Описание: This book explores the conflicted relationship writers have with their public image, particularly when they have written about their personal lives. D`Amore analyzes the autobiographical works of Norman Mailer, John Edgar Wideman, and Dave Eggers in light of theories of authorship, autobiography, and celebrity.
Описание: This critical volume offers an overview and close analysis of Italian women`s autobiographical writings from the twentieth century, engaging with issues of form and content and identifying recurring paradigms. It will be of interest to students of Italian literature and culture, autobiographical studies, and gender studies.
"Mencken weighs 172 pounds, is 5 feet 10 inches in height and not beautiful. His chief amusement, after reading, is piano-playing, this he does very crudely. He takes no exercise except walking and is a moderate eater and drinker. He sometimes drinks as little as one bottle of beer a week, though this doesn't happen very often." So wrote H. L. Mencken about himself, in a brief sketch of his life penned in 1905. Perhaps America's foremost literary stylist and most mordant wit, Mencken's most engaging writing told about his own life and experiences. In Mencken on Mencken, veteran Mencken editor and scholar S. T. Joshi has assembled a hefty collection of the best of Mencken's autobiographical pieces that have not appeared previously in book form. These forty-four selections cover a wide variety of topics ranging from incidents from Mencken's everyday life to reflections on friends and colleagues to his careers as author, journalist, and editor, to his travels abroad. As a journalist in Baltimore, Mencken encountered many unusual characters: a professional mourner hired by a beer distiller, a wagon driver who slept through the great Baltimore fire of 1904, a confirmed bachelor who left town to avoid the clutches of a predatory widow. He provides accounts of literary figures he knew, such as Theodore Dreiser, and ruminations on his work at the Baltimore Sun and as editor for the magazines Smart Set and the American Mercury. In an essay titled "What I Believe," he eschews humor and writes straightforwardly of his longtime scorn for the idea of religion, and in his journalist mode he reflects on a half-century of attending political conventions, drawing on his vast inside knowledge to savage the corruption and incompetence of the political class. A superb travel writer, Mencken gives us a rollicking account of beer-drinking in Munich, astute observations of political unrest in Cuba, and carefully drawn scenes from a long tour he and his wife made of the Mediterranean in 1934. Joshi has thoroughly annotated the pieces and also compiled an extensive glossary of names and terms that Mencken mentions. Mencken on Mencken offers a fully rounded self-portrait of one of America's most colorful personalities and most extraordinary men of letters.
Автор: Francoise Lionnet Название: Autobiographical Voices: Race, Gender, Self-Portraiture ISBN: 1501728040 ISBN-13(EAN): 9781501728044 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2502.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Adopting a boldly innovative approach to women’s autobiographical writing, Fran?oise Lionnet here examines the rhetoric of self-portraiture in works by authors who are bilingual or multilingual or of mixed races or cultures. Autobiographical Voices offers incisive readings of texts by Zora Neale Hurston, Maya Angelou, Marie Cardinal, Maryse Cond?, Marie-Th?r?se Humbert, Augustine, and Nietzsche.
Автор: Machen Arthur Название: Autobiographical Writings ISBN: 1614983100 ISBN-13(EAN): 9781614983101 Издательство: Неизвестно Рейтинг: Цена: 5518.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Anglo-Welsh writer Arthur Machen (1863-1947) has gained deserved celebrity for his tales of horror ("The Great God Pan," "The White People"), his moving novel of artistic expression, The Hill of Dreams, and a plethora of other works. Some of his most distinctive writings are his autobiographical volumes, Far Off Things (1922), Things Near and Far (1923), and The London Adventure (1924), written when Machen was being hailed as an elder statesman of late Victorian literature.
In these autobiographies, Machen carefully fashions an image of himself as the struggling artist dwelling in a London garret, surviving on tea and tobacco. His horror tales of the 1890s were condemned as the ravings of a diseased mind-but that only enhanced their popularity. But Machen continued to struggle financially, and in 1910 he began working as a reporter for the London Evening News. Soon after the outbreak of World War I in August 1914, he wrote "The Bowmen," which catapulted him into notoriety, as the story was taken as a true account of angels coming to the rescue of beleaguered British soldiers.
This volume also includes a group of separately published essays that augment our understanding of Machen's life and mind. In addition, the rare and piquant volume Precious Balms (1924)-a reprinting of the hostile reviews Machen received over a lifetime-is included.
The volume is edited by S. T. Joshi, a leading authority on Machen and weird fiction.
Описание: This critical volume offers an overview and close analysis of Italian women`s autobiographical writings from the twentieth century, engaging with issues of form and content and identifying recurring paradigms. It will be of interest to students of Italian literature and culture, autobiographical studies, and gender studies.
Literary scholar Michael A. Chaney examines graphic novels to illustrate that in form and function they inform readers on how they ought to be read. His arguments result in an innovative analysis of the various knowledges that comics produce and the methods artists and writers employ to convey them. Theoretically eclectic, this study attends to the lessons taught by both the form and content of today's most celebrated graphic novels.
Chaney analyzes the embedded lessons in comics and graphic novels through the form's central tropes: the iconic child storyteller and the inherent childishness of comics in American culture; the use of mirrors and masks as ciphers of the unconscious; embedded puzzles and games in otherwise story-driven comic narratives; and the form's self-reflexive propensity for showing its work. Comics reveal the labor that goes into producing them, embedding lessons on how to read the "work" as a whole.
Throughout, Chaney draws from a range of theoretical insights from psychoanalysis and semiotics to theories of reception and production from film studies, art history, and media studies. Some of the major texts examined include Marjane Satrapi's Persepolis; Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth; Joe Sacco's Palestine; David B.'s Epileptic; Kyle Baker's Nat Turner; and many more. As Chaney's examples show, graphic novels teach us even as they create meaning in their infinite relay between words and pictures.
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