Описание: Theorists emphasize the necessity of writing about - or witnessing - trauma in order to overcome it. To this critical conversation, Reading Testimony, Witnessing Trauma: Confronting Race, Gender, and Violence in American Literature treats reader response to traumatic and testimonial literature written by and about African American women and adds insight into the engagement of testimonial literature. Eden Wales Freedman articulates a theory of reading (or dual-witnessing) that explores how narrators and readers can witness trauma together. She places these original theories of traumatic reception in conversation with the African American literary tradition to speak to the histories, cultures, and traumas of African Americans, particularly the repercussions of slavery, as witnessed in African American literature. The volume also considers intersections of race and gender and how narrators and readers can cross such constructs to witness collectively. Reading Testimony, Witnessing Trauma's innovative examinations of raced-gendered intersections open and speak with those works that promote dual-witnessing through the fraught (literary) histories of race and gender relations in America. To explicate how dual-witnessing converses with American literature, race theory, and gender criticism, the book analyzes emancipatory narratives by Sojourner Truth, Harriet Jacobs, and Elizabeth Keckley and novels by William Faulkner, Zora Neale Hurston, Margaret Walker, Toni Morrison, and Jesmyn Ward.
Описание: Theorists emphasize the necessity of writing about - or witnessing - trauma in order to overcome it. To this critical conversation, Reading Testimony, Witnessing Trauma: Confronting Race, Gender, and Violence in American Literature treats reader response to traumatic and testimonial literature written by and about African American women and adds insight into the engagement of testimonial literature. Eden Wales Freedman articulates a theory of reading (or dual-witnessing) that explores how narrators and readers can witness trauma together. She places these original theories of traumatic reception in conversation with the African American literary tradition to speak to the histories, cultures, and traumas of African Americans, particularly the repercussions of slavery, as witnessed in African American literature. The volume also considers intersections of race and gender and how narrators and readers can cross such constructs to witness collectively. Reading Testimony, Witnessing Trauma's innovative examinations of raced-gendered intersections open and speak with those works that promote dual-witnessing through the fraught (literary) histories of race and gender relations in America. To explicate how dual-witnessing converses with American literature, race theory, and gender criticism, the book analyzes emancipatory narratives by Sojourner Truth, Harriet Jacobs, and Elizabeth Keckley and novels by William Faulkner, Zora Neale Hurston, Margaret Walker, Toni Morrison, and Jesmyn Ward.
Описание: Era by era, from the writings of the classical Christian epoch up to East of Eden and Amadeus, from Philo to Finnegans Wake, Ricardo Quinones examines the contexts of a master metaphor of our culture. This brilliant work is the first comprehensive book on the Cain and Abel story. "Ricardo Quinones takes us on a grand tour of Western civilization i
Описание: This book uses the scene of the throwing of a stone found in five Caribbean novels as a starting point to an examination of the turmoil of history in the Caribbean, the colonial education imposed on native populations, the gendered relations that exist today in the region, and the psychological impact of colonization on Caribbean minds.
Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.
Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.
Автор: Barberan Reinares Название: Sex Trafficking in Postcolonial Literature ISBN: 1138737429 ISBN-13(EAN): 9781138737426 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
At present, the bulk of the existing research on sex trafficking originates in the social sciences. Sex Trafficking in Postcolonial Literature adds an original perspective on this issue by examining representations of sex trafficking in postcolonial literature.
This book is a sustained interdisciplinary study bridging postcolonial literature, in English and Spanish, and sex trafficking, as analyzed through literary theory, anthropology, sociology, history, trauma theory, journalism, and globalization studies. It encompasses postcolonial theory and literature's aesthetic analysis of sex trafficking together with research from social sciences, psychology, anthropology, and economics with the intention of offering a comprehensive analysis of the topic beyond the type of Orientalist discourse so prevalent in the media. This is an important and innovative resource for scholars in literature, postcolonial studies, gender studies, human rights and global justice.
Автор: Cain Название: Reconceptualizing American Literary/Cultural Studies ISBN: 1138984744 ISBN-13(EAN): 9781138984745 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Описание: This book analyzes how African literary texts have engaged with pressing ecological problems in Africa. It is a multi-disciplinary text, for both researchers and scholars of African Studies, the environment and postcolonial literature.
Описание: Twentieth-century literature changed understandings of what it meant to be human. Mads Rosendahl Thomsen, in this historical overview, presents a record of literature's changing ideas of mankind, questioning the degree to which literature records and creates visions of the new human. Grounded in the theory of Niklas Luhmann and drawing on canonical works, Thomsen uses literary changes in the mind, body and society to define the new human. He begins with the modernist minds of Virginia Woolf, Williams Carlos Williams and Louis-Ferdinand Celine's, discusses the society-changing concepts envisioned by Chinua Achebe, Mo Yan and Orhan Pamuk. He concludes with science fiction, discussing Don DeLillo and Michel Houellebecq's ideas of revolutionizing man through biotechnology. This is a study about imagination, aesthetics and ethics that demonstrates literature's capacity to not only imagine the future but portray the conflicting desires between individual and various collectives better than any other media. A study that heightens reflections on human evolution and posthumanism.
Автор: Fender Stephen Название: Sea Changes: British Emigration & American Literature ISBN: 1911204866 ISBN-13(EAN): 9781911204862 Издательство: Неизвестно Рейтинг: Цена: 12001.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This acclaimed landmark work - in this substantially revised second edition - is a key study of the American cultural experience. It examines the formation of an American personal and national identity through the experience of emigration. It asks what was the 'American difference', and what constitutes the American character. It explores in detail the crucial influence of emigration from Europe.
It explores American readiness to change, to break with the past, and its faith in future possibilities. Every one of these supposed qualities is traced by Professor Fender to the psychology of emigration.
As a new nation, America had to create and define itself. As the rebellious child of a distant but powerful parent America had to struggle against a metropolitan center with which it shared a language and a legal system, but it strenuously defined itself differently.
This work is about the power of American ideology and how it unlocked the creative potential in the lives and writings for 'ordinary' people. It is a work like no other. It says much that is original on writers such as Cooper, Jefferson, Thoreau, Hawthorne and Henry James, among others. Professor Fender has also examined many accounts of ordinary people through diaries, letters and contemporary documents.
The book examines how innovations in structures of life, government and writing entailed key cultural themes. It argues that the rhetoric in which emigration was promoted, defended and attacked became the exhilarations and the anxieties of the American difference. American literature thus returns repeatedly to narratives of captivity, adolescence and initiation as shown in its distinctive literary forms.
Описание: In this bold study of cinematic depictions of violence in the south, Deborah Barker explores the ongoing legacy of the "southern rape complex" in American film. Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes.
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