 Издательство: Walter de Gruyter Рейтинг: Цена: 18214.00 р. Наличие на складе: Нет в наличии.
Автор: Horton, Andrew (Editor) Название: The Last Modernist: The Films of Theo Angelopoulos ISBN: 0313305641 ISBN-13(EAN): 9780313305641 Издательство: ORCA BOOK SERVICES Рейтинг: Цена: 12441.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Theo Angelopoulos is widely regarded as one of the most distinctive contemporary filmmakers and a highly idiosyncratic film stylist. His work, from the early 1970s to The Beekeeper, Landscape in the Mist, The Suspended Step of the Stalk and the recent Cannes prize-winner Ulysses' Gaze, demonstrates a unique sensibility and a preoccupation with form (notably, the long take, space, and time) and with content, particularly Greek politics and history, and notions of the journey, border-crossing, and exile. This new collection of essays surveys his entire cinematic output and presents a discussion of his major films, themes, and concerns.
The contributors argue that Angelopoulos' sustained oeuvre
Автор: Horton Andrew, McDougal Stuart y. Название: Play It Again, Sam: Retakes on Remakes ISBN: 0520356926 ISBN-13(EAN): 9780520356924 Издательство: Wiley Цена: 21841.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
Автор: Horton Andrew, McDougal Stuart y. Название: Play It Again, Sam: Retakes on Remakes ISBN: 0520301250 ISBN-13(EAN): 9780520301252 Издательство: Wiley Цена: 6890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
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