Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland, Bohlman Andrea F.
Автор: Bohlman, Andrea F. (assistant Professor Of Music, Assistant Professor Of Music, University Of North Carolina At Chapel Hill) Название: Musical solidarities ISBN: 0190084081 ISBN-13(EAN): 9780190084080 Издательство: Oxford Academ Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A vibrant study of music and protest that focuses on the Solidarity movement in 1980s Poland, Musical Solidarities explores how and why sound mattered to the opposition to state socialism. Unfurling the rich soundscapes of political action at demonstrations, church services, meetings, and in detention, it offers a nuanced portrait of this pivotal decade of European and global history.
Название: Cities and Solidarities ISBN: 0367874253 ISBN-13(EAN): 9780367874254 Издательство: Taylor&Francis Рейтинг: Цена: 6889.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cities and Solidarities charts the ways in which the study of individuals and places revitalises our understanding of urban communities as dynamic interconnections of solidarities in pre-modern Europe. Combining theoretical frameworks with digital methodologies, this volume sheds new light on the socio-economic conditions, the form
Название: Cities and Solidarities ISBN: 1138943614 ISBN-13(EAN): 9781138943612 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cities and Solidarities charts the ways in which the study of individuals and places can revitalise our understanding of urban communities as dynamic interconnections of solidarities in medieval and early modern Europe. This volume sheds new light on the socio-economic conditions, the formal and informal institutions, and the strategies of individual town dwellers that explain the similarities and differences in the organisation and functioning of urban communities in pre-modern Europe. It considers how communities within cities and towns are constructed and reconstructed, how interactions amongst members of differing groups created social and economic institutions, and how urban communities reflected a sense of social cohesion. In answering these questions, the contributions combine theoretical frameworks with new digital methodologies in order to provoke further discussion into the fundamental nature of urban society in this key period of change. The essays in this collection demonstrate the complexities of urban societies in pre-modern Europe, and will make fascinating reading for students and scholars of medieval and early modern urban history.
Описание: There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agape Agape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.
Автор: Golab, Maciej Название: Musical modernism in the twentieth century ISBN: 3631629184 ISBN-13(EAN): 9783631629185 Издательство: Peter Lang Рейтинг: Цена: 9971.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a fresh discussion of the methodology of music historiography. So far historiographical methodology has always depended on other fields within humanities (especially on history) to a degree where it moved the focus of its thought away from the musical work’s structure and away from the musical work itself. Musical Modernism in the Twentieth Century looks at musical structures in its cultural context, using different methodological models for the interpretation of the subsequent phases of the twentieth-century musical modernism.
Автор: Thomas Siwe Название: Artful Noise: Percussion Literature in the Twentieth Century ISBN: 0252085000 ISBN-13(EAN): 9780252085000 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Twentieth-century composers created thousands of original works for solo percussion and percussion ensemble. Concise and ideal for the classroom, Artful Noise offers an essential and much-needed survey of this unique literature.
Percussionist Thomas Siwe organizes and analyzes the groundbreaking musical literature that arose during the twentieth century. Focusing on innovations in style and the evolution of the percussion ensemble, Siwe offers a historical overview that connects the music to scoring techniques, new instrumentation and evolving technologies as well as world events. Discussions of representative pieces by seminal composers examines the resources a work requires, its construction, and how it relates to other styles that developed during the same period. In addition, Siwe details the form and purpose of many of the compositions while providing background information on noteworthy artists. Each chapter is supported with musical examples and concludes with a short list of related works specifically designed to steer musicians and instructors alike toward profitable explorations of composers, styles, and eras.
Описание: How does one go about writing the history of musical composition in the late twentieth century when, on the one hand, so much of it seems impossibly fractured and disassociated, and, on the other, there has been so little certainty about what the notion of 'music history' might entail under the critiques of post-modernism? One of the most productive ways forward is to pursue case studies involving single composers whose music reflects several aspects of recent activity. This enables the discussion of broad issues in a relatively focussed way whilst avoiding the pitfalls of traditional narrative histories and the centrifugal tendencies of the relativistic approach that some have called for. The music of the English-born (1943) and Australia-domiciled composer Roger Smalley is ideal material for such a study, because of his involvement with and response to an unusually large number of the myriad concerns and practices of post-1950s composition, including post-serial constructivism; parody; electro-acoustic composition and the electronic modification of conventionally-produced sound; Moment Form; aleatorism; minimalism; the use of non-Western resources (Aboriginal and South-East Asian sonorities); neo-Romanticism; and, arguably, the 'new classicism', as well as a brief flirtation with rock music in the late '60s. Employing an interview with the composer as a kind of cantus firmus, the book - the first extended single-author study of Smalley's music to be published - incorporates critical commentary on the composer's major works in a chronological narrative that engages with broad issues of central relevance to Smalley's generation, such as the process of learning the craft of composition in the early '60s; the motivation behind the adoption of certain technical and aesthetic positions; the effects on technical and aesthetic orientation of both the changing relationships between composer, performer, and audience and technological change; and the distinction betwe
Описание: Employing an interview with English-born (1943) and Australia-domiciled composer Roger Smalley as a kind of cantus firmus, this book incorporates critical commentary on the composer`s major works in a chronological narrative that engages with issues of central relevance to Smalley`s generation.
Описание: Examining pioneering and long-forgotten scholarly contributions by Eduard Hanslick, Guido Adler, and Heinrich Schenker, this book argues that music study, at the time of its academic institutionalization in the late 19th century, was a deeply conflicted endeavor.
Описание: Drawing on the variety of archival sources in the host of European and Oriental languages, the book focuses on the history, ethnography, and convoluted ethnic identity of the Polish-Lithuanian Karaites. The vanishing community of the Karaites, a non-Talmudic Turkic-speaking Jewish minority that had been living in Eastern Europe since the late Middle Ages, developed a unique ethnographic culture and religious tradition. The book offers the first comprehensive study of the dramatic history of the Polish-Lithuanian Karaite community in the twentieth century. Especially important is the analysis of the dejudaization (or Turkicization) of the community that saved the Karaites from horrors of the Holocaust.
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